Surfed Up a Treat (Part 1)

Welcome back to the blog page of the wandering Mackem photographer. So far 2016 has been a complete washout as far as the weather has been concerned, with overcast skies and rain in abundance, so I'm far from surprised at the typical English weather January has delivered up to now. Photography isn't all about blue skies and a red hot sun, as any decent tog will tell you, it's all about capturing the moment in all weather, which is the beauty of my hobby - every season has something new to offer. Sunday January 3rd typified a miserable cold and windy day in the North-East of England. Looking out the window at home I saw nothing to get excited about, so after sitting down to a lovely Sunday roast I decided to park my backside once again and out came the ipad. I had a quick browse through Facebook and noticed a set of photographs by a local press photographer, Owen Humphrey's, who'd captured some big wave action at Seaham Harbour, a 15 minute drive from my home. At that point I thought about taking myself across there to see if the surf was still kicking hell out of the North Pier wall. Although I'd missed high tide by a couple of hours I still expected the show to be gathering momentum, so off I went with my Canon and telephoto lens.

It wasn't long before I arrived at the coast, swinging right after the Seaham Hall turn off and seeing how rough the sea was at Vane Tempest. I was most definitely in luck. I headed straight down to the harbour and parked near the end of the North Pier - a front row seat as far as entertainment goes. Well I wasn't gonna bag the shots I wanted from the car window and I had no intention of staying off the sand, so off I went, with tool bag and tripod for company. There was a few people dotted about on the small section of sand in the Harbour. At first I set my camera up on the tripod and aimed in straight at the lighthouse, which was clearly the focal point of the composition and a subject that was clearly receiving major abuse from the cruel North Sea. This was Mother Nature at her best, or worst, whichever side of the fence you prefer. Kids ran around on the sand in front of me, adding some much needed foreground interest. Weather photographs, especially in adverse conditions, are most eye-catching with an added human element, so it was my task to pull in a few action shots to depict an aspect of fearless photography. More on that later.

I ran off a few shots remotely, observing the waves and pressing the button when the big boys gave the pier a back-hander. What a sight! Only two days previously I witnessed a fine Aurora display by Mother Nature and here I was, literally a few hours later, watching her carve out some magic once again. A Canon 5D3 was used to pull in the shots, combined with a 75-300mm lens, which was ideal and up to the task in front of me. Focus lock on was instant, as it should be, and when more people showed up on the beach I took the camera off the legs and shot handheld for the remainder of the hour or so I was on location. I got chatting to a fellow photographer, Alan Cook, who I 'd met previously at Penshaw Hill, Sunderland. Great bloke and we had a laugh in between shots. Still running handheld, it was ideal, swinging the camera here, then there, not wanting to miss a slice of the action. The gloves were still at home though - not sure what I was thinking about there, but I do know my hands were heading towards Numb Street, a very long street at that. I was friggin' freezing!!!! What to do eh, other than grit ones teeth and suck a lemon.

Then the star turn arrived. Now, this had to be seen to be believed. A pair of adrenaline junkies from a local kayak club decided to wade in and compete with the surf. Oh dear, surely this was a David and Goliath scenario, with only one outcome. Me and Alan gave each other an odd look when the pair headed into the water, albeit for a very short time before being tipped out and onto their arses. Surely they were risking their lives! And this is where the fearless photography comes in. Their determination was to be admired, but that was easily overshadowed by the thought in my head that these two blokes had mentally lost the plot. I wondered whether it really was two blokes out there, or John & Ann Darwin, in disguise - click here for the connection.  It wasn't long before they attempted another entry, only to be thrown over once again, resulting in the pair giving up the ghost completely. A blessing in disguise, if ya ask me. How on earth they thought they'd beat the adverse weather conditions is beyond me. God loves a trier, but this was just plain idiotic!

After an hour of photography I called it a day and headed back to the car, where a nice cup of coffee was waiting. Very much needed. I sat in the car as I downed it and watched the last of the surf before heading back home. Later that evening I had a look through the shots on the back of my camera - they looked quite good, so it was mission accomplished. It wasn't until I viewed them on the laptop that I decided to post one or two on Facebook. I was a bit unsure at first, but decided to upload them as my first post of the new year. The response I received was very flattering and I was quite surprised, to be honest. I added a set of 5 shots to three different pages, which raked in over 1,000 likes, as well as many positive comments, which was very nice. The best thing though was witnessing such a spectacular show at Seaham Harbour. Mother Nature throws up some interesting events, with this being up there with the best of them. 2016 kicked off in fine style. Part 2 of this episode is coming soon. Stay tuned!
Thanks again for visiting my blog.

Ash

Black & White Photography

Wot, two blog updates in as many days! I guess it must be pissing down outside!!!
Oh dear, the colourful language raises its naughty head again, tut tut. Of course, pun intentional, as this latest blog entry has nothing to do with colour, unless of course I refer to grey scale, also known as Mono, but more commonly referred to as Black & White. I've never been a big fan of this type of photography to be honest, but lately I've been dabbling more and more with B/W conversions, and quite liking the end result. A big part of a good conversion is picking a suitable image to begin with. Many images simply won't work, so get your selection right and you're half way there. I cherry picked a few recent shots of mine before giving them the B/W treatment, and I'm well satisfied with their 'New look'. The majority of these shots were captured on dull, cloudy days, which is a good start as a lack of available colour generally has me pointing in the direction of B/W anyway, coupled with the fact that these moody skies often add a sense of drama to the shot, lending themself to B/W more than colour. Another slice of criteria is contrast - I tend to favour strong contrast in B/W conversions and always look at the depth of shadow and highlight before making a decision whether to 'Convert' or 'Back heel' the image I am considering for use. Thinking rationally, if it doesn't work in colour then there's only one path to go down. I choose to do my B/W photography in post processing, rather than capture it at source with the aid of Yellow, Orange and Red filters. Traditional methods, such as the Y/O/R filter route, were the only way to achieve true B/W shots before the introduction of digital camera's, but now it's a whole new ball game when you can easily lay your hands on a decent editing suite such as Photoshop. The end result, with the help of Photoshop is just as pleasing on the eye and it's a lot cheaper than shelling out on expensive B/W filters (that is, providing you have a copy of Photoshop that you managed to download for free!). Did I really say that? (wink).

And now to the business end of this blog entry - the photo's. Here is a small selection of B/W images by yours truly. Don't forget to click them for enlargements. The list is as follows...

1. Tynemouth (above)
Standing on the pier next to the Groyne Lighthouse, Littlehaven, I waited a few minutes for the arrival of the Amsterdam-bound ferry, which eventually arrived on schedule.  Plenty of great detail in the sky!

2. Tynemouth 2 (above)
As the ferry approached the Groyne Lighthouse at South Shields, I waited til it sailed alongside, then I tripped the shutter.

3. Transporter Bridge, Middlesborough
Positioned on the south side of the River Tees. Some nice foreground interest, and the Transporter Bridge dominating the shot. Not too much sky detail in this one.

4. Temenos, Middlesborough
A dramatic artwork on the banks of the Tees, with the Transporter Bridge in the background.

5. River Tyne, Gateshead Quays
I shot through a glass partition to get this one. A storm was brewing, as you can see in the distant black clouds. The rain was well and truly on its way...

6. Baltic Arts Centre, Gateshead Quays
And the rain soon fell! I took the lift from the viewing terrace back to ground level, which took no more than half a minute. Within this short space of time the heavens had well and truly opened. Seeking shelter in the Baltic doorway, I grabbed this shot, with like-minded folk opting to stay dry.

7. Roseberry Topping, Near Great Ayton, North Yorkshire
(as featured in my last blog entry). Works well in B/W. I quite like the added effect of the overhanging tree, which almost 'Frames' the iconic hill in the background.

8. St.Mary's Island, Whitley Bay
And finally, an experimental shot. Taken in broad daylight with a shutter speed of 45 seconds!!!!
An ND filter was applied to achieve an extra long exposure time, thus smoothing out the water in the process. A very dull and overcast day, with very little detail in the sky, Poor conditions for my type of photography, but you have to make the most of what you've got to play with, and on this occasion I landed a decent shot...

 

 

 

 

And that's all for now. I'll be back soon...in colour!

Ash

 

Littlehaven Sunrise, South Shields

A rarity from me - a summer sunrise photograph by Ashley Corr. This has to be the earliest time of day that I've gone out with the camera, of that I'm certain. Winter time is when I regularly shoot sunrises, due to the fact that there's no need to get out of bed during silly hours, which can't be a good thing. So, what made me shoot a Summer sunrise at 5.00am, you may be asking yourself. Well, I'd slept for a few hours during the day, followed by a few more hours at night, then awoke at 4.00am and couldn't get back to sleep. That was it - up and out with the camera. I drove down to Roker Beach, expecting the sun to rise behind the pier, as it usually does, but that is during the Winter months and today was very different. The early morning colour on the horizon gave a clear indication as to where the sun was about to rise, and it was nowhere near Roker Pier, but this is Summer, so the sun was about to rise further North, up the coast. With little time to spare before sunrise, I made the short journey to Littlehaven Beach, South Shields, where the sun was ready to rise over Tynemouth. I took up position in the sand dunes at Littlehaven and waited for some colour in the sky. It wasn't long before that happened. There wasn't a soul around, which was perfectly understandable. Only idiots get out of bed to photograph a sunrise at 5.00am!!

Here are three photographs. The first was taken shortly before sunrise. The second one shows the sun peeping over the low cloud cover, shortly after sunrise. The final shot, which is my favourite of the three, shows the sun over the cloud, as it shoots a ray of orange across the North Sea towards the dunes. Hey, maybe I'm not such an idiot after all. These shots were worth getting out of bed for, but somehow I don't think I'll be making a habit of it until Winter arrives once again. 
AC

 

The North-East Winds

With Christmas almost upon us I took the opportunity of using a spare hour or so to fit in some photography. December has been a quiet month with the camera, as you may have noticed by the acute lack of updates at www.ashleycorr.com. This has been due to the usual hectic programme that often accompanies December, but I intend to make amends before the month is over, with a few updates being planned for the final few days of 2012. My last Blog entry brought you a batch of Seascape images, taken at Seaham Harbour last Sunday morning, and I was by the sea again this morning for more of the same. This time I was shooting big waves from the promenade at Seaburn, Sunderland. Although there was bright sunshine this morning, it was typically cold and the strong winds almost had me on my arse on more than one occasion, but I managed to keep my balance against all the odds. My Sigma 70-300mm lens got a rare run out today. It was just what was needed to pull in those telephoto shots - range is everything when shooting from afar, so the long lens was called upon once again, and it never fails to deliver. There was very little colour to play with this morning, so I converted my shots to Mono (Black & White), which is always a good idea with this type of photography. I think it worked quite well, apart from the lack of detail in the sky, but you can only pee with the tail you've got! Some folk add new sky to get round this problem, but we don't want to do that do we - no cheating allowed!

And here they are, three shots, cherry-picked from a batch of ten and shot in RAW format. I was done and dusted, then out of there after a few short minutes. Back into the car and off home to sit down to a nice roast lunch. I'll be back soon with more Seaside shots, so get yer'sel back here in a few days time. Until then, have a nice Christmas and don't overdo the calorie count, eh. You know it makes sense!

Back soon, Ash

Roker Pier - Open At Last!

Continuing the Lighthouse theme for one more day, I was glad to see that Roker Pier was reopened recently, after months of closure whilst repairs were administered to the weather beaten concrete structure. It was purely by chance that I noticed the pier was open. I had earlier visited a stretch of coastline at Seaham Harbour, hoping for some good sunrise shots, but alas there was very little colour in the sky shortly before sunrise, so I headed towards Sunderland. I stopped off at Hendon beach, another place that I had never previously visited, but again there was little or no promise in what lay in front of me so I got back in the car and headed for Roker. This place has become something of a comfort zone for me down the years, a place that I'm very familiar with and there's always a decent photo or three to be had here. I was driving along the coastal road past Roker Hotel when I glanced across towards Roker Pier, surprised that there was actually people walking along it. The pier had been closed for months because of damage to the structure, and many a time I'd gone down there hoping to photograph the lighthouse at sunrise, but the gates were locked. That was it - I drove down, parked up, then passed through the gates and approached Roker Lighthouse with camera at the ready.

I passed a few fisherman en route. God knows how long they'd been fishing - probably an all-nighter by their haggered appearance. The sun was now shining brightly in an almost cloudless blue sky. Cold it certainly was, so I had little intention of prolonging my visit, despite the fact I'd waited months on end for it. The North Sea didn't look that rough, but the occasional crashing wave smacked against the pier wall and soaked its deck every now and again, so I was rather vigilant of the fact in the hope of avoiding an almighty soaking. The blinding sun hit the stone cobbles of the pier in front of me. A strong shadow of the perimeter fencing was cast across the floor, letting me know immediately that a potential photo was right in front of me. I waited until one of fisherman cast out his line firing the shutter at the right moment. A sense of action added something extra to the shot, as opposed to static figures with little or no purpose to the scene. I think it worked quite well. If there's people in a shot it's best to get them working for you as best you can - just wait for the precise moment to present itself! My first shot (above) demonstrates the 'Moment' - a fisherman that looks like a fisherman.

I walked the length of Roker Pier, circling the Lighthouse at the end, before a brief stop to photograph another fisherman who was reeling in a raking bite. He landed a canny size cod, which brought a wide smile before it was tapped on its head and thrown into a box nearby. No doubt his frying pan was was the eventual destination of his fresh catch! Who would deny the fella a nice fish supper eh - the poor bugger had probably been fishing all night for it.

Well, whadda ya know - Roker Pier open for business once again. Looks like I'll be back soon. Thanks for stopping by,

Ash

St Mary's Island, Whitley Bay

At this time of year my low-light shots always seem to take precedence over any other photography I have planned, mainly due to the short days and convenient times when the light is low. I recently turned out at St Mary's Island, on the Northumberland Coast near Whitley Bay. Another early rise and a 25 minute journey via the Tyne Tunnel to this coastal haunt that has become more of a regular thing for me during recent weeks. Today was one of those disappointing days when the sunrise wasn't a sunrise and drizzle was most definately drizzle - a wipe out in photography terms and certainly not what I was hoping for. I'm sure those people at the Met Office have inside information of when I'm planning a trip up the coast as they always say the right things but the weather on the actual day is quite often a far cry from their earlier prediction. Maybe these weather apps for mobile phones aren't what they're cracked up to be, eh. Ah well, with a 'No Show' from Mr Sun it was a simple case of taking a few photo's for the sheer sake of it, so here are a couple of efforts from last Sunday's visit. I wasn't aware that St Mary's Lighthouse was lit up during the night and this was the first time I'd actually seen it in artificial colour. The tide was very low so the causeway was accessible, although I only photographed from the first half of it and went no further. This is the point where small pools of sea water offer reflection and this lends some content to the shot, rather than a messy foreground, which would have definately been the case with a clutter of rocks without the water. I was the only mug on site today! The last few times I've been here there's been at least 3 other people following suit, but not today folks - just the one 'Muggins' flogging a dead horse, he he. Aye, just wait til the next time though - I'll show ya how it's done (wink). The best part of my 30 minute stay was getting back into the car and opening a flask of coffee. The accompanying Mini Roll made the experience even better, so I sat there and indulged - this was as good as it got, unfortunately. Thank god for Mini-Rolls and allowing myself to be very easily pleased.

The heaters were on and I left the scene. Ah well, with this one behind me I have a feeling I'll hit the bullseye next time. Rough with the smooth, and all that jazz...

Until then, AC

Roker Sunrise, Sunderland

Last weekend I set the alarm clock for an early rise and headed off towards Roker, on the North-East coast of England, for another crack at some sunrise photography. As expected, it was brass monkey weather and I asked myself once again 'What the hell am I doing', as I swapped a warm comfy bed for a freezing cold walk along the beach at Roker in search of a decent viewpoint before the sun showed up. As said many times before on the owld Blog, you have to do this kinda thing to get sunrise shots and Winter time is the softer option as the sun rises at a sensible time. A few layers kept the chill at bay for the most part, but you can never escape the cold altogether so you learn to suck the preverbial lemon and simply get on with the task in hand. The real pisser (pardon the french) is when you make the effort at the crack of dawn and the sun doesn't show up - or if it does it heads straight behind a low bank of cloud on the horizon just as soon as it has risen. Been there a few times - not nice - balls like prunes and icicles forming on the end of one's nose - never again! A flask of coffee comes in handy when you eventually return to the car, but unscrewing the lid is an ordeal and a half when your hands have seized up during a sub-zero temperature. Yes folks, photography has a knack of drawing you in and spitting you out like a spent force, but who gives a hoot when you've bagged a batch of good un's on the owld memory card, he he.

Hey, enough of the prattle, here is a small selection of shots that I pulled in during my recent visit to 'The Beach'. The first shot is a panoramic stitch of two exposures, shot from the sands of Roker Beach near its iconic pier and lighthouse. The incoming tide forms the foreground to this shot and the angle of the pier sweeps across the frame in a snake like fashion until it reaches the lighthouse. The dawn sky probably makes the picture what it is - without it the result would be quite bland, IMHO, but we all love a nice colourful sky, eh. The sun was about to rise when I panned across between the two shots, but the low cloud cover had its say and the drama was lessened by the orange ball's absence. Ah well, still a decent shot. My second was taken after I left the beach and headed back onto dry land. In front of me stood what I can only describe as a marble effect 'Viewfinder' that was positioned in such a way that the viewer (me) could look straight across towards Roker Pier. The opposite side of the 'Viewfinder' appeared to look like the aperture blades of a conventonal camera lens, so I was obviously barking up the right tree in this case. Standing there almost numb to the bone by this time, I grabbed a single shot and returned rather gingerly to my car which was parked nearby. Heaters on full blast to blow some life back into the old dog then it was off up the hill and into the car park of Roker Hotel. Now warmed through and returned to slight sense of normality, I was back into the fresh air and taking my last few shots from the main road that overlooked Roker Beach. A decent viewpoint, it has to be said, with a highter viewpoint and a good angle to photograph the pier from. And this is it (shot 3), after sunrise but still no sun in the shot as the clouds were also calling 'The Shots'. And that was enough for me - done!

Still planning that jaunt up the Northumberland Coast for more sunrise shots, so I'll keep you up to speed with that one. Bamburgh Castle - now that should be worth looking forward to. Prunes and Custard, anyone?

Later, Ash

Whitley Bay Sunrise

It's been a few months since I captured my last sunrise shots, so with those very early Summer starts out of the way it seemed like as good a time as any to get back into it. From October onwards you can catch a good sunrise at a sensible time where you're not setting the alarm clock between 3 and 4am - the silly hours! Mind you, when you have the option of lying in a warm comfy bed, versus getting out of it on a freezing cold winter morning to take sunrise shots, well...some folk might say it's a 'No brainer'. But, anyone who's done sunrise before will tell you there's only one way to get those nice 'Crack of dawn' shots, and that is to get out there bright and early and do the necessary. Any dedicated photographer would not think twice about an early rise if he or she thought there was a good chance of bagging some good sunrise shots, and that's where I'm at these days, the alarm clock is only 'Enemy' on work days, he he (wink). That said, there's been a few times when I've turned out and there's been no sunrise to be had. Low cloud cover often kills the opportunity stone dead, so best do your homework the night before. I always check the weather forecast, sunrise times and tide tables so I can plan where I intend to visit the following morning, based on the information gathered.

Today I visited St. Mary's Island near Whitley Bay on the Northumberland Coast. This is a very photogenic part of the North-East coast and one that I've visited a handful of times in the past. The lighthouse is the focal part of this location and it dominates the stretch of coastline and can be seen from many miles away. The lighthouse is accessible via a causeway when the tide is low, but cut off once the tide returns. The rocks around the lighthouse are a minefield if you aren't wearing appropriate footwear at low tide, but on the plus side they come in handy when you're after some foreground interest. I came equipped with me wellies so I had no problems in that department. So, all I was waiting for was a good sunrise. The key to a good shot lies in the actual sunrise itself and the colours it presents, not only as the sun rises, but during that fifteen minute window beforehand. I was set up and raring to go, working with the following equipment...

Canon 7D body

18-135mm EF-S lens

Manfrotto tripod

Manfrotto ball & head grip

Lee foundation kit

Lee soft graduated ND filters, 0.3, 0.6, 0.9

Wireless remote control unit

(oh, and a Snickers bar!)

The first shot I took was captured shortly before sunrise. Taking my base exposure from the foreground sand, I then took a reading from the brightest part of the sky and made a mental note of the difference in f-stops. I knew that no compensation for the difference would burn out the detail in the sky completely, so out came the filters. I attached the filter holder to begin with, using a 67mm adaptor ring and screwing it into the lens thread. Then the filters came into play as I dropped in a combination of 0.9 and 0.6 Neutral Density grads. A quick test shot gave me the result I was waiting for - this is the actual test shot (above, shot 1). Both filters were positioned just above the horizon to hold back the detail in the sky. It worked quite nicely.

My second shot was taken a few minutes after sunrise - this was from a different spot, further back near the ageing wooden groynes that head out to sea. This is where those wellies came in handy as I was more than ankle-deep in sea water - something that the other photographers nearby never had the privelege of. Slippery seaweed lay underfoot at almost every step, so I was more than aware that falling flat on my arse was more than a possibilty as I negotiated the rocks in search of more angles to shoot from. My final viewpoint was right back off the rocky foreshore, next to the wooden groynes. The fractured rocks in front of me drew me instantly into my next shot. By this time the sun had been up around 15 minutes so the light had changed dramatically since my arrival at 6am. The 0.9 grad was removed and I was now running with only the 0.6 as the foreground base exposure was much lighter due to the sun hitting the rocks directly in front of me. This composition took in everything that was on offer - I quite like this one, although once again there was another shift in detail where the sky is concerned. Not much in the way of colour, just a bland greyish sky with highlights to the far right. The foreground makes up for this though in a busy kind of way. It wasn't long before I called it a day and went back to he car where a nice flask of coffee was waiting for me. I sat guzzling away in an attempt to warm myself up whilst listening to Smooth Radio before heading back home via the Tyne Tunnel. And so, my first sunrise shots for over six months and now, with the addition of my new Lee Filters, I'm looking forward to lots more early rises to improve my technique in this kind of photography. I'm already planning a visit to Bamburgh Castle, further up the Northumberland coast, probably around late October 2011. Until then I'll leave you with these three shots, which are hopefully just the start of a new collection of sunrise photography that will only get better.

Throws down the gauntlet...

Thanks for visiting.

Ash

Sunderland Coastal Area

Following my visit to Mowbray Gardens I decided to visit the beach at Roker, Sunderland, while the sun was still shining. The broken clouds caught my eye, so thinking they could add to some decent seascape shots I drove across the Wearmouth Bridge and headed for the water. Having done a job in Mowbray Gardens I wondered whether their was similar shots to be had in Roker Park, but a brief stop off proved a waste of time as there was very little colour on show, so it was a case of driving the short distance to the seafront near Roker Hotel. I parked up and took a few steps across the road where my vantage point took in the whole of Roker beach and its well known 'Cat & Dog Steps.' The sands were quite desolate, which was somewhat of a surprise considering the nice weather. There were a fair few walking along the promenade though, towards Seaburn, which lies just along the coastal route, heading north. The tide was low, which wasn't ideal as I'd hoped for some shots with an incoming tide below my vantage point, but I wasn't complaining - I suppose you can only work with what's in front of you!
I was tempted to drop down onto the beach itself but decided against it as I was pushed for time. Anyway, the sea was calm so I wasn't missing much, as far as crashing waves are concerned.

From experience I've found that good beach shots are amongst the hardest to achieve. Last year I was commissioned by the Tourist Board in Sunderland to supply beach shots of Sunderland, which wasn't an easy proposition. I made a few visits to the Roker/Seaburn beach area and planned where to shoot the best scenes, which were mainly up top, overlooking the sands. It was around this time, October 2010, that I'd captured a few sunrise shots, so it was finally time to grab some daytime shots to go with them. I captured 5 shots which were later reproduced as postcards, which have sold well in Sunderland Tourist Information Centre, as well as further sales in the Winter Gardens and Cafe Bungalow, Roker. Examples of the cards can be found here - Postcards > ashley Corr.com. My latest beach shots, shown here, aren't commissioned work, although I do plan to reproduce one as a new postcard which will increase the set to 20. Beach shots are in demand, so I plan to test myself further in the coming weeks to add better shots to my portfolio. A good sky is a must have - get that and you're well on your way! Both beaches in Sunderland (Roker & Seaburn) are very clean and relatively tidy - unlike the beaches further south at Seaham and Easington, where decades of coal mining are still evident on their sands.

The seaside area of Sunderland is buoyant during the Summer months, as expected. The usual run of pubs, restaurants and amusements lie along the promenade, especially at Seaburn, the central area of Sunderland's coastline. Seaburn's Marriot hotel is a popular resting place. Overlooking the North Sea, its easterly facing rooms give perfect views of the sea which often crashes off the nearby walls during the winter months. I remember one day last year when I was fortunate enough to witness the waves in full force, keeping a sensible distance from them and avoiding a soaking, as I took a few photographs. A gang of kids were dodging the waves as they crashed against the wall, but not one of them evaded a soaking. Quite funny at the time!

Once again, thanks for visiting. I'll be back shortly with my latest work - Ripon, North Yorkshire...more of those Mute Swans... Historic Durham...and more.

Catch ya then, Ash