Guisborough Priory, North Yorkshire

Guisborough (pronounced 'Gizbra') is a market town and civil parish within the authority of Redcar and Cleveland and the county of North Yorkshire, England. From my home in Houghton le Spring it is approximately 41 miles, 28 as the crow flies. As I have made more of an effort to travel South lately, and beyond Seaham, I targeted this area as one that I needed to photograph, as there are many other points of interest nearby. With this in mind I put a plan together in my head to do an 'All day' photography shoot when I had some spare time, and of course a nice sunny day to do it on. And I didn't have to wait too long for the opportunity. I headed down the A19 towards Middlesborough, passing the A66 turn off and heading towards the A174, which would lead me East, towards Whitby. In fact, it was perfect weather for the coast, but I hadn't intended on venturing that far across, so I stuck to my original plan which would see me tick off places like Guisborough and Great Ayton, including Roseberry Topping, a distinctive hill on the border of North Yorkshire. It is situated near Great Ayton and Newton under Roseberry. Its summit has a distinctive half-cone shape with a jagged cliff, which has led to many comparisons with the much higher Matterhorn in Switzerland. But more of that another day. Today's blog entry concentrates on Guisborough Priory, my mid-day visit in the baking hot sun...

A brief insight to the Priory -

Gisborough Priory is a ruined Augustinian priory in Guisborough, the borough of Redcar and Cleveland and ceremonial county of North Yorkshire, England. It was founded in 1119 as the Priory of St Mary by Robert de Brus, 1st Lord of Annandale, an ancestor of the Scottish king, Robert the Bruce. It became one of the richest monastic foundations in England with grants from the crown and bequests from de Brus, other nobles and gentry and local people of more modest means. Much of the Romanesque Norman priory was destroyed in a fire in 1289. It was rebuilt in the Gothic style on a grander scale over the following century. Its remains are regarded as among the finest surviving examples of early Gothic architecture in England. The priory prospered until the Dissolution of the Monasteries in 1540, when it was abolished along with England's other monastic communities. The priory buildings were demolished and the stone re-used in other buildings in Guisborough. The east end of the priory church was left standing with its great window forming a distinctive arch, a well-known landmark used as a symbol for Guisborough. It became part of the estate of the Chaloner family, who acquired it in 1550. The east window was preserved by them as part of a Romantic vista adjoining their seat, Gisborough Hall, from which the priory takes its idiosyncratically spelled name. It is owned by the Chaloners but is in the care of English Heritage as a scheduled monument.
Since the 19th century archaeological excavations have taken place in the priory grounds, though a substantial part of the site has not yet been investigated. In addition to the east window, surviving visible fragments of the complex include the lower courses of the west range, a vaulted undercroft, a gateway and a 14th-century dovecote still in use today. The adjoining Priory Gardens, laid out by the Chaloners in the 18th century, are under restoration by a volunteer group. The priory ruins and gardens are open to the public throughout the year.

Parting with two of my hard earned quids, I entered the priory grounds after parking at a very handy spot directly in front of the main gate. There were one or two other visitors on site, which was good for me and the camera - don't want too many people inviting themselves into the frame, do we? The bright sun was across to my right, hitting the side of the priory ruins, leaving the main wall in shade, which wasn't ideal, but after twenty minutes or so it had travelled enough to cast its rays onto the stonework, bathing it and bringing out the colour that I was waiting to see. Time to start some photography. Pigeons flew in and out of crevices every few minutes, which was a tad distracting. They were making regular visits to feed their chicks which were sheltered in shade - an ideal place to build a nest. The grounds were very well maintained, although there wasn't a great deal of colour on show as far as flowers and plants were concerned, but I did manage to include what there was on offer, just to add that odd burst of colour to my shots. It was in the nearby wooded area that an abundance of colour was visible, in the form of a bluebell plot. quite photogenic, it has to be said. I got down low and took a few photo's, one of which is shown below.

The wooded area included a collection of ancient stones which were obviously part of the priory buildings at some point. Laid out in a circular fashion, these pieces of stone, although covered in moss, were hundreds of years old and ancient relics of bygone times. Scattered amongst the trees were knitted figures, forming a trail of some description, but I didn't pay much attention to them before heading back out and onto the grassy area near the Priory ruins, which was clearly the focal point of the site. It was now simply a case of finding a few points to photograph from, so off I went, grabbing shots here and there. Here is a few examples...

Coming next - Roseberry Topping. Until then...
A

 

Fountains Abbey, Ripon

We've had some great weather recently, especially over the Easter period. During this time I made a visit to the North Yorkshire town of Ripon, which is approximately 56 miles from my base in Houghton le Spring. Ripon is the home of Fountains Abbey, the largest abbey ruins in the UK, which is situated in the Skell Valley and has 800 years of history behind it. The abbey was founded in 1132 by 13 Benedictine monks seeking a simpler life. They later became Cistercian monks. The River Skell runs through the valley and under The Abbey - which in itself is a masterpiece of twelfth century building ingenuity. It's quite easy to soak up the spiritual atmosphere, almost losing yourself in the passages, staircases and towers that display ancient architectural craftsmanship at its very best. I've visited a few ancient sites during the past few months and I'd safely say that I probably won't see another of this size for some time to come, unless it's somewhere overseas.

My first shot (shown here) was taken as I arrived in the abbey grounds from the footpath which began at the site entrance which was only a few minutes walk. It shows Fountains Abbey, straddled bya huge lawn - one of two that flank the east and west sides of the abbey. From here I made my way inside the abbey to an area known as the cellarium, which is shown in my second shot. Amazingly the cellarium roof has remained intact and the lay brothers ate, slept and socialised here, beneath the incredible vaulted ceiling which escaped Henry VIII’s brutal sixteenth century dissolution of the abbeys. Today the inhabitants are protected species of bat who live in the ceiling nooks and only come out after dusk. It is estimated there are over eight species of bats living in the cellarium. During the Autumn the cellarium is lit by coloured bulbs as part of the illumination tours that the National Trust runs at the site at dusk. Someone climbed down an embankment and into the far window of the cellarium as I took the shot, which you can see here.

From the cellarium I walked through to the cloister area which was surprisingly quiet, but ideal for photography, despite the high volume of visitors to the site while I was there. Once used for meditation and exercise by the monks the cloisters formed the centre of the abbey and many rooms lead off from this area, including the warming room where you can still see the huge fireplace where a fire was always kept roaring. Above the warming room up the external staircase to the left, is the muniments room where the monks kept all their important documents, it made sense to keep them above the warming room so the documents stayed dry in all seasons. The floor tiles in this room have just been refurbished and the room has recently been opened to visitors.

Today I was photographing solely with my 10-22mm wide angle lens. This glass is tailor-made for tight architectural passages and alleyways, plus the low level shots of overhead stonwork such as archways and high windows - perfect examples of which were found in the church area of the abbey. The dominating tower also got the wide angle treatment as I stood very close to its base. I have a selection of images, approximately 25, that I will be uploading to my web site ashleycorr.com in the next couple of days. They will form a new gallery page that is dedicated to Fountains Abbey and it will get the usual slideshow treatment with accompanying music.

The surprising thing about this National Trust site is that Fountains Abbey only forms a small part of what is actually on offer to the visitor. The grounds also extend to Studley Royal, a huge estate of beauty including the Georgian Water Gardens, a deer park, Anne Boleyn's Seat, Studley Lake and the Serpentine Tunnel, to name just a few. I'll have to cover that lot another day, as my three hour visit was over in no time and I only visited the abbey!

Anyway, that's about it for now. Keep an eye out for the new Fountains Abbey gallery which is due to go live shortly. You'll get an insight into the ancient ruins through my camera lens. I hope I done it justice. Until then, see ya next time.

Stacks of new photo's to get through!
Ash