Guisborough Priory, North Yorkshire

Guisborough (pronounced 'Gizbra') is a market town and civil parish within the authority of Redcar and Cleveland and the county of North Yorkshire, England. From my home in Houghton le Spring it is approximately 41 miles, 28 as the crow flies. As I have made more of an effort to travel South lately, and beyond Seaham, I targeted this area as one that I needed to photograph, as there are many other points of interest nearby. With this in mind I put a plan together in my head to do an 'All day' photography shoot when I had some spare time, and of course a nice sunny day to do it on. And I didn't have to wait too long for the opportunity. I headed down the A19 towards Middlesborough, passing the A66 turn off and heading towards the A174, which would lead me East, towards Whitby. In fact, it was perfect weather for the coast, but I hadn't intended on venturing that far across, so I stuck to my original plan which would see me tick off places like Guisborough and Great Ayton, including Roseberry Topping, a distinctive hill on the border of North Yorkshire. It is situated near Great Ayton and Newton under Roseberry. Its summit has a distinctive half-cone shape with a jagged cliff, which has led to many comparisons with the much higher Matterhorn in Switzerland. But more of that another day. Today's blog entry concentrates on Guisborough Priory, my mid-day visit in the baking hot sun...

A brief insight to the Priory -

Gisborough Priory is a ruined Augustinian priory in Guisborough, the borough of Redcar and Cleveland and ceremonial county of North Yorkshire, England. It was founded in 1119 as the Priory of St Mary by Robert de Brus, 1st Lord of Annandale, an ancestor of the Scottish king, Robert the Bruce. It became one of the richest monastic foundations in England with grants from the crown and bequests from de Brus, other nobles and gentry and local people of more modest means. Much of the Romanesque Norman priory was destroyed in a fire in 1289. It was rebuilt in the Gothic style on a grander scale over the following century. Its remains are regarded as among the finest surviving examples of early Gothic architecture in England. The priory prospered until the Dissolution of the Monasteries in 1540, when it was abolished along with England's other monastic communities. The priory buildings were demolished and the stone re-used in other buildings in Guisborough. The east end of the priory church was left standing with its great window forming a distinctive arch, a well-known landmark used as a symbol for Guisborough. It became part of the estate of the Chaloner family, who acquired it in 1550. The east window was preserved by them as part of a Romantic vista adjoining their seat, Gisborough Hall, from which the priory takes its idiosyncratically spelled name. It is owned by the Chaloners but is in the care of English Heritage as a scheduled monument.
Since the 19th century archaeological excavations have taken place in the priory grounds, though a substantial part of the site has not yet been investigated. In addition to the east window, surviving visible fragments of the complex include the lower courses of the west range, a vaulted undercroft, a gateway and a 14th-century dovecote still in use today. The adjoining Priory Gardens, laid out by the Chaloners in the 18th century, are under restoration by a volunteer group. The priory ruins and gardens are open to the public throughout the year.

Parting with two of my hard earned quids, I entered the priory grounds after parking at a very handy spot directly in front of the main gate. There were one or two other visitors on site, which was good for me and the camera - don't want too many people inviting themselves into the frame, do we? The bright sun was across to my right, hitting the side of the priory ruins, leaving the main wall in shade, which wasn't ideal, but after twenty minutes or so it had travelled enough to cast its rays onto the stonework, bathing it and bringing out the colour that I was waiting to see. Time to start some photography. Pigeons flew in and out of crevices every few minutes, which was a tad distracting. They were making regular visits to feed their chicks which were sheltered in shade - an ideal place to build a nest. The grounds were very well maintained, although there wasn't a great deal of colour on show as far as flowers and plants were concerned, but I did manage to include what there was on offer, just to add that odd burst of colour to my shots. It was in the nearby wooded area that an abundance of colour was visible, in the form of a bluebell plot. quite photogenic, it has to be said. I got down low and took a few photo's, one of which is shown below.

The wooded area included a collection of ancient stones which were obviously part of the priory buildings at some point. Laid out in a circular fashion, these pieces of stone, although covered in moss, were hundreds of years old and ancient relics of bygone times. Scattered amongst the trees were knitted figures, forming a trail of some description, but I didn't pay much attention to them before heading back out and onto the grassy area near the Priory ruins, which was clearly the focal point of the site. It was now simply a case of finding a few points to photograph from, so off I went, grabbing shots here and there. Here is a few examples...

Coming next - Roseberry Topping. Until then...
A

 

Littlehaven Sunrise, South Shields

A rarity from me - a summer sunrise photograph by Ashley Corr. This has to be the earliest time of day that I've gone out with the camera, of that I'm certain. Winter time is when I regularly shoot sunrises, due to the fact that there's no need to get out of bed during silly hours, which can't be a good thing. So, what made me shoot a Summer sunrise at 5.00am, you may be asking yourself. Well, I'd slept for a few hours during the day, followed by a few more hours at night, then awoke at 4.00am and couldn't get back to sleep. That was it - up and out with the camera. I drove down to Roker Beach, expecting the sun to rise behind the pier, as it usually does, but that is during the Winter months and today was very different. The early morning colour on the horizon gave a clear indication as to where the sun was about to rise, and it was nowhere near Roker Pier, but this is Summer, so the sun was about to rise further North, up the coast. With little time to spare before sunrise, I made the short journey to Littlehaven Beach, South Shields, where the sun was ready to rise over Tynemouth. I took up position in the sand dunes at Littlehaven and waited for some colour in the sky. It wasn't long before that happened. There wasn't a soul around, which was perfectly understandable. Only idiots get out of bed to photograph a sunrise at 5.00am!!

Here are three photographs. The first was taken shortly before sunrise. The second one shows the sun peeping over the low cloud cover, shortly after sunrise. The final shot, which is my favourite of the three, shows the sun over the cloud, as it shoots a ray of orange across the North Sea towards the dunes. Hey, maybe I'm not such an idiot after all. These shots were worth getting out of bed for, but somehow I don't think I'll be making a habit of it until Winter arrives once again. 
AC

 

Night Tyne Photography

As promised, a couple of photographs from my brief outing to Newcastle Quayside. Following on from a visit to the Angel Of The North (Last blog entry), I headed over to the Quayside to try out my 24-105mm lens, which I hadn't tested on the Quayside to date, so I was itching to give it a first run out at this location, albeit a very brief one. It was literally a five minute stop, as I parked up in the Fish Market Car Park, next to the Swing Bridge, before setting up my gear and shooting down the river, towards the Tyne Bridge, Millennium Bridge & Baltic Arts Centre. It was getting late, so I made sharp and ran off two exposures, which were around the 5 second mark. There was cloud above, which is always a good addition to a night-time shot, as opposed to a flat sky with little or no detail in it. There was many a Geordie reveller on the Quayside, dodging from pub to pub, and there's plenty of choice in that department. It was rowdy, to say the least. Aye, been there...done that. Nowadays I'm focusing on Rivers and Bridges instead of getting rat-arsed and staggering home with a dirty kebab in my hands. Ahhh, those were the days!

But more of that another time. Here are the shots I took, only two, but very similar, although one is cropped to give an almost panoramic feel to it. Turns out the L-Series glass was more than capable...
CLICK TO ENLARGE
Speak soon.
AC

Enter The Angel

Two weeks ago I made another of my regular visits to the Angel Of The North, shortly before sunset. The Angel is an ideal stop off, especially when the plan involves a trip to Newcastle Quayside later in the evening, when timing is ideal for photographing at both locations. As the sun sets, and the photo's are in the bag, a fifteen minute car journey through Low Fell to Gateshead Quays is all it takes to pick off another photogenic 'Hot Spot' here in the 'Not so Grim North'. And that was the plan tonight, two into one, as I covered two popular locations in one night. Some nice colour in the sky, add in some nice to profiling, and Robert is your Father's Brother! Enter the Angel . . .

As the sun went down on the horizon there was a burst of colour in the sky. I photographed visitors as they walked back down the path towards the car park. Some interesting silhouettes (shots 3&4), and in particular, the elderly couple who stopped to take photographs of the colourful horizon (last shot, below). Very straightforward photography. All you need is a decent sunset and that burst of colour shortly afterwards. I got it tonight. The shots wouldn't be the same without people, as scale is all important here. It's a simple case of waiting for those unsuspecting folk to plonk themselves right into the frame, just where they appear best, as they pose for their own pictures, oblivious to the fact that they're also posing for mine  - A prime example is shown below (shot 2)... 

 

And that's about it, for now. Next I'll show you the shots I took an hour later, on Newcastle Quayside.

Until then, see ya later.

Ash

New Addition - Canon 17-40mm Lens (L Series)

Last week I added another lens to the arsenal, in the form of a Canon 'L Series' 17-40mm Ultra-Wide. This is my second 'L' purchase, following the 24-105mm lens that came with my Canon 5D MK2 body (Full frame upgrade). For anyone who is unfamiliar with L-Series, these are the 'Luxury' lenses in the Canon EF family line, and what a difference the results are, compared to the EF-S series that I was using alongside the now departed Canon 7D crop body. Naturally, the L-Series glass comes at a price, but they're worth every penny. So, what is the difference between EF (L-Series) and EF-S lenses, you may ask...

EF-S lenses are specifically designed for APS-C digital bodies and optimised for the fact that they have smaller sensor and mirror. EF-S lenses are marked with a white dot on the mount instead of red one that EF-glass has, and can be only used on EF-S compatible bodies (almost all of smaller-sensor Canon DSLRs, up to EOS 7D). Film and larger-sensor digital cameras (5D, 1D, 1Ds) take only EF lenses. If you have a camera with EF-S mount support (such as EOS 7D, 50D or 500D), you can use both EF and EF-S lenses. EF-S lenses are a slightly different format whereby the rear element sits closer to the lens, this is possible due to the smaller mirror with APS-C sensor. The distance from the back of the lens to the image plane is known as the back-focus distance, hence the S in EF-S standing for short back focus. Other manufacturers have lenses designed for smaller sensors with appropriately smaller image circles but they don't have a different back focus distance. Having the lens sit slightly closer does make it slightly easier to design wide angle lenses, however I've heard the reason Canon introduced EF-S lenses was so they could scale down existing lens designs as a base for the optical design to avoid having to start from scratch. It's often said you can't use EF-S lenses on a full frame body (such as the 5D, 1Ds) but this is not strictly true. Canon use a different shaped rear baffle to physically prevent you mounting as the mirror could hit the lens and cause damage. However this can be removed to allow mounting, and since the rear element moves when zooming there are positions that allow shooting. Vignetting is a problem as EF-S lenses project a smaller image circle, but again the image circle can get bigger while zooming so some focal lengths work ok.

EF (L-Series) is Canon's professional line (though used extensively by non-professionals) of EOS EF auto focus 35mm SLR and DSLR still camera lenses. Some say L stands for "Low Dispersion" - achieved by the UD lens elements found in these lenses. But, the true answer is probably the one in Canon's Lens Work III Book - "L" is for "Luxury". Watch the sidelines at the next professional sporting event you attend or watch on TV. Look for the identifying L-lens red stripe around the end of the photographers' camera lenses. These are the people who make a living with their equipment - and they frequently trust the Canon L Lens Series for their income. About their L lenses, Canon says "these lenses use special optical technologies [such as] Ultra-low Dispersion UD glass, Super Low Dispersion glass, Fluorite elements, and Aspherical elements to push the optical envelope."
OK so what does that mean - practically speaking? What you can get when you use Canon L lenses (if you do your part right) are amazing pictures. In fact, this amazement is said to cause a disease know as "L-Disease". Once caught, it is incurable.

After upgrading to the full frame 5D MK2 with 24-105MM lens, I couldn't wait to get started. If you trace back my blog entries you'll find many photographs that I've taken with my new kit. To the viewer there may seem little difference between the photographs on my blog from each camera, but there is a noticeable difference between the prints, especially at A2 (25x17 inches). Obviously, when you factor in the full-frame side of things, the upgrade has been a master stroke in my opinion, as it has opened up more capability, mainly the ability to get that much more subject onto a full frame sensor. As for my two lenses - the 24-105mm is my everyday 'Walk around' lens, which covers most aspects of my photography needs, whereas it doesn't quite cut the mustard up close, hence the need to go wider in that pursuit. That's where the 17-40mm glass makes an appearance. A popular misconception with some photographers is that Wide Angle lenses are to 'Get it all in'. I tend to disagree. Ultra-wide's are for getting yourself, and therefore the viewer, right smack into the middle of something. If you can't or won't get close, leave the Ultra-wide at home. These lenses have the ability to rub the viewer's nose in your subject. Properly used, Ultra-wide's grab your viewer and yank him into the middle of your situation, bringing the viewer into the photo, not for fitting a subject into a photo. Ultra-wide's require you to get very close and personal to anything you are shooting. Even a fraction of an inch (or cm) will make a massive difference in your composition, so you need to be very deliberate with your movement. If you use them properly, you should be rewarded with dynamic images. I find that regardless of which lens I use, and however many photos I make on a trip, the ones I like the most are always those made with a wide angle lens. My old 10-22mm Wide was a brilliant lens and gave me the experience I now carry forward. As the weather up North has been sh1te recently, I haven't had a decent chance to road test my new 17-40mm Wide, but rest assured it will put through its paces soon enough. Until then I'll twiddle my thumbs and plan my next outing. Lots of printing/framing to get through, which is ideal when the weather is poor. Indoors all the way, but not for long. Until then...

Ash

Littlehaven & The Labour Party

Welcome back, pop pickers!

At the tail end of April I was contacted by a Labour Party Organiser, representing the South Tyneside constituency on behalf of local MP, Emma Lewell-Buck. The enquiry, which came through my website, was in response to one of my photographs that was spotted on Google images. As a result, I allowed the image, Littlehaven Sunrise' to be reproduced on a By-Election flier that was 'Dropped' in 10,000 homes in South Tyneside on the morning of voting day. Labour came out on top!

South Shields result -
Emma Lewell-Buck Labour 12,493
Richard Elvin Ukip 5,988
Karen Allen Conservative 2,857

Anyway, here is the electronic version of the flier (above). I received paper copies in the post shortly after the election, along with a nice cheque for allowing my photo to be reproduced. Another feather in the cap, eh.
And just a few days later I was at Littlehaven again, catching another sunrise, this time at 5.00am - a first. I usually capture sunrises during Winter months when I don't have to set my alarm clock too early. It proved to be a wise move as I got some great shots which I'll be uploading HERE, very soon. Until then...See ya.
Ash

Infinity Bridge, Stockton-On-Tees

Following my first visit to the Infinity Bridge back in January of this year, I was keen to revisit this location for more photography. My previous, and only visit, was at dusk, when I managed to grab some nice shots of the bridge when illuminated, but this time was a very different affair as I photographed at mid-day in bright sunshine. The River Tees was approaching high tide when I arrived filling a parking space on the South side of the water. And it was this side of the River Tees that I concentrated on, as I looked for decent vantage points to begin my work. Conditions were ideal as I wandered around, so it wasn't going to be a difficult task to get the photographs I was hoping for. There wasn't many people around during the half hour I spent at the Infinity Bridge, which was surprising considering the lovely weather. Maybe folk had opted to visit the more picturesque locations around Stockton, if there are any!

Not much else to say, to be honest, other than 'Here are the photographs'. And from there I headed East towards Redcar & Cleveland, to 'Paddy's Hole', which will be my next blog entry. There's stacks more photo's to come, so I'll catch up with those very soon. Cheers!
Ash