Autumn Waterfalls, 2015 (Part 1)

Hello again!
Yes, it really is a new blog entry, so don't adjust your screens. Well overdue, it has to be said, and although I continually promise to update my blog on a more regular basis, I really must deliver that promise instead of going AWOL. No excuse, to be honest, but other commitments have taken priority, such as my main website at ashleycorr.com, my Facebook photography page, plus the small matter of fulfilling orders for my work in print. Anyway, less of that and more of this. Welcome back folks - normal service shall now be resumed...

Haway then, let me take you on a wander through Autumn countryside, from Middleton in Teesdale to West Burton - a small quaint hamlet in Wensleydale. The plan was to shoot waterfalls, with a backdrop of Autumn colours to boot. Sounds good, but would the plan come together? It was a fine, sunny day, which wasn't the ideal weather for shooting waterfalls, to be honest. Overcast days are better conditions, but you can only run with what is front of you, so let's see what today brings.

The first port of call was Summerhill Force, in Middleton in Teesdale, also known as Gibson's Cave. As we walked through the wooded area towards the falls, the leaves were falling rapidly and we really did get a sense that Autumn was well and truly in full flow. As the sun shone on the golden leaves, it was a sight to behold. The floor was littered with them, as was the rocks in the stream on the approach to the falls. A couple of photographers were in position along the waters edge, capturing Autumn in its pomp as they pulled in those colourful shots. As we reached Summerhill Force, the focal point of our visit, the sun shone directly through the break in the trees and onto the waterfall. Not ideal, although it did bring the best out of the surrounding tress in all their Autumn colours. The shots featured here are from the approach to the falls. Here they are, followed by Part 2 of 'Autumn Waterfalls' which will be my next blog installment, concentrating on West Burton Falls. Until then...

Cheers, Ash

Tommy 1101 - Facebook Meltdown!!!

As the dust begins to settle on an amazing few days for Ashley Corr Photography, I'd like to personally thank everyone for their support following my recent photo upload here on Facebook. The photo in question was captured at midnight on Tuesday 25th August, 2015, in Seaham Harbour, County Durham.

The subject was Tommy, a corteen steel statue that was originally on loan to the County Durham town. The statue, by local artist Ray Lonsdale, was so popular that people in Seaham began a campaign to buy it, and after a mammoth effort, £60,000 was raised in a bid to secure permanent residence. The town council agreed to contribute the remainder of the £85,000 price tag before the deadline. The piece, called Mission 1101, known locally as Tommy, was inspired by World War One and is named to reflect the first minute of peace.

My brother Chris and myself headed over to Seaham in the hope of photographing Tommy, despite the rain. I recently had an idea floating around in my head that involved placing candles in front of Tommy, which would be so poignant and fitting that I just had to give it a go. Real candle flames wouldn't have stood a chance in such a breezy open space, coupled with the fact that rain threatened to spoil the party, so I decided to use battery powered tea lights which would give an identical effect to the shot, plus I wouldn't be pulling my hair our lighting one match after another to get them restarted. After a couple of minutes arranging the candles, it was time to let the camera go to work. As I dialed in the camera settings the rain kicked in once again, driving us back into my car that was parked nearby. I wasn't at all bothered about getting wet, but more concerned about keeping the camera and lens dry. Oh, go on then...truth was, I didn't want me mullet getting spoiled, he he.

A few minutes later the rain passed and we set up stall again, only for the rain to fall again, heavier than before. Beat retreat to the car. At this point I considered giving the whole thing a miss, almost deciding it would be best to try again another night. Although the rain was against us, it actually played a massive part in what was to become my most popular photograph to date. The steel statue was sparkling in the rain and at that point I imagined those brave soldiers, like Tommy, who paid the ultimate price fighting for the cause, and how at times they fought in torrential conditions, such as heavy rain. It was at this point I decided I wasn't leaving without the photograph I wanted. It was in my head, exactly what I wanted, so it was up to me to capture it with my camera.

We've all heard the saying 'Third time lucky', well that applied to me as I set up my gear and placed the candles into position once again. The rain subsided and it was GAME ON. Tommy sparkled and the dry spots under his toe caps added a little extra to the shot, giving a strong impression of a very recent rainfall. There was no-one around, just me and Chris along with the odd passing car. As I finally got to trip the shutter, Chris took a photo or two himself, including one of me standing next to my gear. Within a minute or two we were out. Driving back to Houghton le Spring, I was quietly confident I had bagged the shot I wanted.

Without further ado, here it is...Tommy 1101, Candlelit Vigil...

The following day I posted the shot on 'Sunderland In Pictures' during late afternoon. My Facebook mobile phone app went into meltdown!!! As I was working a night shift that same day I went back to bed for a few hours in preparation for the slog ahead. When the alarm clock shifted my backside outa bed I went downstairs and made a coffee. I sat and looked on my mobile phone. To my amazement I learned that my Tommy photo had over 600 likes and many comments. Within another hour (11.10pm) it cranked up to over 900!! Break time at work (1.45am) the like counter had tipped over to 1360 likes. This was beyond anything I had achieved previously and way beyond anything I had expected when the candle concept entered my head. The response to 'Candlelit Vigil' was overwhelming to say the least.

The following day it went onto another level completely. The comments and likes were coming at a rate of ten per minute. The kind words were very touching and this was very satisfying. I was happy that so many people were moved enough to comment and send private messages of thanks. This meant a lot and I knew it meant a lot to others too. There were far too comments to thank everyone individually, so I made a point of thanking everyone on a few occasions in the comments column. Then a comment came in that was the cherry on the icing of the cake. The designer of Tommy, none other than Ray Lonsdale, gave high praise, sharing my photo to his own page 'Two rubber red things/Ray Lonsdale' and saying how it was up there with the very best photo's he'd seen of his creation. Wow, it doesn't come much better than that'.
Within a few hours the photo had over 500 likes on his page.

Skipping the chase, it's now three days since I posted 'candlelit Vigil' to Facebook. On Sunderland In Pictures alone it has over 4,500 likes and almost 400 comments. The 'Picture' has also been shared no less that 4,300 times!! Once again, thanks very much for the response to my photo, which has been very humbling. I take a lot of satisfaction most of all by sharing the photo, which in turn moved many people, not only from the North-East of England, but much further afield. It's a fitting tribute to all those who fought in conflict, especially those who paid the ultimate price. Lest we forget...

Roseberry Topping, North Yorkshire

May is for bluebells and a bad back, or so the story goes...

Another trip south on the A19 and an exit at the Whitby turn off for another bash at the bluebell carpet in Newton Wood, near the iconic landmark that is Roseberry Topping. Almost a year to the day I visited this picturesque location for a dose of landscape photography but I was more that happy to tread the terrain once more in the search for some improved bluebell shots, with Roseberry Topping as a backdrop. Sounds great, plus the weather was on my side and upon arrival I had the place to myself. My mobile phone is loaded with some ideal information in the shape of 'Photographers Ephemeris' which predicted the sun would be ideally placed around 3am for the shots I wanted. All went as planned and I was back at ground level within an hour and a half. It wasn't until the next day at work that niggling back pains kicked in and gradually worsened as the day progressed. By the following day I was in a lot of discomfort. Felt like I'd been booted by a horse. Down my right side the was excruciating and it affected my leg too, especially when driving. Not nice. I had to lift my leg up and out of the car before standing up, not to mention what I must have looked like trying getting out the car. Oh dear. Out of action for a while by the look of things. I reckon I must have brought this on by carting that ridiculously heavy camera bag up the hill to photograph the bluebells. Must be bloody mad. Oh well, as I write this blog entry a few weeks later, I'm glad to announce that I'm back to full fitness (whatever that may be) and the back pain has done one. I'll not be making that mistake again, says he. Oh well, I wouldn't say it was worth it. No photograph is worth going through that agony, but just for the record, here is the photographs from the outing. More blogging to follow.
Thanks, Ash

Northern Lights, Bamburgh - April 2015

Hello again and welcome to another blog entry. I've been looking forward to writing about my recent sighting of the Northern Lights, also known as the Aurora Borealis. After a brief showing back in December 2014, I was hopeful of catching a better light show before the end of the Aurora season, which is normally in late March. There had been a handful of decent Aurora activity since December, notably the big one on St. Patrick's Day, but sods law kicked in and I missed them, mainly due to work commitments, and not for the first time either. So, when a predicted forecast of Aurora activity was on the cards in late April, I decided to push the envelope and get myself up the coast to photograph it. As it happened I was working until 11.20pm on April 20th but that wasn't going to stop me making the 130 mile round trip, even though I was quite knackered at the end of my shift. The opportunity was too good to pass, especially as the aurora prediction also coincided with clear skies and no moon, which are ideal for this kind of photography. So, with everything in place, it was all systems go!

I made the journey north with work colleague and friend Ryan Pearce, who like myself has only been doing Astrophotography for a few months. We were both excited as to what the night had in store for us and we weren't disappointed. After an hour or so on the road we were soon in position with our cameras at Stag Rock Lighthouse, Bamburgh, on the Northumberland coast. This was the same location as my first and only sighting of the Northern Lights, so we were more than hopeful of a good light show to reward us for our efforts. Pointing our cameras in a northerly direction we fired off our first test shots to see if we could pick up any activity. Bingo! A magenta cloud was fairly prominent on the horizon and what a start to the night that was. Soon we could see small spires and they shifted fairly quickly to the right, along the horizon. The spires got bigger and more appeared as the minutes passed. To the naked eye they appeared as a grey hue, but the long exposures that the camera pulled in showed them as bright green and magenta. I ran off a time lapse sequence whilst watching the dancing lights, which consisted of around 80 x 20 second exposures.

The Milky Way was very prominent and stretched across the sky between the Aurora and Bamburgh Castle. I was hopeful of bagging a shot of the full vista in front of me, although the vast expanse would only be achieved by taking several shots and stitching them together in Photoshop. The photo at the top is the result of taking 14 exposures and letting Photoshop do the rest. Once stitched I edited the image, which took around 15 minutes to complete. I would say it's one of my best shots to date. This time last year I didn't even know what the Milky Way and Aurora looked like, so to grab myself a shot like this meant a lot. A rare phenomenon!

The lights danced on the horizon for two and a half hours before an orange glow began to appear. Yes, the sun was on its way. We left Bamburgh at around 4.15am and headed home. Job done. This was a memorable night, to say the very least. I have compiled a time lapse video of what we saw on this eventful night and it can be found on my website. Visit ashleycorr.com and head off to the TV page where you will find the 2 and a half minute footage. Alteratively, if you have access to a Smart TV, go to the YouTube app and search for 'Bamburgh Aurora'. The search results will show the thumbnail image with my name next to it. The video has been produced in High Definition and I'm sure you'll enjoy it. It's only my first attempt at this kind of thing, but I think I done ok. And that's about it. Hope you enjoyed this blog entry. Cheers, Ash  

 

Fully Stocked Once Again...

Apologies for the long delay in updating my blog page. It's been almost a full calendar month since my 'Back 2 Nature' blog entry, so I'll have to get back up to speed on here...soon.

Anyway, It has been a busy month to be fair - decorating the house, improving the garden, boarding out the loft and suchlike. There's also been the time consuming task of creating new framed prints following another successful batch of sales at Penshaw Tea Rooms and Clay's Garden Centre. A couple of weeks ago I replenished the stocks, filling the wall space and also the display boxes, which is always nice. It often crosses my mind about banging on more doors to sell my work, but to be quite honest, my two longest serving outlets keep me busy enough as it is, which is all good. Obviously there are times of year when sales slow down and then ramp up again, especially during the Spring and around Christmas time. The quiet spells are fine, as it gives me that extra time out in the field with the camera. The busy spells however can be very hectic and there have been times when I've been at it from early morning until late at night, but as long as there is a dmand for my work then that suits me fine. Happy days!

And so to the latest batch from ashleycorr.com. Following the sales of all of my 32x22 inch canvas prints at Penshaw Tea Room, another 6 are now on display, as well as a dozen framed prints and 30 mounted prints of various sizes. Clay's Garden Centre is now showing a fresh line up of both canvas and frames within the very popular in house Coffee Shop. In addition to this there is a display box on the shop floor containing 25 medium mounted prints (14x11 inches) and 15 small mounted prints (10x8 inches). Accompanying them is a selection of my postcards that I had left over from my Tourist Board commission a couple of years ago. The set of postcards depict local landscape scenes in the North-East of England. Prices are as follows, which have no increase since 2013...

32x22 inch gallery wrap canvas print, on 32mm box frame - £60.00 each
20x16 inch framed prints - £45.00 each
36x12 inch panoramic framed prints - £60.00 each
14x11 inch framed prints - £30.00 each
14x11 inch mounted prints - £15.00 each
10x8 inch mounted prints - £10.00 each
A5 postcards (spot gloss finish) - 30p each

Here is a small selection of the new stock, including some made to order items for other customers. I never got a chance to photograph any of the new canvases as they went straight out of the door after they were framed. Also shown is my new business card which I designed last week, matching the new fonts on my revamped website.  More recent photo's to follow...honest Guv!

Thanks again for visiting my blog page

AC

Back 2 Nature

Hello again!

A change of direction with my latest blog entry - it's a return to some nature photography, after an absence of a few months. It's generally Springtime when I kick start my nature photography and this year is no different as the breeding season kicks in once again. And what better location to reacquaint myself with nature photography, it has to be Rainton Meadows Nature Reserve on the door step that is Houghton le Spring. It's always a challenge to capture those eye catching shots of Mute Swans at sunset, especially at this time of year when these territorial birds let you know in no uncertain terms who is boss. Get too close and you'll know about it, let there be no doubt about that. A little bit of field craft comes into play in these situations and that has developed of the years with experience in similar situations. I've got to know the tolerance levels of Mute Swans, mainly due to many visits to this locations and also by monitoring their habits and behaviour close up. I've gained a lot of knowledge after photographing these birds and have learned not to push the limits. Let them rule their habitat at all times. Do the job and then get out.

So here is my latest set of images, caught shortly after sunset on a mild March evening. The water was still and only a solitary swan on show, which was all I needed. When the sun had gone it was a brief waiting game as I prepared to take my shots with a nice colourful backdrop. And so it came and went, lasting a mere ten minutes. Only a short window to bag the shots, but it was enough. I was only a few feet away from the Cobb (male swan) as it posed for me on one of the many ponds at Rainton Meadows. It seemed more than at ease with my presence and sat contently on the water as the colour appeared in the sky behind it. I appeased the bird with the occasional food pellet, which it welcomed. Without the grub I may have been out of luck. As it was, luck was well and truly on my side on this occasion. I was chuffed with the shots. Here is 3 efforts from a batch of a dozen keepers. Hope you like them. Until the next time, stay tuned...

Ash

Star Trails @ Souter Lighthouse, Marsden

Ey-up!

Another blog entry heading your way. I'm gonna try and keep on top of my blog page as I know just how easily I can be distracted by my ACP Facebook page. Around 18 months ago I finally joined Facebook after steering away from it for so long. It was the commitment to that which was mainly to blame for me taking a back seat with my blog, so I'm gonna try not to let that happen again. It's a bit of a juggling act to say the least, but hopefully I'll get it right this time. I enjoy updating the blog, although sometimes I struggle with the task of not repeating myself. Ah well, I'll plod on and continue with the adventures of a roaming Mackem. Today's update comes in the shape of some recent Astrophotography. What the frig is Astrophotography, I hear you say. Well, let me enlighten you...(cut and pasted from the ver trusty Wikipedia)... 

Astrophotography is a specialized type of photography for recording images of astronomical objects and large areas of the night sky. The first photograph of an astronomical object (the Moon) was taken in 1840, but it was not until the late 19th century that advances in technology allowed for detailed stellar photography. Besides being able to record the details of extended objects such as the Moon, Sun, and planets, astrophotography has the ability to image objects invisible to the human eye such as dim stars, nebulae, and galaxies.

Now we've got that little issue out of the way I'd like to tell you about my recent trip to Souter Lighthouse, near Marsden, which lies along our coastal route between Whitburn and South Shields. I decided on this location to do a star trail sequence as it is an ideal spot with not too much light pollution if you're facing Polaris (the North Star). On this occasion though, I wanted to give Polaris a night off and instead capture the sequence in a westerly facing direction. I was pretty much dictated by the shot I had in mind and the particular direction I would need to face to achieve this. So, I took up position with my back to the North Sea, which included a nice lead in line which was a set of steps. Obviously the lighthouse was to be my focal point and the star trail would finish the shot off. Well, these things always seem to work in theory, but it was now time to put in all into practise. As you can imagine, it was dark by the time I set my gear up and there was no-one else around. I wish I had a quid for every time I looked behind me. Paranoia tends to kick in during situations like this, but you just have to grow a pair and get on with it.

I don't remember off hand how long I ran the sequence for. I remember 30 second continuous exposures clicking away for quite a while, or so it seemed. Looking at the finished shot I was guess I stood there for around twenty minutes or so. More than happy with the result. I've included a colour splash version for good measure.

I still feel very much a novice in this area, although I've done half a dozen star trail sequences during the past year. It's all about how long you can wait it out. The longer the sequence, the better the trails. Hope you like it..

Back soon... Ash