Roseberry Topping, North Yorkshire

May is for bluebells and a bad back, or so the story goes...

Another trip south on the A19 and an exit at the Whitby turn off for another bash at the bluebell carpet in Newton Wood, near the iconic landmark that is Roseberry Topping. Almost a year to the day I visited this picturesque location for a dose of landscape photography but I was more that happy to tread the terrain once more in the search for some improved bluebell shots, with Roseberry Topping as a backdrop. Sounds great, plus the weather was on my side and upon arrival I had the place to myself. My mobile phone is loaded with some ideal information in the shape of 'Photographers Ephemeris' which predicted the sun would be ideally placed around 3am for the shots I wanted. All went as planned and I was back at ground level within an hour and a half. It wasn't until the next day at work that niggling back pains kicked in and gradually worsened as the day progressed. By the following day I was in a lot of discomfort. Felt like I'd been booted by a horse. Down my right side the was excruciating and it affected my leg too, especially when driving. Not nice. I had to lift my leg up and out of the car before standing up, not to mention what I must have looked like trying getting out the car. Oh dear. Out of action for a while by the look of things. I reckon I must have brought this on by carting that ridiculously heavy camera bag up the hill to photograph the bluebells. Must be bloody mad. Oh well, as I write this blog entry a few weeks later, I'm glad to announce that I'm back to full fitness (whatever that may be) and the back pain has done one. I'll not be making that mistake again, says he. Oh well, I wouldn't say it was worth it. No photograph is worth going through that agony, but just for the record, here is the photographs from the outing. More blogging to follow.
Thanks, Ash

Roseberry Topping (Via Newton Woods)

There hasn't been any photography activity this weekend so it would seem a good a time as any to catch up with another blog entry. I've got stacks of photo's on the back burner, from recent outings with the camera, so it's a case of getting them all uploaded to my blog page as soon as I can. Another set ticked off the list today, in the form of Bluebells, and lots of them! Two trips to Roseberry Topping in mid-May yielded some nice shots of the blue carpet, right across the meadow and pasture, towards the hill in the background. My first visit was an early evening affair and upon arrival I had been beaten to the box seat by another six photographers. This came as a surprise, although I never expected to have the plot to myself, I had an inkling one or others may well be in my company at some point. These fella's were by no means novices, judging by the banter and not least, their kit. It was full frame all the way along the back fence of the meadow. A gang of camera robbers would have made an absolute killing. The sun eventually broke through the clouds, just I was set up, so the first few frames were captured in the evening sun. Nice colour bathed the meadow and in turn brought the colourful hue from the bluebells right into our faces. After a minute of sun it was gone again, seeking refuge behind the cloud cover to our left. At this point the posse was joined by Andy Redhead, another photographer from Bishop Auckland, who I first met on a dawn visit to Buttermere, which to date remains one of my most memorable photography outings.

We waited for the sun to show again as it dropped towards the horizon, ready to set. We were out of luck. One by one we packed up and headed out, back through Newton Woods and on to the steep descent to ground level and eventually the car park. At least I had bagged a few nice ones, albeit during one minute of a 90 minute stay in the meadow. Oh well, owt is better than nowt, as they say. I got back home around 10.45pm, rather knackered after a days work before the 80 mile round trip for some photography. I intended to get another trip under my belt before the Bluebells died off, so it was a simple case of watching the weather for favourable conditions. And it wasn't soon before I made the second trip South, accompanied by Billy Short, friend and rookie photographer. The last two shots in this blog entry were taken during visit two, one of them ending up as a mock magazine cover (below). It was composed with magazine in mind - I think it works quite well. I gave Billy an insight into graduated filters, giving him a free run of my Lee grads, and  he commented later that they made all the difference to his shots, which was nice to know. The sun spread so evenly over the landscape that the filters weren't required for the best part, but as the sun dropped behind cloud cover they came into play, balancing the exposure as required, using 1,2 and 3 stop grads.

It only took two visits to bag these nice shots. On my first trip one the other photographers said he'd visited over the last 7 days in the hope of catching the light, which he never did until that very night we all stood alongside eachother. The things you do to grab the shot you want, eh. Oh well, been there and got many t-shirts!
Until the next time...
AC

As always, click an image to reveal enlarged version...

TV Weather shots (Parts 63-66)

Hello again.
Here is my latest batch of Weather Shots that were shown on local TV recently. As usual, each shot is presented as a short video clip, taken directly from TV and converted for use in the blog video player (below). Today marks a slight change from the norm as I bring you my first ever BBC Weather shot!
Up to now all of my previous weather shots were shown on Tyne-Tees Television, all 62 of them, but I decided to try my luck with BBC and it worked out well. A recent camping trip on August Bank Holiday weekend gave me an opportunity to do my first ever sunrise shoot in the Lake District, which I grabbed with both hands. I captured what I consider to be one of my finest landscape shots I have ever taken, at Buttermere. A full blog entry of my camping trip will appear here soon.

Weather shots in the video player below are -
63. Roseberry Topping, Great Ayton
64. St Mary's Lighthouse, Whitley Bay
65. South Shields Sunrise
66. Buttermere, Lake District

Ash

Black & White Photography

Wot, two blog updates in as many days! I guess it must be pissing down outside!!!
Oh dear, the colourful language raises its naughty head again, tut tut. Of course, pun intentional, as this latest blog entry has nothing to do with colour, unless of course I refer to grey scale, also known as Mono, but more commonly referred to as Black & White. I've never been a big fan of this type of photography to be honest, but lately I've been dabbling more and more with B/W conversions, and quite liking the end result. A big part of a good conversion is picking a suitable image to begin with. Many images simply won't work, so get your selection right and you're half way there. I cherry picked a few recent shots of mine before giving them the B/W treatment, and I'm well satisfied with their 'New look'. The majority of these shots were captured on dull, cloudy days, which is a good start as a lack of available colour generally has me pointing in the direction of B/W anyway, coupled with the fact that these moody skies often add a sense of drama to the shot, lending themself to B/W more than colour. Another slice of criteria is contrast - I tend to favour strong contrast in B/W conversions and always look at the depth of shadow and highlight before making a decision whether to 'Convert' or 'Back heel' the image I am considering for use. Thinking rationally, if it doesn't work in colour then there's only one path to go down. I choose to do my B/W photography in post processing, rather than capture it at source with the aid of Yellow, Orange and Red filters. Traditional methods, such as the Y/O/R filter route, were the only way to achieve true B/W shots before the introduction of digital camera's, but now it's a whole new ball game when you can easily lay your hands on a decent editing suite such as Photoshop. The end result, with the help of Photoshop is just as pleasing on the eye and it's a lot cheaper than shelling out on expensive B/W filters (that is, providing you have a copy of Photoshop that you managed to download for free!). Did I really say that? (wink).

And now to the business end of this blog entry - the photo's. Here is a small selection of B/W images by yours truly. Don't forget to click them for enlargements. The list is as follows...

1. Tynemouth (above)
Standing on the pier next to the Groyne Lighthouse, Littlehaven, I waited a few minutes for the arrival of the Amsterdam-bound ferry, which eventually arrived on schedule.  Plenty of great detail in the sky!

2. Tynemouth 2 (above)
As the ferry approached the Groyne Lighthouse at South Shields, I waited til it sailed alongside, then I tripped the shutter.

3. Transporter Bridge, Middlesborough
Positioned on the south side of the River Tees. Some nice foreground interest, and the Transporter Bridge dominating the shot. Not too much sky detail in this one.

4. Temenos, Middlesborough
A dramatic artwork on the banks of the Tees, with the Transporter Bridge in the background.

5. River Tyne, Gateshead Quays
I shot through a glass partition to get this one. A storm was brewing, as you can see in the distant black clouds. The rain was well and truly on its way...

6. Baltic Arts Centre, Gateshead Quays
And the rain soon fell! I took the lift from the viewing terrace back to ground level, which took no more than half a minute. Within this short space of time the heavens had well and truly opened. Seeking shelter in the Baltic doorway, I grabbed this shot, with like-minded folk opting to stay dry.

7. Roseberry Topping, Near Great Ayton, North Yorkshire
(as featured in my last blog entry). Works well in B/W. I quite like the added effect of the overhanging tree, which almost 'Frames' the iconic hill in the background.

8. St.Mary's Island, Whitley Bay
And finally, an experimental shot. Taken in broad daylight with a shutter speed of 45 seconds!!!!
An ND filter was applied to achieve an extra long exposure time, thus smoothing out the water in the process. A very dull and overcast day, with very little detail in the sky, Poor conditions for my type of photography, but you have to make the most of what you've got to play with, and on this occasion I landed a decent shot...

 

 

 

 

And that's all for now. I'll be back soon...in colour!

Ash

 

Roseberry Topping, Nr Great Ayton

Welcome back to my blog page!
I have many new photo's to share, but finding the time to upload them is another matter, which is the main reason ashleycorr.com hasn't had the update treatment lately. But that is about to change. A busy July scuppered my chances of getting out with the camera, which obviously had a knock on effect with site updates. However, I got my arse into gear this week and ventured outdoors once again to catch some more of the local landscape, including sets from Offerton, Cox Green and Wearmouth. They'll be here soon enough, but first up is a selection of images I captured in North Yorkshire, at Roseberry Topping near Great Ayton, a fifty minute drive from my home. I'd visited this location as a kid, as part of a school trip to Captain Cook Country, and distinctly remember being shepherded up the hill by our teacher, who clearly wasn't enjoying the task due to a complete lack of fitness on his part. Roseberry Topping is a mere 320m in height, so hardly Mount Everest in comparison, yet our shepherd struggled big style, and was ready to collapse at any given moment, much to the amusement of me and my classmates, he he. Since then, I've had no connection with Roseberry Topping, other than marvelling at it in photograph form, taken by Joe Cornish (probably Britain's most famous Landscape photographer). Joe lived locally for many years, so the Topping was on his doorstep - easily accessible throughout the changing seasons, and ready to be captured in all its glory. I made three visits to this site between May and June. My first jaunt was for one purpose only - to photograph the bluebells, with Roseberry Topping as a backdrop. The result is shown below. The bluebells were on show for quite some time, but getting 'The shot' wasn't as easy as first anticipated, due to the fact that a fair few had been trampled on by idiots. Aye well, you get them everywhere, unfortunately.

From the car, parked in the visitor car park at the foot of the hill, it was a very mild accent through the bluebell woods and up towards the summit, taking around 40 minutes in total. There were families up there, dogs, pensioners et al. Great views from the top, panoramic style. Another visit saw me heading through the woods once again, but instead of climbing to the summit, I headed through more wooded areas and out towards the fields. I wanted to retrace the steps of Joe Cornish and to locate one or two of his vantage points that he photographed from. After studying one of his shots in particular I headed up a footpath towards where I thought the shot was taken. I found it in no time. The foreground trees were ideal for a landscape shot that I was about to land, so I got to work quickly before the clouds drifted over and killed what was left of the blue sky in my viewfinder. Click. My first shot (top) is without doubt my favourite one from the three visits I made. I converted it to Black & White, and it too made a great shot! Another visit followed soon after, as I was in the nearby town of Guisborough, so paid a visit while the oilseed rape was on show, also shown here. And no doubt I'll be back again, sooner rather than later. I reckon Autumn might throw up one or two surprises down there.

Finally, click this link to view the Joe Cornish shot, which I replicated above. A nice comparison - which one do you prefer?

See ya soon, Ash