Hello again.
All of my recent photography
has been either sunrise or sunset efforts, mainly due to the more convenient times when the sun appears and disappears at it's best. I'm not one for getting out of bed during the summer months at 3.00am to catch a sunrise - opting for a more sensible start during the later months of October onwards. As for sunsets, these times also vary, but at least you don't have too much inconvenience if the sunset isn't a good one.
It was early October 2010, Sunday evening and I was toying with a visit to the Angel Of The North, hoping for a decent sunset. I always tend to check the sky before making a final decision as this offers clues as to whether a potential 'Good one' is round the corner. A clear sky doesn't bode well for a dramatic sunset, although I've photographed a few decent ones - like
this one.
Tonight there was a fair bit of cloud kicking about and I had high hopes of a visit that would be well worth the effort. The Angel Of The North is often the first place I visit when anticipating a good sunset. The location is entirely dependable on a good sky and a few visitors to include in the shot. I say this because everythi
ng else stays more or less the same during each visit. The static Angel obviously doesn't affect the shot but a sense of drama can be included by simply shooting from the best available angles. Being close up to the Angel and almost underneath it gives an impressive and dramatic angle to work from. I've found a couple of great spots to capture the sculpture and seeing the results in print just adds to the drama as the Angel towers above the lens.
During the year the sun sets in different positions along the horizon behind the Angel. This is ideal for photographers who can then capture the best angle of the Angel with the setting sun included in the shot. Because of the bright backdrop it's virtually impossible to balance the exposure and picking out detail on the sculpture itself, so a silhouette is normally the route to go down in such low-light conditions. From my main viewpoint I also had the silhoutted leaves on the nearby trees to add another dimension and these also 'Framed' the subject which was central in the finished shots.
Moving on to the subject of people - another important element in the shots.
If you haven't visited the Angel Of The North you may well be unsure of its size. Scale is important in this type of shot as it answers the question by simply glancing at the photograph. Of course you don't get an exact size by comparing a persons size to the Angel itself, but you get a rough idea of what we're talking about.
There's been the odd occasion when I've visited the Angel and there's been hardly anyone else around. Not exactly ideal if you're wanting extra's in the shot. I was lucky tonight though as people were coming and going at regular intervals so all I needed now was that bit of drama in the sky - the main event, so to speak. The sun was very low as I took my first shots in continuous shooting mode and this gave me a batch of shots that I could cherry-pick from, singling out the best ones. A couple of lads passed me as they walked the path towards the Angel - I was now off and running.
Once the sun had set it was then a waiting game.
The clouds above started to change colour and within a few minutes the sunset I had hoped for was right in front of me. Everything was in place by this time and the visitors were still offering that bit extra to my shots. The silhouetted extra's came in the shape of people, bicycles and dogs, but my favourite shot of the Angel included a young mother holding her young child, beneath the Angel itself. The silhouette was captured just as I had intended, with the mother looking at her young child during the dramatic burst of colour that lasted around ten minutes in total.
This was without doubt the best sunset I've witnessed at the site of the Angel Of The North. I'm now looking forward to sending some of these images to print and displaying them at their best - probably on A2 canvas.
I've lost count of the times I've made the fifteen minute car journey to the Angel Of The North, hoping for a dramatic sunset and not seeing one. The law of averages would probably state that I would eventually get my wish one day. Today was that day!
(click image to enlarge)
Ash
eway to the North-East of England, as thousands of motorists pass through it each day. Since spreading its wings in February 1998 Antony Gormley's Angel of the North has become one of the most talked about pieces of public art ever produced. Rising 20 meters from the earth near the A1 in Gateshead, the Angel dominates the skyline, dwarfing all those who come to see it. Made from 200 tonnes of steel, it has a wingspan of 54 metres. Getting up close and personal with the Angel is an experience you'll not forget in a hurry! Apparently, the Angel is as tall as four double-decker buses and its wingspan is as big as a jumbo jet. Ah well folks, ya learn summat new every day, eh.
Angel with my new wide-angle lens. Great stuff once again! The whole wide-angle effect is shaping up very nicely, ta. Some nice colours in the sky shortly after sunset, which gave me an opportunity to grab some nice shots with visitors in the frame. As cold as it was, it's always worth waiting for people to enter the frame as this lends a sense of scale to the whole 'Angel vs people' scenario. Also, I was metering off the highlights in the sky, which in turn threw the Angel and people into silhouette, which finished the shot off brilliantly...in my humble opinion, of course. The second shot (illustrated here) shows my son posing in an angelic fashion, he he, which is something he is very good at...but only on request! Anyway, you get the general idea of scale with this shot.
