Tommy And The Pebble Poppy, Seaham Harbour

Hello again,

Visitors to my Facebook page will be well aware that one of my favourite subjects to photograph is the amazing Tommy statue, at nearby Seaham Harbour. There's something special about this piece of art and you really do get that vibe when standing next to the big man. The craftsmanship that went into this creation is there for all to see, especially on closer inspection when you can judge for yourself. I've photographed Tommy on numerous occasions, during different seasons, day and night, and in all weather conditions. 

For anyone who is unfamiliar with the statue, Tommy sits thoughtfully, head bowed, rifle in hand, as he reflects upon the sheer horror of World War One during the first minute after peace was declared in 1918. This imposing metal sculpture, entitled 1101, owing to the fact the armistice went into effect at 11am on November 11, 1918, stands 9ft 5ins tall and weighs 1.2 tonnes. Built out of special corteen steel, it has been installed on Seaham seafront in Country Durham to mark the centenary of the start of the Great War.

Created by local artist Ray Lonsdale, the sculpture is also intended to represent Post Traumatic Stress Disorder which many of the returning soldiers endured. Mr Lonsdale got his idea for the piece after hearing a story about a soldier from nearby Murton who won a war medal. Tommy was originally on loan for three months to the former colliery town, but local residents instantly took him to their hearts and raised a massive £80,000 to make him a permanent fixture. He certainly put Seaham Harbour back on the map.

 

In the week running up to Remembrance Day 2016, an eye-catching display was laid out in front of the statue. Hundreds of hand painted pebbles were arranged in the form of a poppy, which is 18ft wide. The artwork is the brainchild of former serviceman Dave McKenna, who wanted to create something to link the statue to the town’s cenotaph. “We have had help from the cadets and Seaham Veterans group,” said Dave. The poppy will remain in place until this Sunday, Remembrance Day.“It is not a permanent, fixture, it’s just there for this week,” said Dave.

Once again my tea light candles made an appearance, and in such a fitting way as a tribute to all those who paid the ultimate price during warfare. Just as well these were battery operated lights, as it was blowing a gale during the ten minute photo session. I could see the waves crashing over Seaham Pier, in the distance. I drove down there to get a closer look, but the car park gates were locked. Maybe just as well - I was soon back in the car and heading home. Another job done ...

Salute

AC 

Tommy, Mission 1101, Seaham Harbour

Hello again,
Another blog entry today - that's four in two days and that's got to be a record for me. My blog page gets neglected every now and again due to other online commitments, such as ashleycorr.com, Facebook, Twitter and more recently ... Instagram! Still finding my feet with some of those social network platforms, but I'll get there eventually. But yes, my Blog page is getting a bit of much needed TLC in the shape of another entry that brings you some of my recent images of Tommy, the very popular wartime sculpture that lives in Seaham Harbour, County Durham. I often find myself drawn to this statue and I've bagged some great shot of him recently. Visitors to my site may well have seen the page I have dedicated to Tommy. Night time visits is what captures my imagination the most and I quite often have the place to myself, unlike day time when visitors flock to see the big man. I've captured Tommy on camera many times, including the Candlelit Vigil image, which still remains my most popular Facebook upload to date, raking in more than 7,000 likes. Then there was the morning of all mornings when I photographed those amazing 'Mother Of Pearl' clouds, as a backdrop. One or two other shots spring to mind, but this blog entry concentrates on more recent night time grabs.

The shots you can see here were captured with two camera's - the trusty Canon 5D3 and a Sony A7S mirrorless affair, which, as the days and weeks pass, is becoming more of a primary body than the Canon. It's no surprise really, as the Sony is a master at pulling in night time shots with little or no noise, is much lighter and easy to handle, plus the manual focus is a dream to work with. I could go on and on, but less of the camera talk and more of the photographs, eh. The village green, where Tommy lives, has shops and a busy road to one side and the North Sea to the other. A cenotaph is situated a few yards away and one night I arrived to find a young girl spinning LED's to accompanying music. I politely asked if I could take a shot or two and she was more than happy to co-operate. One of the shots is shown here.

The Sony camera was shooting from almost ground level for some of my shots, with the tripod legs splayed and the centre column in a horizontal position. At best the camera was around 5 inches from the ground, which was ideal for grabbing a few shots from angles that I wouldn't normally shoot from. I think it all added to the drama and the subject suited it very well. Cars came and went, which is to be expected as the site is situated right next to a car park. Occasionally one car would pull up and face me with it's lights on. No problem really, until the driver decided to leave them on for a good ten minutes or so, ruining my shots. It was one of those 'Feck right off' moments. I bided my time and it wasn't too long before the car went on it's merry way.

Near the end of the row of shops is a fine chippery establishment. Downey's do a rather damn tasty portion of Fish n' Chips. Oh yes. Moolar handed over and it was down the hatch. Weshed down wi Coca Cola, it was time to head home with a belly full of scran. Ah well, all perks of being a wandering Mackem photographer (wink). For anyone who would like to know the background story of Tommy, here is a newspaper article (cut and pasted) to give you an insight into how the statue came to be ...

When his sculpture reflecting the sheer horror of World War One was lowered onto a seafront just a few miles from his hometown, Ray Lonsdale didn’t expect it to receive the welcome it did. The imposing metal sculpture entitled 1101 - owing to the fact the armistice went into effect at 11am on November 11, 1918 - stands 9ft 5ins tall at Seaham, in County Durham. The statue, built out of special corteen steel, was installed to mark the centenary of the start of the Great War and was only expected to remain in place for three months.

After winning the hearts of hundreds of visitors to the town, it could now be exhibited permanently. Around £72,000 has been raised to keep the 1.2-tonne statue in the town, and fundraisers are only £12,000 from their target. The Journal included it in its list of 100 great things about the North East - alongside more established landmarks like Hadrian’s Wall and the Tyne Bridge - and regular crowds are flocking to Seaham to take in the artwork. In the process, Ray’s work has been catapulted into the public eye and his journey from metal worker to fully fledged artist has been completed. He said: “There was always a big risk with Tommy because there was no sale for it. It was just a case of me biting the bullet and having hope that someone somewhere would buy it. There was no guarantee that it would have sold and it could have ended up sitting around for sometime.

“Finally great things happened and they are just about there with the money now.”

The artwork, which was installed in May has attracted hundreds of visitors to Seaham, many of whom have donated cash to the Save Tommy campaign. A Facebook page called Mission 1101 has attracted more than 4,000 members with many pledging to support to Tommy, which is situated on Terrace Green. “I was surprised by the level of support 1101 got,” said Ray. “I’ve had a positive reaction to a lot of my work but not by as many people as this. The whole town has pulled together to put money in the buckets and raise cash to keep it here. That is a new experience.”

After leaving school Ray, 49, of South Hetton in County Durham, qualified as a maintenance fitter and began working at Coles Cranes in Sunderland, which closed in 1996. Following the factory’s closure Ray set up his own steel fabrication business, where he produced bins, seats and railings for local authorities and private clients. He always had an interest in art and at school he was always encouraged to go onto to art college.

But it wasn’t until 2007 that Ray decided to start his career in art and changed the name of his business to Two Red Rubber Things. The father-of-two said: “In 2002 I got back into art and drawing on an evening and I decided to try and combine my work and interest. That’s when I produced my first piece. I got into a competition at the Biscuit Factory and I won the competition. “That gave me the confidence to try and do a bit more and over the next five years I completed more and more art work. There was a gradual change-over from steel to artistic steel work. “Someone told me that I would never stand a chance making it in the art industry unless I had a degree in art. I started college but I soon realised it wasn’t for me. “I decided to do things off my own back and that’s how I started and finally things were well received. I didn’t feel I had time to do an art degree. It would take seven years and I felt I would be wasting opportunities. I just wanted to push myself. I’m big on having a go and I never wanted to get to a point in my life where I would think ‘I wish I would have tried that. I kept the steel work going alongside the art work and it wasn’t until 2007 when I changed the name of the business and decided to take a chance with the art.”

Ray now has 30 life size statues under his belt and another six large scale pieces. These include The Big Dance at Gretna Green - a 14ft depiction of a couple’s hands - which was put in place in time for Valentine’s Day, a soldier on a bench at North Bay, Scarborough and the Filey Fisherman, in Filey. Ray, who lives with wife Bev, said: “I like to create work that people can take something from it. Public art should be for the public. I don’t agree that it is an artist’s job to educate the public about art but if they like it then it’s been a success. “I like people to look at it and appreciate it and appreciate the work that’s gone into it. I also like them to look deeper into it and find the story behind it. Previously I would make seats, bins and railings. I had to get used to people buying my work for the way it looked rather than for its functional purpose. It felt strange at first. I realised that people were having a positive reaction to my work and that’s something I got used to, which was nice.”

Ray is keeping quite tight-lipped about his next project but he admits he’s been approached by local authorities. He said: “I have completed a lot of drawings since 1101 and I’ve been approached by a couple of authorities with ideas but nothing has been finalised yet.” Leaving his full-time profession to concentrate on his dream to make it as an artist was a risk but Ray has not looked back since, citing his family’s support for helping make the leap. He said: “Bev has been fully supportive. She had a lot of faith in me when I didn’t. If it wasn’t for her I wouldn’t be any of this at all.”

Until we meet again ...
AC

Mother Of Pearl Clouds - Part Two

And so to the second and concluding part of 'Mother Of Pearl Clouds'. If you read the first part of my blog you'll be aware of how amazed I was to see this rare natural phenomenon, let alone photograph it. Even now, a few weeks later, I still look back in amazement at something I will probably never see again in my lifetime, so I feel priveleged to have witnessed it on my doorstep, so to speak. I apologise for not giving my readers an insight into how these clouds form, and why. So, without further ado here is a bit of cut and paste magic, courtesy of those trusty people at Wikipedia ...

Polar stratospheric clouds or PSCs, also known as nacreous clouds, or mother of pearl, due to its iridescence), are clouds in the winter polar stratosphere at altitudes of 15,000–25,000 meters (49,000–82,000 ft). They are best observed during civil twilight when the sun is between 1 and 6 degrees below the horizon. They are implicated in the formation of ozone holes. The effects on ozone depletion arise because they support chemical reactions that produce active chlorine which catalyzes ozone destruction, and also because they remove gaseous nitric acid, perturbing nitrogen and chlorine cycles in a way which increases ozone destruction.  The stratosphere is very dry; unlike the troposphere, it rarely allows clouds to form. In the extreme cold of the polar winter, however, stratospheric clouds of different types may form, which are classified according to their physical state and chemical composition. Due to their high altitude and the curvature of the surface of the Earth, these clouds will receive sunlight from below the horizon and reflect it to the ground, shining brightly well before dawn or after dusk.

After a quick stop off at High Sharpley Wind Farm, I was back in the car and driving towards Seaham Harbour, a coastal town in the county of Durham. Within a little under ten minutes I was parked up at The Green, home of Tommy 1101, the corteen steel sculpture of a soldier, commemorating the first minute of armistice. Indeed another fine subject to use as a silhouette in front of the Nacreous Clouds. I had the place to myself, which was a surprise, so I set about the task of grabbing what would prove to be my last batch of photo's before the cloud show ended. The sun rose directly ahead of me, so I used Tommy to obscure it from view as I took my first shots. The last colours of the clouds diminished quickly as the sun rose next to them. The game was almost up. The blinding bright sun killed them off within two or three minutes, but by this time it was job done. I was more than happy to grab an hour's worth of shots, so it was time to find a petrol station, and quickly. The fuel gauge was well and truly in the red zone and me arse was twitching somewhat. Didn't fancy konking out and having to walk to the nearest station, especially as I had no idea where the nearest one was located.

I managed to reach Morrisons at Doxford Park, filled up and got myself home. Quick cup of tea then off to bed. Well... that was the plan, but plans rarely come to fruition, and that is exactly what happened. I t was after mid-day before I eventually hit the fart sack. A press guy messaged me via Facebook, wanting to use my images on the Daily Mail website, which was a first for me, so some quick editing took place and off the images went. It was great to one of my Seven Sisters shots appear on their web page later the same day. And that was that. It was all over and well worth reflecting on. Here is a small selection of the clouds at Seaham Harbour on that memorable morning in early February, 2016. My shots went down very well on Facebook, as you can see in the screenshot here. It's always an added bonus to be able to share my work and receive nice feedback in the process.

So, until the next time....AC

Tommy 1101 - Facebook Meltdown!!!

As the dust begins to settle on an amazing few days for Ashley Corr Photography, I'd like to personally thank everyone for their support following my recent photo upload here on Facebook. The photo in question was captured at midnight on Tuesday 25th August, 2015, in Seaham Harbour, County Durham.

The subject was Tommy, a corteen steel statue that was originally on loan to the County Durham town. The statue, by local artist Ray Lonsdale, was so popular that people in Seaham began a campaign to buy it, and after a mammoth effort, £60,000 was raised in a bid to secure permanent residence. The town council agreed to contribute the remainder of the £85,000 price tag before the deadline. The piece, called Mission 1101, known locally as Tommy, was inspired by World War One and is named to reflect the first minute of peace.

My brother Chris and myself headed over to Seaham in the hope of photographing Tommy, despite the rain. I recently had an idea floating around in my head that involved placing candles in front of Tommy, which would be so poignant and fitting that I just had to give it a go. Real candle flames wouldn't have stood a chance in such a breezy open space, coupled with the fact that rain threatened to spoil the party, so I decided to use battery powered tea lights which would give an identical effect to the shot, plus I wouldn't be pulling my hair our lighting one match after another to get them restarted. After a couple of minutes arranging the candles, it was time to let the camera go to work. As I dialed in the camera settings the rain kicked in once again, driving us back into my car that was parked nearby. I wasn't at all bothered about getting wet, but more concerned about keeping the camera and lens dry. Oh, go on then...truth was, I didn't want me mullet getting spoiled, he he.

A few minutes later the rain passed and we set up stall again, only for the rain to fall again, heavier than before. Beat retreat to the car. At this point I considered giving the whole thing a miss, almost deciding it would be best to try again another night. Although the rain was against us, it actually played a massive part in what was to become my most popular photograph to date. The steel statue was sparkling in the rain and at that point I imagined those brave soldiers, like Tommy, who paid the ultimate price fighting for the cause, and how at times they fought in torrential conditions, such as heavy rain. It was at this point I decided I wasn't leaving without the photograph I wanted. It was in my head, exactly what I wanted, so it was up to me to capture it with my camera.

We've all heard the saying 'Third time lucky', well that applied to me as I set up my gear and placed the candles into position once again. The rain subsided and it was GAME ON. Tommy sparkled and the dry spots under his toe caps added a little extra to the shot, giving a strong impression of a very recent rainfall. There was no-one around, just me and Chris along with the odd passing car. As I finally got to trip the shutter, Chris took a photo or two himself, including one of me standing next to my gear. Within a minute or two we were out. Driving back to Houghton le Spring, I was quietly confident I had bagged the shot I wanted.

Without further ado, here it is...Tommy 1101, Candlelit Vigil...

The following day I posted the shot on 'Sunderland In Pictures' during late afternoon. My Facebook mobile phone app went into meltdown!!! As I was working a night shift that same day I went back to bed for a few hours in preparation for the slog ahead. When the alarm clock shifted my backside outa bed I went downstairs and made a coffee. I sat and looked on my mobile phone. To my amazement I learned that my Tommy photo had over 600 likes and many comments. Within another hour (11.10pm) it cranked up to over 900!! Break time at work (1.45am) the like counter had tipped over to 1360 likes. This was beyond anything I had achieved previously and way beyond anything I had expected when the candle concept entered my head. The response to 'Candlelit Vigil' was overwhelming to say the least.

The following day it went onto another level completely. The comments and likes were coming at a rate of ten per minute. The kind words were very touching and this was very satisfying. I was happy that so many people were moved enough to comment and send private messages of thanks. This meant a lot and I knew it meant a lot to others too. There were far too comments to thank everyone individually, so I made a point of thanking everyone on a few occasions in the comments column. Then a comment came in that was the cherry on the icing of the cake. The designer of Tommy, none other than Ray Lonsdale, gave high praise, sharing my photo to his own page 'Two rubber red things/Ray Lonsdale' and saying how it was up there with the very best photo's he'd seen of his creation. Wow, it doesn't come much better than that'.
Within a few hours the photo had over 500 likes on his page.

Skipping the chase, it's now three days since I posted 'candlelit Vigil' to Facebook. On Sunderland In Pictures alone it has over 4,500 likes and almost 400 comments. The 'Picture' has also been shared no less that 4,300 times!! Once again, thanks very much for the response to my photo, which has been very humbling. I take a lot of satisfaction most of all by sharing the photo, which in turn moved many people, not only from the North-East of England, but much further afield. It's a fitting tribute to all those who fought in conflict, especially those who paid the ultimate price. Lest we forget...

Tommy 1101, Seaham Harbour

September 2014 was a blank month as far as blogging goes, which is something I needed to address quickly. Facebook activity was the main reason for time spent away from my blog page, so I've decided to step back from that in order to regain my commitment to blogger. With quite a few photo's already in the bag, it gives me enough ammunition to step up my efforts in October, beginning with today's blog entry that features the 'Tommy 1101' sculpture that is situated in Seaham Harbour, County Durham.

The imposing metal sculpture entitled 1101 - owing to the fact the armistice went into effect at 11am on November 11, 1918 - stands 9ft 5ins tall and is built out of special corteen steel, was installed to mark the centenary of the start of the Great War and was only expected to remain in place for three months. But after winning the hearts of hundreds of visitors to the town, it could now be exhibited permanently. Around £72,000 has been raised to keep the 1.2-tonne statue in the town, and fundraisers are only £12,000 from their target. The Journal included it in its list of 100 great things about the North East - alongside more established landmarks like Hadrian’s Wall and the Tyne Bridge - and regular crowds are flocking to Seaham to take in the artwork. In the process, Ray Lonsdale’s work has been catapulted into the public eye and his journey from metal worker to fully fledged artist has been completed. He said: “There was always a big risk with Tommy because there was no sale for it. It was just a case of me biting the bullet and having hope that someone somewhere would buy it. There was no guarantee that it would have sold and it could have ended up sitting around for sometime. “Finally great things happened and they are just about there with the money now.”

The artwork, which was installed in May has attracted hundreds of visitors to Seaham, many of whom have donated cash to the Save Tommy campaign. A Facebook page called Mission 1101 has attracted more than 4,000 members with many pledging to support to Tommy, which is situated on Terrace Green. “I was surprised by the level of support 1101 got,” said Ray. “I’ve had a positive reaction to a lot of my work but not by as many people as this. The whole town has pulled together to put money in the buckets and raise cash to keep it here. That is a new experience.”
After leaving school Ray, 49, of South Hetton in County Durham, qualified as a maintenance fitter and began working at Coles Cranes in Sunderland, which closed in 1996. Following the factory’s closure Ray set up his own steel fabrication business, where he produced bins, seats and railings for local authorities and private clients. He always had an interest in art and at school he was always encouraged to go onto to art college. But it wasn’t until 2007 that Ray decided to start his career in art and changed the name of his business to Two Red Rubber Things. The father-of-two said: “In 2002 I got back into art and drawing on an evening and I decided to try and combine my work and interest. That’s when I produced my first piece. I got into a competition at the Biscuit Factory and I won the competition. “That gave me the confidence to try and do a bit more and over the next five years I completed more and more art work. There was a gradual change-over from steel to artistic steel work. “Someone told me that I would never stand a chance making it in the art industry unless I had a degree in art. I started college but I soon realised it wasn’t for me. “I decided to do things off my own back and that’s how I started and finally things were well received. “I didn’t feel I had time to do an art degree. It would take seven years and I felt I would be wasting opportunities. “I just wanted to push myself. I’m big on having a go and I never wanted to get to a point in my life where I would think ‘I wish I would have tried that’. “I kept the steel work going alongside the art work and it wasn’t until 2007 when I changed the name of the business and decided to take a chance with the art.”


Ray now has 30 life size statues under his belt and another six large scale pieces. These include The Big Dance at Gretna Green - a 14ft depiction of a couple’s hands - which was put in place in time for Valentine’s Day, a soldier on a bench at North Bay, Scarborough and the Filey Fisherman, in Filey.
Ray, who lives with wife Bev, said: “I like to create work that people can take something from it. Public art should be for the public. I don’t agree that it is an artist’s job to educate the public about art but if they like it then it’s been a success. “I like people to look at it and appreciate it and appreciate the work that’s gone into it. I also like them to look deeper into it and find the story behind it. Previously I would make seats, bins and railings. I had to get used to people buying my work for the way it looked rather than for its functional purpose. “It felt strange at first. I realised that people were having a positive reaction to my work and that’s something I got used to, which was nice.”
Ray is keeping quite tight-lipped about his next project but he admits he’s been approached by local authorities. He said: “I have completed a lot of drawings since 1101 and I’ve been approached by a couple of authorities with ideas but nothing has been finalised yet.” Leaving his full-time profession to concentrate on his dream to make it as an artist was a risk but Ray has not looked back since, citing his family’s support for helping make the leap. He said: “Bev has been fully supportive. She had a lot of faith in me when I didn’t. If it wasn’t for her I wouldn’t be any of this at all.”

It wasn't until the back end of September that I finally made the effort to visit Tommy. I had seen many photographs of him on Facebook and he certainly was flavour of the month for a while, which was half the reason I held back. Didn't wanna jump on the bandwagon and head over there simply because every man and his dog were doing it. I arrived at the site around 30 minutes before sunrise, hoping for some decent colour in the sky, and I wasn't disappointed, Another photographer stood alongside and we chatted for a short while before stopping to grab our shots. We chatted some more then the sun rose on the horizon, so the talk stopped once again while we pulled in some more shots. He was already set up when I arrived so he had the prime spot, which was exactly where I wanted to be, He obviously knew what angle to shoot from, and even though I was practically shooting on his shoulder, that extra foot or so to my left was quickly mine when he decided he'd had enough and retreated to his car. It was from this position that I had a perfect silhouette of Tommy, with the sun rising to his left (shown here).

As the sun rose further, losing it's orange hue as it slowly ascended, I decided to take a few close up shots of the sculpture. This photogenic piece of artwork will be the subject of more photography very soon. One visit is never enough. AC