Bamburgh Sunrise

Hello again.
Miserable weather today, which is no surprise on a weekend after you've been grafting your arse off on the days leading up to it. Ah well, the camera stays in the bag and out comes the laptop. It's update time once again at ashleycorr.com.

By contrast, this blog entry features some recent sunrise shots that have plenty of colour in them, unlike today's flat sky that I see out of the living room window. This Winter sunrise outing that had me travelling north up the A1 on a very cold January morning. It was a 5am alarm call that started the day. I was hopeful of a good sunrise, as I was about to begin the round trip of 130 miles. I've only done a couple of sunrises at this location and I was luck both times in the past, so three in a row would do very nicely. Sooner or later I would fall victim of the false dawn, so I had my fingers crossed that it wouldn't be on this occasion. A long way to go for a big fat nowt! One hour and fifteen minutes up the road and I was soon dropping anchor at Stag Rock, next to Bamburgh Beach. The sky looked promising, as I looked south down the beach towards Bamburgh Castle and noticed the first warm hue on the horizon. From the parked car it was literally a short walk down the sandy bank onto the beach, eventually settling for a spot near the rocks. Foreground interest was the first thing on my mind and I also observed the incoming tide so that no unnecessary soakings took place. I've had a few of them in the past and didn't wanna go back down that route, even though I was decked out in me new £12 wellies from B&Q. I don't get too bothered about getting soaked, to be honest, I'm more concerned about the camera keeping dry, especially after the kicking my old 5D2 got on the rocks at St. Mary's Lighthouse. Once bitten, and all that.

The tide offered plenty to the shots as I fired off my first few frames. The cascading water had to be the main player in the foreground. Not much point of doing a seascape with little or no water action going on. The tide did breach me wellies on more than one occasion. It was only then that I really started to feel the cold. Toes were like ice. A few of the fellow Tog brigade were positioned ahead of me but they never really got in the way, so the clone tool in Photoshop wasn't called upon for the selection of shots you see here. In fact, all three efforts are pretty much straight of camera, with only a very minor levels adjustment on each. After 15 minutes of shooting, the tide had dropped back noticeably, so with it I went, repositioning myself to include the blurred motion of the North Sea. The sun was up in no time but was obscured by the low cloud cover. After a few more minutes the magic had gone. By this time I'd already bagged the shots and was quite chuffed that it was another successful long journey. I couldn't help but notice the heart shape bubbles that drifted past on the surface of the water (shot 3). Maybe this shot should be entitled 'Love on the rocks.'

From here it was back up to the car and time for a coffee and a few chocolate biscuits. Off with the wellies and on with the heaters. Time for the journey south - job done.

Until the next time...
AC

 

Website reopened!

Hello again. It's been far too long...

I'm glad to announce the reopening of ashleycorr.com after its temporary closure in mid January. I decided to strip the site back to its bare bones and rebuild it using HTML5, which supported web viewing on iPad & tablet, which the previous version did not. It was a laborious task to say the least, but the graft is now behind me and as of last night the site has no been declared open. In fact, since I reopened its doors just a few hours ago, the visitor counter has notched up an extra 70 hits, so I'm very pleased with that.

As for the new look website, I'm more than happy to reopen it as it is, even though there are a few half built pages that are currently hidden. Hopefully those will be completed and open during the next couple of weeks. They include new galleries such as Black & White, Seascapes 3, Astro Photography 2 and Published Work. I also have plans to add new video to the TV Channel, plus a free download page where visitors can help themselves to Wallpaper/Screensavers that features a selection of my work.

I would like to ad more pictures of myself to the profile (AC) page too. I had a handful of shots to choose from but wasn't too keen on them so I binned them off and settled for the one that is currently showing, even though you can't see much of my face. Maybe that's the better option, lol.

I'm looking forward to updating the site during the next few days and beyond. It's been a long time coming. Until then, keep watching this space. Cheers!

AC

Old Hartley, Whitley Bay (Part 1)

The Christmas holiday period presented opportunities for me to capture sunrises on the North-East coast, so I ventured out to new territory to do exactly that, and as a result it proved a very wise move. St Mary's Lighthouse, just north of Whitley Bay, has been a fairly regular haunt of mine of the last few years, particularly at sunrise, and although I've had my fair share of false dawns during this time, I've been lucky to capture one or two cracking red skies before the sun rose over the North Sea. It's pot luck, to be honest, but you've got to be in it to win it, as someone once said. The law of averages would give a firm impression that from six visits you are likely to see between one and two good sunrises, and by this I'm expecting good colour and cloud formation, as well as seeing the sun as it rises on the horizon. Low cloud cover often scuppers this.

And so, to my first ever visit to Old Hartley, a small bay between St Mary's Island and Seaton Sluice. A short walk from the small car park on the cliff top led me towards the steep concrete steps where I gained access to the beach. Not a great deal of sand to be had, as rock formation covered the majority of the bay. And if it's good rock formation you're after for detailed foreground interest, it doesn't come much better than this. By the time I arrived the tide was on its way back in and around half way. Because of this I was able to get out and explore the flat table of rocks to my left, which stretched out quite far and despite the incoming tide there it was safe enough to spend some time out there without being cut off. A couple of photographers appeared shortly after I had set my gear up. There was also one or two silhouetted figures on the cliff tops, crouched behind tripods and waiting for the sun to show up.

A warm yellow glow on the horizon behind the lighthouse was enough to get my firing off my first shots. At this point I could tell it was going to be a productive morning and the best was yet to come. As sunrise drew ever closer the colours in the sky were continually changing, especially 5-10 minutes before sun up when a nice pink/red hue took over the clouds. And it wasn't long before the sun made its appearance. At this point I headed out onto the flat rocks to get a better view of it. I was mindful of the incoming tide and made a decision to keep things brief. I'd been at Old Hartley for a good 90 minutes and pulled in some nice shots, especially the first half dozen efforts of the morning. I imagine this place will be a regular haunt in future and I look forward to photographing the same location later in the year when the sun rises further north. I'll keep you posted on any developments.
Hope you like these shots...
Cheers, Ash

 

Edlingham Castle, Northumberland

A first time visit to this location, at night, in the sticks, to have another bash at some Astro Photography. Arriving past dusk in almost pitch darkness, it was helpful in one way that an almost full moon was visible, although we weren't entirely sure how this would impact on the photographs we were about to take. A quick visual of this small site was enough to set up the camera near a large tree, just inside the main gate. Overhanging branches caught my eye immediately and this made for good top half interest, with the ruins sitting underneath. My first shot was right in front of me and the moon added that extra bit of atmosphere to it, so it wasn't long before the shutter was at work. The foreground ruins were lit by torch and the occasional bounce flash. Here is the first shot of the evening, taken around 6.30pm.

Before I continue I'd like to give you a brief history of Edlingham Castle, cut and pasted from the trusty Wikipedia page. It don't half come in handy!

Edlingham Castle is a small castle ruin, having Scheduled Ancient Monument and Grade I listed building status, in the care of English Heritage, in a valley to the west of Alnwick, Northumberland, England. It has been described as "One of the most interesting in the county", by Nikolaus Pevsner, the architectural historian. Edlingham itself is little more than a hamlet with a church alongside the castle. The ruins are mostly laid low though much of the solar tower still stands despite an impressive crack running several stories down to ground level. The foundations and part of the walls of the hall house, gatehouse, barbican and other courtyard buildings are still visible, most dating from the 16th century. The castle - more properly a fortified manor house typical of many medieval houses in the North of England - guards one of the few approaches to Alnwick through the hills to its west. Its fortifications were increased in response to the border warfare which raged between England and Scotland in the period from about 1300 to 1600.

By 1174, a manor house at the location was in the possession of a John of Edlingham. In 1294, a descendant, Walter of Edlingham sold it to William de Felton, who strengthened it by building strong ramparts and a gatehouse, fortifying the main hall and adding other buildings inside a courtyard. In 1396 Elizabeth de Felton inherited it, marrying Sir Edmund Hastings, who added a strong solar tower. Their descendants occupied the castle and estate until 1514; it was then it was purchased by George Swinburne; a constable of Prudhoe, whose family held it until the 18th century. During this time it gradually fell into disrepair, with most of the buildings dismantled to build nearby farmhouses in the 1660s, but leaving the solar tower intact. In 1978 the Department for the Environment acquired the site and conducted extensive archaeological excavations, prior to which rubble filled the solar tower to a height of three metres. The site is now in the care of English Heritage and is easily accessible from the nearby church of St John the Baptist, Edlingham.

We were on site for a couple of hours, taking photographs from various angles and at one point we climbed the perimeter fence and headed across a small field towards the stream to get a much wider angle of view. It was from here that the Milky Way was visible and rising directly behind the tower. The Milky Way was nowhere near as prominent as it would have been without the high moon playing a part, but nevertheless is was there and it was ready to be photographed. As you can see in the second photo above, the MW appears faintly behind the ruins. As the moon moved across, from left to right (east to west), even less detail could be picked out. Another night of pitch darkness, with the moon set and a clear sky, would ensure visibility at it's very best. Maybe next time, eh.

A final flurry of shots came in the shape of a star trail, which you can see here (right). Not the best of examples by any means, but it was nice to finish with a sequence of 25 shots that could be stacked in Photoshop to achieve this effect. Play was stopped prematurely when lens dew appeared. In fact, when wiping the dew with a lens cloth it became apparent that it was actually a very thin layer of ice, which was quite stubborn to remove. Ice, after only twelve minutes in! Ah well, ya can't have it all. It was odd really, because even though it was very cold at the time, I became quite immune to it and could've easily continued for another hour or two. It was only after we'd packed up and headed back to the car that the cold hit me. Walking into it was a wake up call alright. We were soon back into the car and the heaters were on full pelt. It was a good night overall. Great location. Just the background noise of a flowing stream and several Owls calling. Definitely a place to revisit.

Cheers, AC

The Fog

Welcome back to my blog page, where more recent photo's lay in wait, along with a short write-up of how the photo's were made. Todays entry concentrates on a foggy morning two weeks ago and the amazing view from the top of Penshaw Hill, Sunderland. I was in two minds whether to make the short climb to the top, but after deliberating for a minute or two I decided I had nothing to lose by taking a look up top, just in case there was a chance of pulling in some good shots. A wise decision in the end and one that paid off well, not only as I managed to bag the shots, but also the views on offer were like nothing I'd ever seen before. A thick blanket of fog covered the landscape, with only a few outcrops of land exposed above it, plus the tops of pylons and wind turbines.

After a while the fog began to lift, then it dropped, changing within a matter of minutes. I had hoped to grab a shot of Penshaw Monument with the foggy landscape as a backdrop, but this proved quite difficult. The further I backed off to include the Monument in shot, I compromised the landscape below by losing it almost completely in the frame. I managed to pull in what I could under the circumstances, although I never quite captured that magical shot. Never mind - you can only do your best I suppose. The panoramic views across the landscape was immense. Here are a few shots from the foggy session on Penshaw Hill, including one of Mute Swans in flight. The big birds were constantly circling, seemingly confused and struggling to identify water to land on. Not a surprise as the fog made visibility very poor and all forms of water were temporarily out of bounds.

Back soon with some more star trails, Ash

Simple Minds, Alnwick Pastures, Northumberland

And so to the main event, and a band that was the sole reason for me attending this gig - Simple Minds. My early musical roots included an album that I remember receiving as a Xmas present back in 1982, the sublime 'New Gold Dream 81-82-83-84'. To this present day I still like Simple Minds, but I would never pass myself off as a big fan after losing interest and focusing on other bands in the mid-eighties. Nevertheless, the Minds always seem to put on a great live show, even though I've only attended four of their gigs since my introduction to them back in '82. So here we were once again, waiting for their stage entry at Alnwick Pastures, with a big crowd in attendance to see this headline act rip it up.

And they came flying out of the blocks with a handful of up tempo classics that the crowd lapped up from the very first note. Frontman Jim Kerr led the line very well, as always, backed up by Charlie Burchill (lead guitar), Andy Gillespie (keyboards), Ged Grimes (bass), Mel Gaynor (drums) and Sarah Brown (backing vocals). Rock royalty took to the stage at Alnwick Castle pastures and proved that they still reign supreme. Creating an electric atmosphere can be tricky outdoors, but the band and their support act Toploader made sure the iconic Northumberland venue was charged with excitement from start to finish.

Simple Minds’ set list did not disappoint, catering for the die-hard fans with songs from their very early days and also belting out an array of their big, anthemic numbers like Don't You Forget About Me and Belfast Child. The crowd were jubilant and responded well, despite the light drizzle in the air. If anything, that added to the atmosphere, as the eye-catching beams of stage lighting were highlighted by the raindrops.

 

As the night wore on, there was a festival feel with lots of dancing and revelry, and a relaxed, free-spirited vibe befitting the outdoor setting. After a solid gold, hit-laden set the crowd demanded more – and what better encore for this enduring act than Alive and Kicking? A brilliant gig from start to finish...

 

Set list -

 

01. Waterfront

02. Broken Glass Park

03. Love Song

04. I Travel

05. Imagination

06. Hunter And The Hunter

07. Promised You A Miracle

08. Glittering Prize

09. The American

10. Dancing Barefoot

11. Dolphins

12. Let The Day Begin

13. Someone Somewhere In Summertime

14. See The Lights 

15. Don't You (Forget About Me)

Encores -

16. Alive And Kicking

17. Ghostdancing

 

Cheers, Ash

 

 

 

 

 

Toploader, Alnwick Pastures, Northumberland

Following on from part one of the Alnwick Pastures trilogy, here is the middle instalment of my Summer 2014 live music photography. Toploader was the warm-up act that followed opening artist Ella Janes onto the stage in this picturesque countryside location near Alnwick Castle. I have absolutely no familiarity with this band other than the well known chart single they released back in 1999 (Dancing In The Moonlight). The forty minute set went down quite well with the audience and the band certainly enjoyed the experience. An insight into the bands career was copied and pasted from the Wikipedia page and can be found below...

Career
Toploader are an English alternative rock band from Eastbourne who formed in 1997, with over two million album sales to their name and a string of top 20 hits both home and abroad. Their debut album, Onka's Big Moka, sold over one million units and remained in the Top 5 of the UK Albums Chart for over six months. However, they are recognised most of all for their cover of King Harvest's US hit "Dancing in the Moonlight" written by Sherman Kelly, which became a global hit for the band. Their second album, Magic Hotel, reached number 3 in the UK Albums Chart. Their 3rd album was released in 2012, their comeback single "Turn It Around" was released in 2013.
Toploader's live career began playing with Coldplay and Muse in small venues across the UK. They later went on to back Paul Weller, Robbie Williams and Bon Jovi, becoming the last British band to play the original Wembley Stadium.

The band had a huge hit with their first album, Onka's Big Moka, which was released in 2000. It debuted at number five in the UK charts. They released a second album, Magic Hotel, in 2003. The album was vilified by critics and failed to match the success of the first. They struggled with a backlash from the UK music press and their single, "Time of My Life", could only make it into the Top 40. They would soon be dropped by their record label S2. After an extended hiatus, Toploader signed a one-album deal with Underdogs Music for their third album, which was released in June 2011. The album's title was Only Human, and the first single from it, "Never Stop Wondering", was released on 14 March 2011. Another single, "A Balance to All Things" (featuring a remix from Ash Howes), followed on 20 June 2011.

The present band line-up contains four of the six original members; Joseph Washbourn, Dan Hipgrave, Rob Green and Matt Knight. 
On 8 April 2012, they performed at the University of Gloucestershire Student Union Summerball. They also performed at Aberystwyth University's May Ball on 11 May 2012. In May 2012, they played at Lakefest festival. They are also due to play at the Tiree Music Festival (TMF) July 2012. During 2012 the band agreed to act as patrons for a UK-based children's charity called 'Time Is Precious'. In November 2012 they are set to perform a gig in Frome, Somerset with all proceeds going to the charity, which helps ill children and their families.

In 2013, Toploader released a new single "Turn It Around", co-written with Eg White and produced by Andrew Green. The song is included on a four-song EP. In the summer of 2013 they headlined the LeeStock Music Festival in Suffolk and the AmpRocks Festival in Bedfordshire.

That's two down, one to go. My next blog entry features headline act Simple Minds, who played an excellent set once again! Coming soon...
Ash

Autumnal Misty Morning

The opportunist photographer can often be rewarded with that special shot when determined to go that extra mile. I had one such moment last week, which paid off when I pulled in an autumnal misty morning shot at Joe's Pond, a nature reserve in Houghton le Spring. This location was often well frequented until I edged away from the nature side of things in favour of landscape and seascape photography. Appearances at Rainton Meadows and Joe's Pond are a rarity these days, which is something I'll be working on over the Winter months when I make more of an effort to revisit. Earlier this week I managed to get back round there, even though it was very much unplanned and a spur of the moment visit. I was driving home after a night shift at Nissan when my eyes were drawn to a thick blanket of mist on my final descent into Houghton, via the cut. Visibility was fine on this nippy Autumn morning, so the mist stuck out like a sore thumb around 7.20am. The mist was obviously lying on the surface of the water at Rainton Meadows, and although I've made this return journey home many times, it's quite rare to see mist forming as thick as this, so I just had to take a closer look.

I popped home, tired from an eight hour shift at the sweat shop and ready for some breakfast, I put that to one side and got changed, grabbed my backpack and headed for Rainton Meadows. I parked up and made the ten minute walk towards Joe's Pond, taking in the view of the mist on the nearby fields, which was very photogenic to say the least. Tempted to stop and grab some photographs, I reminded myself that the water was where I was heading and that any stop en route may cause me to miss what was on offer. Soon enough I was at the waters edge and it was a sight and a half. No one else around, just me, the swans and the mist. The sun rose above the tree line on the opposite side of the pond, making me realise that I had no time to lose if I wanted to bag the shot I was after. The Mute Swans were over to the left and out of shot. I needed to coax them over, but in a hurry to get over here I forgot to bring some bread. Never mind, I'll rattle that empty bread bag that some lazy bugger discarded on the floor. It worked well, although I wished I could have rewarded the Swans with some food as they drifted over, bang centre where I wanted them, right in the middle of shot. The shutter tripped!

An autumnal misty morning, accompanied with a website screen shot and a link to the TV weather
slot that featured my photograph, as well the feedback I received on one of the Facebook pages. It went down very well on Facebook, pulling in over 400 likes on three separate pages. And to think, I almost never bothered. I was soon back in the house and tucking into a nice cooked breakfast, before a bath and then bed. Job done!

Ash

Click here for video clip - ITV Weather (29/10/14)
Click here for Facebook feedback - Let's Talk Photography North-East

Star Trails - Something a bit different

Hello again!
Following on from my fairly recent Milky Way shots is another insight to my new found interest in Astro Photography. I've captured some recent star trail shots that I'd like to share here on my blog page, including one in particular that couldn't have been captured any closer to home! Contrary to popular belief, it's not always essential to escape the bright light pollution of a built up urban area to achieve half decent results. Of course, a dark clear sky is essential for the most effective star trail shots, but if the conditions are less than favourable, you can still have a dabble to discover what the camera throws back at you. In this blog entry you'll find a set of recent shots (all from 2014) that were shot under a clear dark sky, with millions of stars on show. I've also thrown another shot into the mix that demonstrates what effect you can pull in when clouds unexpectedly appear and blow across the frame. I almost abandoned this particular effort, but decided to roll with it just to see how the resulting image panned out, and even though I couldn't see the stars at one point, because of the clouds, I ran off an extra 40 exposures just for the hell of it.

For anyone reading this, who has no concept of how star trails shots are achieved, the answer is a fairly straightforward one. As we look to the sky above and see the stars, they don't actually appear to be moving, even though they are. The North Star (Polaris) is constantly static, as is the South Star, and other stars rotate around it. So, if I take 50x 25 second exposures, continuously, then stack each shot on top of each other using photo software, each star will have moved slightly in each shot. The software basically tracks the movement of each star, resulting in a light trail effect, which is what you can see here. Obviously, the more shots you take, the bigger and better effect it will have on the end result. The shots shown here were captured over a period of around 60 minutes, apart from the garden shot which was a result of 130 minutes of shooting time. This was the easiest of all my 5 star trails efforts to date, as I simply programmed the camera and went back into the house to watch footy for a couple of hours. After the match I went back out to collect the images. Job done!


1. Angel Of The North (120 x 25 second exposures)
2. Groyne Lighthouse, South Shields (140 x 30 second exposures)
3. Our Back Garden, HLS (325 x 25 second exposures)
4. Souter Lighthouse, Marsden (120 x 30 second exposures)
5. Sycamore Gap, Hadrian's Wall (138 x 30 second exposures)

This type of photography requires at least two characteristics. Patience and perseverance. It's not too bad when you've got company and can have a bit of banter while the camera pulls in the shots. Time passes much quicker this way. When you're out on your own it's a different ball game however, even more so if you're in a very dark area late at night, away from home, and paranoia kicks in when you hear the trees rustling behind you, or an owl screeches over your shoulder and you almost shit yourself! And the one where you see a figure walking towards you in the distance and you wonder whether he's up to no good. You laugh about it afterwards, but it's not so funny at the time. Maybe I just nee to grow a bigger pair of balls, he he. Eeee eh, the things ya dee for a decent photograph!

And on that note I shall depart once again, hopefully returning with more photographs from God's Country. I wonder where I'll end up next time. Probably the coast. I feel another Seascape shot coming on. Hope it's not a false dawn. Ah well, we shall see...

Catch ya later, AC

Banks Of The River Wear, Sunderland

Going back a few months in time to June 2014 and my visit to the banks of the River Wear, Sunderland. The exact location where this batch of photo's were taken was the rooftop of the National Glass Centre, near the University Campus on the north side of the water. It was an ideal day for photography, with blue sky and broken clouds, just the ticket for some picture postcard shots of the city's East End. It was a Saturday afternoon and the area was quiet, give or take the odd fisherman, although a fair few cycle riders went past on the final hurdle of the classic Coast 2 Coast route.

The roof of the National Glass Centre wasn't an easy one to negotiate, especially when you're not too keen on heights and you can see directly below through the plain glass you're walking on. Oh dear, my walk across must have provided a laugh or six for anyone who was watching. I've took on far worse heights in the past, so this was a doddle in comparison. Well, maybe not, he he. Once in position, I ran off a few frames and was satisfied with the results. My vantage point was by far the best position along this stretch of the river at this particular time, and even though I got the shots I wanted, I wasn't done yet. From the roof to the ground, I was soon on a comfortable footing and scouting about near the Uni Campus for more shooting positions. This location has been on my list of places to visit at night too, so I'll be heading down there again during the darker evenings that are round the corner. Not long now. So, until then, here are a few shots to be going on with...

Ash

Ella Janes, Alnwick Pastures, Northumberland

A rare Live Music blog entry. Late August 2014 and a journey north up the A1(M) to the historic town of Alnwick, the venue of an outdoors Summer concert, featuring Ella Janes, Toploader and headline act Simple Minds. The stage was set up on the pastures near Alnwick Castle, which proved a very picturesque backdrop and one that wouldn't be forgotten in a hurry. Around 5000 people attended the show, although only a fraction of that amount were present when opening act Ella Janes took to the stage. It was a cloudy day with occasional sun and a slight breeze, but this was to change later in the evening when the rain fell, although it seemingly never dampened the spirits of those who chose to party on regardless.

20 year old singer/songwriter Ella Janes grew up in the historical town of Winchester, moving to Exeter to study French Literature. Due for release on Sunday 4th November, Ella’s debut EP ‘Leave It All Behind’ marks her move from the Devon hills to Nantes, where she is currently spending a year writing and turning French ears to her intricate fingerstyle guitar playing and warm whispering vocals. Ella writes and performs her own music, sometimes on guitar, sometimes on her ukulele and recently supported fellow nu-folkers Ellen and the Escapades on their UK tour.

Not much to say about the music, to be honest. Not my cup of tea, but listenable I suppose. Ella's performance seemed to go down quite well with the crowd and she smiled throughout, enjoying the whole experience even though she was drafted in at the last minute, so to speak. The 35 minute set was a warm up before Toploader took their turn on stage. Alongside Ella were Fifi Homan (cello & vocals) and Matt Hurst-Smith (bass & vocals). I emailed a couple of my shots to Ella after the gig and she replied, saying they were beautiful photographs! She uploaded one to her Tumblr page, the very first shot that appears, which you can view by clicking.....here.

A nice note to end on. Back soon...Ash

The Kelpies, Falkirk, Scotland

Across the border and into Scotland for my latest low-light shots. The location was Falkirk, home of The Kelpies, the largest equine sculptures in the world. The Kelpies are 30-metre high horse-head sculptures, standing next to a new extension to the Forth and Clyde Canal in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse powered heritage across Scotland. The sculptures opened to the public in April 2014. As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.

It was dusk when I arrived at the site and the blue hour was almost over, so I quickly got to work while there was still decent colour in the October sky. Initially I ran with a Canon 17-40L lens, but soon switched to my brand new and as yet unused Samyang 14mm prime. The difference was immediately noticeable, not only with the extra wide angle field of view, but also the focus ring, which is manually operated and glides easily with just one finger. The Samyang 14mm is a rectilinear fisheye lens, which would be much smaller and less expensive, but also curves everything into a ball. Samyang is a Korean maker of security camera lenses -  Tamron does the same thing in Japan. Compared critically to Nikon and Canon's 14mm lenses, the Samyang 14mm f/2.8 is the least expensive 14mm ultra wide lens ever made and it attempts to keep straight lines straight.

But enough about the new lens, more of that will be revealed at a later date when I post more pictures and a review after putting it through its paces. To view 'The Kelpies' page on my website click here and go to Gallery 2 > Special Feature Galleries. Here is a small selection of shots from my visit, the first of many...
Back soon, Ash

Tommy 1101, Seaham Harbour

September 2014 was a blank month as far as blogging goes, which is something I needed to address quickly. Facebook activity was the main reason for time spent away from my blog page, so I've decided to step back from that in order to regain my commitment to blogger. With quite a few photo's already in the bag, it gives me enough ammunition to step up my efforts in October, beginning with today's blog entry that features the 'Tommy 1101' sculpture that is situated in Seaham Harbour, County Durham.

The imposing metal sculpture entitled 1101 - owing to the fact the armistice went into effect at 11am on November 11, 1918 - stands 9ft 5ins tall and is built out of special corteen steel, was installed to mark the centenary of the start of the Great War and was only expected to remain in place for three months. But after winning the hearts of hundreds of visitors to the town, it could now be exhibited permanently. Around £72,000 has been raised to keep the 1.2-tonne statue in the town, and fundraisers are only £12,000 from their target. The Journal included it in its list of 100 great things about the North East - alongside more established landmarks like Hadrian’s Wall and the Tyne Bridge - and regular crowds are flocking to Seaham to take in the artwork. In the process, Ray Lonsdale’s work has been catapulted into the public eye and his journey from metal worker to fully fledged artist has been completed. He said: “There was always a big risk with Tommy because there was no sale for it. It was just a case of me biting the bullet and having hope that someone somewhere would buy it. There was no guarantee that it would have sold and it could have ended up sitting around for sometime. “Finally great things happened and they are just about there with the money now.”

The artwork, which was installed in May has attracted hundreds of visitors to Seaham, many of whom have donated cash to the Save Tommy campaign. A Facebook page called Mission 1101 has attracted more than 4,000 members with many pledging to support to Tommy, which is situated on Terrace Green. “I was surprised by the level of support 1101 got,” said Ray. “I’ve had a positive reaction to a lot of my work but not by as many people as this. The whole town has pulled together to put money in the buckets and raise cash to keep it here. That is a new experience.”
After leaving school Ray, 49, of South Hetton in County Durham, qualified as a maintenance fitter and began working at Coles Cranes in Sunderland, which closed in 1996. Following the factory’s closure Ray set up his own steel fabrication business, where he produced bins, seats and railings for local authorities and private clients. He always had an interest in art and at school he was always encouraged to go onto to art college. But it wasn’t until 2007 that Ray decided to start his career in art and changed the name of his business to Two Red Rubber Things. The father-of-two said: “In 2002 I got back into art and drawing on an evening and I decided to try and combine my work and interest. That’s when I produced my first piece. I got into a competition at the Biscuit Factory and I won the competition. “That gave me the confidence to try and do a bit more and over the next five years I completed more and more art work. There was a gradual change-over from steel to artistic steel work. “Someone told me that I would never stand a chance making it in the art industry unless I had a degree in art. I started college but I soon realised it wasn’t for me. “I decided to do things off my own back and that’s how I started and finally things were well received. “I didn’t feel I had time to do an art degree. It would take seven years and I felt I would be wasting opportunities. “I just wanted to push myself. I’m big on having a go and I never wanted to get to a point in my life where I would think ‘I wish I would have tried that’. “I kept the steel work going alongside the art work and it wasn’t until 2007 when I changed the name of the business and decided to take a chance with the art.”


Ray now has 30 life size statues under his belt and another six large scale pieces. These include The Big Dance at Gretna Green - a 14ft depiction of a couple’s hands - which was put in place in time for Valentine’s Day, a soldier on a bench at North Bay, Scarborough and the Filey Fisherman, in Filey.
Ray, who lives with wife Bev, said: “I like to create work that people can take something from it. Public art should be for the public. I don’t agree that it is an artist’s job to educate the public about art but if they like it then it’s been a success. “I like people to look at it and appreciate it and appreciate the work that’s gone into it. I also like them to look deeper into it and find the story behind it. Previously I would make seats, bins and railings. I had to get used to people buying my work for the way it looked rather than for its functional purpose. “It felt strange at first. I realised that people were having a positive reaction to my work and that’s something I got used to, which was nice.”
Ray is keeping quite tight-lipped about his next project but he admits he’s been approached by local authorities. He said: “I have completed a lot of drawings since 1101 and I’ve been approached by a couple of authorities with ideas but nothing has been finalised yet.” Leaving his full-time profession to concentrate on his dream to make it as an artist was a risk but Ray has not looked back since, citing his family’s support for helping make the leap. He said: “Bev has been fully supportive. She had a lot of faith in me when I didn’t. If it wasn’t for her I wouldn’t be any of this at all.”

It wasn't until the back end of September that I finally made the effort to visit Tommy. I had seen many photographs of him on Facebook and he certainly was flavour of the month for a while, which was half the reason I held back. Didn't wanna jump on the bandwagon and head over there simply because every man and his dog were doing it. I arrived at the site around 30 minutes before sunrise, hoping for some decent colour in the sky, and I wasn't disappointed, Another photographer stood alongside and we chatted for a short while before stopping to grab our shots. We chatted some more then the sun rose on the horizon, so the talk stopped once again while we pulled in some more shots. He was already set up when I arrived so he had the prime spot, which was exactly where I wanted to be, He obviously knew what angle to shoot from, and even though I was practically shooting on his shoulder, that extra foot or so to my left was quickly mine when he decided he'd had enough and retreated to his car. It was from this position that I had a perfect silhouette of Tommy, with the sun rising to his left (shown here).

As the sun rose further, losing it's orange hue as it slowly ascended, I decided to take a few close up shots of the sculpture. This photogenic piece of artwork will be the subject of more photography very soon. One visit is never enough. AC

                                        

Luss, Loch Lomond

After a nice week away on the Isle Of Wight, it was nice to make the most of my second week off work by paying a visit to Scotland. The main reason for our drive across the Anglo-Scottish border was to visit family in Livingston, not too far from Edinburgh, in a westerly direction. From Livingston we made the 64 miles trip to Loch Lomond and the Trossachs National Park, stopping off at Luss. The weather was fine, which is quite a rarity in Scotland, even in Summer. Our visit to Luss was a fairly short one and merely an exercise to get out and stretch our legs around the shores of Loch Lomond, taking in some fine views in the process. There were many tourists, like ourselves, and the coaches came and went every few minutes - Luss was obviously a popular place to tick off the list, judging by the sheer volume of people that were entering this small town. Apart from photographing the landscape around Loch Lomond, mainly from the pier, plus a quick walk around the nearby streets, I saw little else. That wasn't a disappointment though, as what I did see was more than enough and a taster of what else lay ahead. It was from Luss that we made a further journey North, up the West Coast towards Glencoe, adding another 60 miles on the clock. An hour and twenty minutes later, after being stuck in traffic on a very narrow road, we arrived at a very sunny Glencoe. Just what we wanted. Stay tuned for that and more, soon...
Cheers, AC