Star Trails - Something a bit different

Hello again!
Following on from my fairly recent Milky Way shots is another insight to my new found interest in Astro Photography. I've captured some recent star trail shots that I'd like to share here on my blog page, including one in particular that couldn't have been captured any closer to home! Contrary to popular belief, it's not always essential to escape the bright light pollution of a built up urban area to achieve half decent results. Of course, a dark clear sky is essential for the most effective star trail shots, but if the conditions are less than favourable, you can still have a dabble to discover what the camera throws back at you. In this blog entry you'll find a set of recent shots (all from 2014) that were shot under a clear dark sky, with millions of stars on show. I've also thrown another shot into the mix that demonstrates what effect you can pull in when clouds unexpectedly appear and blow across the frame. I almost abandoned this particular effort, but decided to roll with it just to see how the resulting image panned out, and even though I couldn't see the stars at one point, because of the clouds, I ran off an extra 40 exposures just for the hell of it.

For anyone reading this, who has no concept of how star trails shots are achieved, the answer is a fairly straightforward one. As we look to the sky above and see the stars, they don't actually appear to be moving, even though they are. The North Star (Polaris) is constantly static, as is the South Star, and other stars rotate around it. So, if I take 50x 25 second exposures, continuously, then stack each shot on top of each other using photo software, each star will have moved slightly in each shot. The software basically tracks the movement of each star, resulting in a light trail effect, which is what you can see here. Obviously, the more shots you take, the bigger and better effect it will have on the end result. The shots shown here were captured over a period of around 60 minutes, apart from the garden shot which was a result of 130 minutes of shooting time. This was the easiest of all my 5 star trails efforts to date, as I simply programmed the camera and went back into the house to watch footy for a couple of hours. After the match I went back out to collect the images. Job done!


1. Angel Of The North (120 x 25 second exposures)
2. Groyne Lighthouse, South Shields (140 x 30 second exposures)
3. Our Back Garden, HLS (325 x 25 second exposures)
4. Souter Lighthouse, Marsden (120 x 30 second exposures)
5. Sycamore Gap, Hadrian's Wall (138 x 30 second exposures)

This type of photography requires at least two characteristics. Patience and perseverance. It's not too bad when you've got company and can have a bit of banter while the camera pulls in the shots. Time passes much quicker this way. When you're out on your own it's a different ball game however, even more so if you're in a very dark area late at night, away from home, and paranoia kicks in when you hear the trees rustling behind you, or an owl screeches over your shoulder and you almost shit yourself! And the one where you see a figure walking towards you in the distance and you wonder whether he's up to no good. You laugh about it afterwards, but it's not so funny at the time. Maybe I just nee to grow a bigger pair of balls, he he. Eeee eh, the things ya dee for a decent photograph!

And on that note I shall depart once again, hopefully returning with more photographs from God's Country. I wonder where I'll end up next time. Probably the coast. I feel another Seascape shot coming on. Hope it's not a false dawn. Ah well, we shall see...

Catch ya later, AC

St. Mary's Lighthouse, Whitley Bay

It's time to unveil my latest sunrise photographs, taken at St. Mary's Lighthouse, near Whitley Bay. I know I've mentioned this once or twice previously, and I'll make this one the last - it was at this location that my Canon 5D2 bit the dust on the rocks after a gust of wind. The tripod blew over as my back was turned and the rocks did the rest. I was out of action for 5 weeks, during which time my camera was away for repair and it never returned, deemed 'Beyond economical repair'. My insurance company replaced the camera with a brand new 5D3, much to my disappointment... NOT!  I was chuffed to bits. Everyone loves a happy ending. And so the new chapter begins. The 5D2 was my dream camera, so when I finally got my hands on one I was a very happy bunny. 5D3 was always a pipe dream, until now. Getting my hands on this spec was more than I ever imagined and it's fair to say I have now reached the top of the tree, camera wise. It's now up to me to get the very best from it's capabilities. It's gonna be a challenge and I don't feel as if I'm punching above my weight, not at all. Let's just see what's round the corner...

As I get to grips with all my new camera has to offer, it seemed a good idea to return to the fateful location that is St. Mary's Lighthouse. A kind of unfinished business, shall we say. A summer sunrise and a 3.30am alarm call. Now that was a first. I had only had two hours sleep after a late Saturday night, so I was rather knackered as I drove out of Houghton toward the A19 and Tyne Tunnel. Arriving at St. Mary's at 4.40am in time for a 5.00am sunrise, there was already colour showing in the sky and I was hopeful of even more as shooting time approached. There was one other guy on site, already set up and pulling in shots. He warned me that the tide was rapidly incoming, so I kept out of wet reach and opted for safe haven on the causeway steps as the sun was about to rise. I dotted about, not wanting to bag a whole set of shots from one viewpoint. And here is a small selection of them. A stunning light show and what a way to return to a location which holds bad memories of my last visit, now banished and well forgotten, judging by the shots shown here.

Cheers, Ash

Hadrian's Wall - A First

Welcome back to my Blog page!
On Easter Weekend I made my first ever visit to Hadrian's Wall, accompanied by friend and rookie photographer, Billy Short. It's hard to believe I hadn't walked the wall at some point, with or without a camera, so my maiden visit was well and truly overdue. Billy knew the place quite well, keeping me informed of what lay along the Hadrian's Wall Path, which stretches approximately 80 miles from Wallsend to the Solway Firth. Construction of this defensive fortification in Roman Britain begun in AD 122, during the rule of Emperor Hadrian. Steeped in history, Hadrian's Wall was made a UNESCO World Heritage Site in 1987. Although Hadrian's biographer wrote "Hadrian was the first to build a wall 80 miles long to separate the Romans from the barbarians", reasons for the construction of the wall vary, and no recording of any exact explanation survives. However, a number of theories have been presented by historians, primarily centring around an expression of Roman power and Hadrian's policy of defence before expansion.

It was now my turn to tread where Romans once did, so off we went, into the sticks for some photography and a taste of historical interest. We headed towards Once Brewed, just off the main gateway to the wall, the A69. It was an hours drive from Houghton le Spring, which wasn't bad at all, especially when the roads were quite busy on Easter Weekend. To give you an idea of exactly where we were heading in relation to the length of Hadrian's Wall, Once Brewed lies approximately 45 miles from Wallsend, the obvious 'End' of the 'Wall', so near the half way marker. From the car park we headed across the pasture and beyond the surrounding trees, where we caught our first view of the wall. The sun was very low and it threw a warm glow onto the crag that led the eye along the stretch of wall towards Steel Rigg. It was a sight and a half. We walked own the dip and onto the path itself, before a very steep climb up the crag via a staircase of ancient stones, strategically placed to help old timers like myself, he he. There was barely a breeze. The sun dropped behind the hill to our left as we made our way along towards Sycamore Gap, a location that appeared in the film 'Robin Hood, Prince Of Thieves'. The temperature took a noticeable dip, and this would only worsen as the evening progressed, but we were prepared for the task ahead. That task - to photograph the night sky with a series of long exposures, in the hope of crafting an eye opening star trail image. We went equipped with a powerful torch, thinking out loud with light painting in mind. This is an area that's relatively new to me, as I've only tried this once in before at Penshaw Monument. Billy hadn't done any at all, so we were looking forward to giving it a decent shot, despite our inexperience.

Thirty minutes into the walk and we reached our stop. Sycamore Gap looked the part alright, as seen on many photographs by many different photographers. Now it was our turn. We set up our camera's and done the prep work, dialling in the ideal settings for star trails, then waited for the light to drop, which it inevitably did, and by 9pm it was All Systems Gogo. You could almost hear a pin drop. This was solitude at its very best, and this photogenic location topped it off perfectly. We were underway with the long exposures, rattling them off continuously for what was expected to last around 90 minutes, weather permitting. The camera's were doing all the graft by this time and all we had to do was brave the cold as we headed towards the last couple hours of the day. Thousands of stars shone above in the dark night sky, with the moon an absentee as the exposures rolled in. Ideal - no light pollution whatsoever, until cloud cover threatened to spoil the party as it headed our way around 10pm. Suddenly the stars had disappeared, or at least most of them, making our task that much harder, but we soldiered on (no pun intended). By 10.15pm our camera's had recorded around 140 exposures, so the decision was made to call it a day, or in this case, a night. The clouds had gate crashed the show. We packed up and made our way back across the pasture towards the car park in the distance. It was pitch black and boggy underfoot, but the powerful torch saved the day and we able to navigate ourselves away from any hazards.

It was nigh on 11pm when we reached the car park and we didn't pass a single person en route, which wasn't a big surprise - only those who are 'Wired up wrong' do this type of thing, he he. And now for a brief insight into my photographs, shown here, from top to bottom... 

1. A viewpoint along Hadrian's Wall, towards Steel Rigg, as the sun was about to set behind us.

2. Sycamore Gap at dusk. That's me walking up the bank, remotely firing the camera shutter. For a brief time there was a stand off between myself and a rather aggressive Ram. Didn't know they existed, until now!

3. Star Trails. This was what we turned out for and this is what we got. Couldn't have been more satisfied with the results. My second attempt at this type of night time photography. 138 exposures and almost 70 minutes of work, but well worth braving the cold for...

4. Static Stars. Before leaving Sycamore Gap we used a torch to add an extra element to our final shots. A nice warm glow in the night sky made for a lovely shot...Beam me up!

5. Finally, another static stars effort, with a backlit tree as the focal point. Billy knows the score with torches and light painting, although he assured me this was his first attempt!

And that's it for now. A memorable visit to a place that is now on the tick list for more photography. Plenty more points of interest along Hadrian's Wall, just waiting to be picked off - It's a simple case of getting out there to explore what is on offer. With the Summer almost upon us, what better opportunity to get across there and get amongst it. My Canon 5D3 bagged some excellent shots on its very first 'Night Shoot' so I'm quite excited at the prospect of more low-light shots in the very near future. Once I put the camera through its paces (Correction - when the camera puts ME through its paces), I'll bring you another blog entry with a full teardown review. Just need to get out to test it with my other lenses this weekend. Gonna do some nature photography with my big reach 100-400mm lens. I'm thinking Washington Wetlands Centre, so keep an eye out at www.ashleycorr.com for more updates. Until then, thanks for dropping by...

Ash

Littlehaven Sunrise, South Shields

A rarity from me - a summer sunrise photograph by Ashley Corr. This has to be the earliest time of day that I've gone out with the camera, of that I'm certain. Winter time is when I regularly shoot sunrises, due to the fact that there's no need to get out of bed during silly hours, which can't be a good thing. So, what made me shoot a Summer sunrise at 5.00am, you may be asking yourself. Well, I'd slept for a few hours during the day, followed by a few more hours at night, then awoke at 4.00am and couldn't get back to sleep. That was it - up and out with the camera. I drove down to Roker Beach, expecting the sun to rise behind the pier, as it usually does, but that is during the Winter months and today was very different. The early morning colour on the horizon gave a clear indication as to where the sun was about to rise, and it was nowhere near Roker Pier, but this is Summer, so the sun was about to rise further North, up the coast. With little time to spare before sunrise, I made the short journey to Littlehaven Beach, South Shields, where the sun was ready to rise over Tynemouth. I took up position in the sand dunes at Littlehaven and waited for some colour in the sky. It wasn't long before that happened. There wasn't a soul around, which was perfectly understandable. Only idiots get out of bed to photograph a sunrise at 5.00am!!

Here are three photographs. The first was taken shortly before sunrise. The second one shows the sun peeping over the low cloud cover, shortly after sunrise. The final shot, which is my favourite of the three, shows the sun over the cloud, as it shoots a ray of orange across the North Sea towards the dunes. Hey, maybe I'm not such an idiot after all. These shots were worth getting out of bed for, but somehow I don't think I'll be making a habit of it until Winter arrives once again. 
AC

 

Night Tyne Photography

As promised, a couple of photographs from my brief outing to Newcastle Quayside. Following on from a visit to the Angel Of The North (Last blog entry), I headed over to the Quayside to try out my 24-105mm lens, which I hadn't tested on the Quayside to date, so I was itching to give it a first run out at this location, albeit a very brief one. It was literally a five minute stop, as I parked up in the Fish Market Car Park, next to the Swing Bridge, before setting up my gear and shooting down the river, towards the Tyne Bridge, Millennium Bridge & Baltic Arts Centre. It was getting late, so I made sharp and ran off two exposures, which were around the 5 second mark. There was cloud above, which is always a good addition to a night-time shot, as opposed to a flat sky with little or no detail in it. There was many a Geordie reveller on the Quayside, dodging from pub to pub, and there's plenty of choice in that department. It was rowdy, to say the least. Aye, been there...done that. Nowadays I'm focusing on Rivers and Bridges instead of getting rat-arsed and staggering home with a dirty kebab in my hands. Ahhh, those were the days!

But more of that another time. Here are the shots I took, only two, but very similar, although one is cropped to give an almost panoramic feel to it. Turns out the L-Series glass was more than capable...
CLICK TO ENLARGE
Speak soon.
AC

Enter The Angel

Two weeks ago I made another of my regular visits to the Angel Of The North, shortly before sunset. The Angel is an ideal stop off, especially when the plan involves a trip to Newcastle Quayside later in the evening, when timing is ideal for photographing at both locations. As the sun sets, and the photo's are in the bag, a fifteen minute car journey through Low Fell to Gateshead Quays is all it takes to pick off another photogenic 'Hot Spot' here in the 'Not so Grim North'. And that was the plan tonight, two into one, as I covered two popular locations in one night. Some nice colour in the sky, add in some nice to profiling, and Robert is your Father's Brother! Enter the Angel . . .

As the sun went down on the horizon there was a burst of colour in the sky. I photographed visitors as they walked back down the path towards the car park. Some interesting silhouettes (shots 3&4), and in particular, the elderly couple who stopped to take photographs of the colourful horizon (last shot, below). Very straightforward photography. All you need is a decent sunset and that burst of colour shortly afterwards. I got it tonight. The shots wouldn't be the same without people, as scale is all important here. It's a simple case of waiting for those unsuspecting folk to plonk themselves right into the frame, just where they appear best, as they pose for their own pictures, oblivious to the fact that they're also posing for mine  - A prime example is shown below (shot 2)... 

 

And that's about it, for now. Next I'll show you the shots I took an hour later, on Newcastle Quayside.

Until then, see ya later.

Ash

Durham Cathedral - Part 2 of 2

Following on from my last instalment, here is Part 2 of my Durham Cathedral blog for May 2013. Part 1 focused on a daytime visit to the Cathedral, but this time it's the low-light night shots that I bring you, captured from the same viewpoint. As an added extra, there's a few bonus shots of Durham Cathedral up close, as I ended my outing with a drive into the City where I parked up at Palace Green, directly in front of the Cathedral. It was a calm night with almost clear sky, give or take the odd scattering of cloud overhead. In fact, it was ideal for photography so all that remained was the task of pulling in some decent shots, again, beginning at the lofty viewpoint near the Botanical Gardens. As I set my gear up the sky had took on a dark blue hue, which can be seen in my first shot, a panoramic effort, where Penshaw Monument can be seen once again to the left of the frame, highlighted by the surrounding street lamps. Below the Monument is Durham Castle, illuminated and standing alongside the Cathedral, which is clearly the focal point and dominates the shot. My second shot, shown here, is a similar composition which I took approximately fifteen minutes later. The sky has taken on a different colour altogether here, and works just as effectively, although I prefer the first shot out of the two.

The last four shots were taken in the Cathedral grounds, as mentioned earlier, and by this time the sky was literally pitch black. As a backdrop to the warm tones in the stonework I think this works really well and blends in well with the shadows on the facade. I was running with 15 second exposures by this time, longer on other shots, just to compare the results before settling with a rigid shutter speed on my final few exposures. The moon shone above the Cathedral, so I included it to add a touch of atmosphere to the shots, which finished them off nicely. There must have been a hymn service in progress as quite a few visitors entered the Cathedral, then some half an hour later dozens of them left through the main door as I photographed from the pathway. I waited a while until the coast was clear then resumed. Another distraction came in the shape of a remote control Gyro- Copter! Bloody hell - what next! The guy controlling it seemed to getting plenty of attention from passers by and even flew the craft straight into my shot, as it rose to the top of the main tower before hovering in a static position. I went over and had a quick chat with him and he said the Copter had a built in camera which was filming the view below. His mobile phone was linked up to it and he was looking forward to reviewing the footage once he'd landed his toy. Not being that interested, I headed back to
my camera, which was stood a few feet away, then packed it away in my bag before 'Doing a runner.'

So, there it is folks, another blog entry behind me, with plenty more to come. So, as Saturday night is almost at a close, I bid thee farewell once again. Until of course, the next time...
Ta ta, Ash

 

Penshaw Monument At Night

I never tire of photographing Penshaw Monument. Whether it's Spring, Summer, Autumn or Winter, during Rain, Wind, Snow or Shine, there's every chance I'll be there, looking through the viewfinder. And from dusk til dawn, it's more of the same, as I capture this landmark in a variety of conditions which are rarely the same. Of course, there are many angles to photograph from and it's always a good idea to cover each one at some point, which is something I've never done, strangely enough. The 'Back' of Penshaw Monument, which I will refer to as 'The opposite side of the steps', is an angle I rarely shoot from, although I still have a nice shot from the mid-eighties which was taken from a spot on the A123, near North Hylton, with Cox Green Golf Course in the foreground and a 'Patchwork quilt' of surrounding fields. But above all, the classic view from the bottom of the steps is still my favourite. Photographed to death, I'm sure, but at night this view is even better as the place comes alive with the illuminations. This batch of Penshaw Monument low-light shots is by far the best I've managed to date and I'm chuffed to bits with them. After an early evening visit to the Angel (see previous blog entry) with Billy, he went back home so I headed up Penshaw Hill on my own in search of some nice shots. I was up there in pitch darkness and there was no-one else around. Some of the halogen lights were out and columns were in shade, which wasn't good for making pictures, so done a 180 degree spin and photographed the light trails along the dual carriageway. The street lamp effect was very eye-catching, to say the least. Check it out below (last shot).

I headed round the front, near the steps, and took my first shot of the Monument, before rattling off a few more frames and taking the return journey down the steps. Standing on the roadside next to my car, I turned to look at the Monument and decided to grab a few more shots before buggering off home. It was from here that I pulled in some lovely shots, and with an eye for the killer shot I invited a simple tree to the show, and what a good idea it proved to be (first shot). With the tree almost still, I knew a long exposure was possible, as movement would kill the shot stone dead if the tree moved, causing unwanted blur in the exposure. Some young couple pulled up in a car, asking me if it was OK to park. I replied 'Aye Mate' and he duly dropped anchor. They seemed to sit for a while as I rattled off a few more frames. They were probably waiting for me to shift so they could indulge in some nocturnal frolics. I know that for sure, as I had done the very same thing on that stretch, quite a few moons ago. I left them to it. I got what I came for, so who was I to deny the young lad his slice of the cake! Well I
was gunning for the Kebab shop wasn't I, only cos' the Indian's was closed, he he. And I returned home with exactly that, along with the pre-requisite garlic and chilli sauce.

And so another blog entry comes to light, along with a brief insight to my younger day and the Lovers Lane, he he. Eeeeee, them were the days...

Ash

Another Visit To York

Last month Mr & Mrs C had another weekend away in York, which is one of our favourite places to visit and it's only a 90 minute car journey at a steady pace. Mind you, although we visit York at least twice a year we never seem to hit on good weather, for some odd reason, and our latest visit was no different. That said, it was February, so it was no surprise that the North of England was once again under a dull overcast sky, with accompanying cold winds and the odd bout of snow and sleet. What to do eh, other than grit thee teeth and get on with it - this weather is not for the soft lad. Or maybe it was, as I headed into warmer territory that is York Minster, while the Mrs went for a spot of retail therapy, which is not my cup of tea whatsoever, so a canny compromise was made to pass an hour or so before meeting up. I kept my entrance ticket from my previous visit, which guaranteed free entry to the Minster for a full year, so there was no crossing palms with silvers on this occasion, as I went on my way, into The Nave. It's £9 a go these days, but there were plenty of takers, especially foreign folk, eager to see what was on show in this ancient building. There was one noticeable absentee however, my tripod, which was given the day off,  as I wanted to see what the 5D Mk2 was capable of in a handheld situation with high ISO settings. Every shot inside York Minster was captured this way and the results were stunning, especially the ceiling shot in the Chapter House (Shot 2, below). As you can imagine, there was very little available light to play with inside the Minster, so the Auto ISO setting was necessary to give me a fast enough shutter speed in low light, even though it cranked itself right up to 3200 in the dimmest areas to get a fast enough shutter. Reviewing the images, I couldn't help but notice how pin sharp they were when magnified on the monitor, so off I went, in search of more. I covered all of York Minster, apart from The Quire, which was out of bounds due to an ongoing hymn practise. Handheld delivered some great shots, if I say so myself. Oh, and there's a rare shot of me too, capturing a mirrored reflection in the South Transept.

After a 30 minute sesh in the Minster I had just enough time to head over to the popular Shambles area of York City Centre. The Olde Worlde character of this place is tailor made for photography, although my shots don't show its popularity on this occasion as the place was almost deserted when I got there. It was almost 4pm and Sunday shopping was near its end, so the majority of folk had cleared off by this time, which wasn't a bad thing as the camera got to see what it wanted, with no crowds obstructing its view. Shambles (or The Shambles as it is often referred to) is a street in the city centre of York with a long and interesting past. Today it features great shops, cafes, restaurants and tourist attractions. A fine place to stroll on a day in York or visit to take in some shopping, history and culture - also this year's winner of Google's Most Picturesque Street in Britain. As the snow started to fall I packed the camera away and headed off to the pre-arranged meeting place, where my other half was already waiting, laden with shopping bags. Oh aye...what's the damage? She had a big smile on her face when I arrived, but I still don't know whether it was due to the bargain she'd bagged, or the state of my hair, which was looking very sorry for itself by this time. Ah well, time to sit down for a beer and a bar meal. It's not all trudging around in the cold, this York malarky.

As usual, click on an image to enlarge. And on that note I shall disappear once more, only to return with more photographs, made in the North-East of England. Until then, stay safe.

Ash

     

Infinity Bridge, Stockton-On-Tees

Welcome to my first blog entry of 2013, and a Happy New Year to everyone!

With the new year just a few hours old I was out and about once again with the trusty Canon 7D, heading south down the A19 towards Stockton-On-Tees, home to the Infinity Bridge. I don't know what it is about illuminated bridges that draws me in, as I've photographed quite a few nearer home, in particular the array of bridges along Newcastle Quayside. For some time now I've dedicated a lot of my 'Camera Time' to low-light photography, mainly at dusk, but also at dawn, when I'm often in pursuit of that dramatic sunrise shot. When I recently noticed the Infinity Bridge on a local news bulletin, I made a mental note of it and added it to my 'Places to visit' in 2013, although I never imagined I'd be making that visit on January 1st. So what better way to begin a new year of photography than adding more low-light shots to my collection - no doubt this will be my first of many visits to this location, of that I'm sure.

The bridge was officially opened in May 2009,
following construction work that started in June 2007. It is a public pedestrian and cycle footbridge across the River Tees in the borough of Stockton-on-Tees in the north east of England. The bridge is situated one kilometre downriver of Stockton town centre, between the Princess of Wales Bridge and the Tees Barrage and it links the Teesdale Business Park and the University of Durham's Queen's Campus in Thornaby-on-Tees on the south bank of the Tees. The bridge is a dual, tied arch bridge or bowstring bridge. It has a pair of continuous, differently-sized structural steel arches with suspended precast concrete decking. The bridge deck is 5 m wide and 4 m between its handrails. The main arch of the bridge is 120 m long, weighing 300 tonnes, 32 m tall with its top 40 m above the Tees and the short arch is 60 m long and 16 m tall. The hangers (droppers) are spaced 7.5 m apart and are made from 30 mm diameter high strength locked coil steel cable. The tie cables are 90 mm diameter on the large arch and 65 mm on the smaller. A special feature is made of the way the bridge is lit at night. The bridge handrail and footway are lit with custom made blue and white LED lighting built into the handrail that changes colour as users cross. Attached to the steel cable ties are white metal-halide up-lighters to illuminate the white painted bridge arches, and blue LED down-lighters to illuminate the water and ground surfaces immediately below the deck. At night from certain viewing angles when the river surface is flat calm, the twin arches together with their reflection in the river appear as an infinity symbol ∞, and it is this effect that inspired its name.

Following the SatNav, I arrived at the bridge after a thirty minute journey, steady away from Houghton le Spring. The light was falling quickly so I got to work straight away, shooting from the top of a staircase, across the water, with the Infinity Bridge slightly over to my left. It was a great angle to shoot from. I fired off a few frames before making my way onto the bridge and making the short walk across to the other side of the River Tees, where I took more shots, this time with the last colours on the horizon directly in front of me, looking West. The river was flowing quickly, with the tide heading out, so there was no chance of any still water reflections tonight. Maybe another time. I headed back across the bridge, struggling to keep a grip on my tripod due to the fact that my fingers were about to drop off. It was effing freezing! But I was almost done, so I made my way back across the water and once again took up position on the staircase where I originally photographed the Infinity Bridge. The sky was much darker by this time and it looked much better as a backdrop, which you can see here (shots 3 & 5). Click an image to reveal a larger version.

And that was that. Another outing that yielded some good shots. I was glad to get back in the car to be honest. The heated seats were on full throttle and I out of there in no time. Job done.

Back soon, Ash