Another Fine Sunset - Copt Hill Barrow

'Family Trees'

One of my favourite photography locations is Copt Hill Barrow, Houghton le Spring, Tyne & Wear. Also known locally as the Seven Sisters (although there is actually only SIX trees), this Neolithical burial ground has many urban myths attached to it, so what is fact and what is fiction - who knows? One thing is certain though, at least in my humble opinion - this place is one of the most photogenic of locations, especially during the winter months when the trees have shed their leaves and take on an eye-catching silhouette, at the top of a local wasteland in my home town. Facing east at sunset is a 'must see' - especially when you're rewarded with a colourful sunset backdrop. Not much to ask for, you might well be thinking, but surprisingly enough there has been many of them over the 16 or so years that I have been making the short journey up there. Tonight was another of those occasions.

I arrived with plenty time to prepare, which is never a bad thing. At least four other photographers were strategically placed, eager for a slice of the cake, so to speak. I made up the numbers and fancied some of that cake too, so I waited it out and hoped for the best. It didn't disappoint. I grabbed a few shots before and after sunset, by which time everyone else had cleared off and I had the place to myself. A bit of field craft and the use of a filter brought me the best shot of the night. Combine that with the sudden arrival of a family walking over the mound and the magic was about to have its second coming. They seen me from a short distance and after a brief exchange they were soon posing for my
camera. How nice! And here it is, one of my favourite shots of the Copt Hill Barrow @ sunset, with the inclusion of a family to give a nice sense of scale to the shot ...

Ash

Enter The Angel

Two weeks ago I made another of my regular visits to the Angel Of The North, shortly before sunset. The Angel is an ideal stop off, especially when the plan involves a trip to Newcastle Quayside later in the evening, when timing is ideal for photographing at both locations. As the sun sets, and the photo's are in the bag, a fifteen minute car journey through Low Fell to Gateshead Quays is all it takes to pick off another photogenic 'Hot Spot' here in the 'Not so Grim North'. And that was the plan tonight, two into one, as I covered two popular locations in one night. Some nice colour in the sky, add in some nice to profiling, and Robert is your Father's Brother! Enter the Angel . . .

As the sun went down on the horizon there was a burst of colour in the sky. I photographed visitors as they walked back down the path towards the car park. Some interesting silhouettes (shots 3&4), and in particular, the elderly couple who stopped to take photographs of the colourful horizon (last shot, below). Very straightforward photography. All you need is a decent sunset and that burst of colour shortly afterwards. I got it tonight. The shots wouldn't be the same without people, as scale is all important here. It's a simple case of waiting for those unsuspecting folk to plonk themselves right into the frame, just where they appear best, as they pose for their own pictures, oblivious to the fact that they're also posing for mine  - A prime example is shown below (shot 2)... 

 

And that's about it, for now. Next I'll show you the shots I took an hour later, on Newcastle Quayside.

Until then, see ya later.

Ash

Angel Of The North - Tutorial 2

Following a recent photography tutorial to a friend, at Gibson's Cave, we were out again with the camera's at another location closer to home. This time it was Gateshead's 'Angel Of The North', for some evening shots and another insight into shutter speed. The Gibson's Cave tutorial focused on slow shutter speeds, as we photographed a waterfall and wanted the desired milky effect of the water as it fell. The results of that visit can be viewed here. So it was shutter speed once again, but this time we were heading further up the scale with faster speeds in very bright sunlight. As the sun sets behind the Angel, our best hope was to grab some silhouette shots, with the setting sun in the background and hopefully a burst of colour after it had set. We fired off a few frames on the plot where the tree's had been felled, which offered us a position which was impossible to imagine just a few weeks ago. I explained to Billy that the inclusion of people in the shot was, in my opinion, quite important, as a sense of scale gives the image an extra dimension. Without people in the frame the image simply doesn't have the same impact, so it was a waiting game as we picked off the best visitors to include in our shots. It was quiet at first, with no-one showing up, so we improvised and added ourselves to each others shots, just to warm up, ready for those unsuspecting folk walking into our shots and not having a clue what was going on behind our lenses. My first shot shows Billy doing a spot of modelling, he he, as he does as he is told by his mentor and gets his arse into the picture. Metering off the brightest part of the sky I was running with a fast shutter speed of 500th of a second, in shutter speed priority. Seven frames per second and the job was done, as Billy walked up the hill towards the Angel. I was lucky to see some colour in the sky too, on the horizon, which made the shot. Abstract worked quite well with this one, as I zoomed in to clip one of the Angel's wings.

My second shot is in Landscape mode, and again I went for scale, using a young girl who was photographing the sculpture from the approach path. This was actually taken before my first shot (above), and before the sun had set. Some nice cloud formation in this one, which was emphasised with a polarising filter - always a handy piece of kit to have tucked away in the bag. I deliberately under-exposed this shot to add that little bit of moody drama to it, and it seemed to work. Composition is all important, as usual, so get this aspect right and you're half way there. Billy took my advice on board and was quickly up and running on his own, pulling in some great shots.

My final shot of the Angel was taken the next day, from a viewpoint near the 'Angel View' pub, on the roadside towards Wrekenton. I was driving along this route and noticed an angle that I'd never seen before, so quickly pulled over and done the necessary. Something a bit different, with the countryside backdrop offering a different slant on my Angel photo's.

Plenty more photo's to come...
Until then, see ya.
Ash