Simple Minds, Alnwick Pastures, Northumberland

And so to the main event, and a band that was the sole reason for me attending this gig - Simple Minds. My early musical roots included an album that I remember receiving as a Xmas present back in 1982, the sublime 'New Gold Dream 81-82-83-84'. To this present day I still like Simple Minds, but I would never pass myself off as a big fan after losing interest and focusing on other bands in the mid-eighties. Nevertheless, the Minds always seem to put on a great live show, even though I've only attended four of their gigs since my introduction to them back in '82. So here we were once again, waiting for their stage entry at Alnwick Pastures, with a big crowd in attendance to see this headline act rip it up.

And they came flying out of the blocks with a handful of up tempo classics that the crowd lapped up from the very first note. Frontman Jim Kerr led the line very well, as always, backed up by Charlie Burchill (lead guitar), Andy Gillespie (keyboards), Ged Grimes (bass), Mel Gaynor (drums) and Sarah Brown (backing vocals). Rock royalty took to the stage at Alnwick Castle pastures and proved that they still reign supreme. Creating an electric atmosphere can be tricky outdoors, but the band and their support act Toploader made sure the iconic Northumberland venue was charged with excitement from start to finish.

Simple Minds’ set list did not disappoint, catering for the die-hard fans with songs from their very early days and also belting out an array of their big, anthemic numbers like Don't You Forget About Me and Belfast Child. The crowd were jubilant and responded well, despite the light drizzle in the air. If anything, that added to the atmosphere, as the eye-catching beams of stage lighting were highlighted by the raindrops.

 

As the night wore on, there was a festival feel with lots of dancing and revelry, and a relaxed, free-spirited vibe befitting the outdoor setting. After a solid gold, hit-laden set the crowd demanded more – and what better encore for this enduring act than Alive and Kicking? A brilliant gig from start to finish...

 

Set list -

 

01. Waterfront

02. Broken Glass Park

03. Love Song

04. I Travel

05. Imagination

06. Hunter And The Hunter

07. Promised You A Miracle

08. Glittering Prize

09. The American

10. Dancing Barefoot

11. Dolphins

12. Let The Day Begin

13. Someone Somewhere In Summertime

14. See The Lights 

15. Don't You (Forget About Me)

Encores -

16. Alive And Kicking

17. Ghostdancing

 

Cheers, Ash

 

 

 

 

 

Toploader, Alnwick Pastures, Northumberland

Following on from part one of the Alnwick Pastures trilogy, here is the middle instalment of my Summer 2014 live music photography. Toploader was the warm-up act that followed opening artist Ella Janes onto the stage in this picturesque countryside location near Alnwick Castle. I have absolutely no familiarity with this band other than the well known chart single they released back in 1999 (Dancing In The Moonlight). The forty minute set went down quite well with the audience and the band certainly enjoyed the experience. An insight into the bands career was copied and pasted from the Wikipedia page and can be found below...

Career
Toploader are an English alternative rock band from Eastbourne who formed in 1997, with over two million album sales to their name and a string of top 20 hits both home and abroad. Their debut album, Onka's Big Moka, sold over one million units and remained in the Top 5 of the UK Albums Chart for over six months. However, they are recognised most of all for their cover of King Harvest's US hit "Dancing in the Moonlight" written by Sherman Kelly, which became a global hit for the band. Their second album, Magic Hotel, reached number 3 in the UK Albums Chart. Their 3rd album was released in 2012, their comeback single "Turn It Around" was released in 2013.
Toploader's live career began playing with Coldplay and Muse in small venues across the UK. They later went on to back Paul Weller, Robbie Williams and Bon Jovi, becoming the last British band to play the original Wembley Stadium.

The band had a huge hit with their first album, Onka's Big Moka, which was released in 2000. It debuted at number five in the UK charts. They released a second album, Magic Hotel, in 2003. The album was vilified by critics and failed to match the success of the first. They struggled with a backlash from the UK music press and their single, "Time of My Life", could only make it into the Top 40. They would soon be dropped by their record label S2. After an extended hiatus, Toploader signed a one-album deal with Underdogs Music for their third album, which was released in June 2011. The album's title was Only Human, and the first single from it, "Never Stop Wondering", was released on 14 March 2011. Another single, "A Balance to All Things" (featuring a remix from Ash Howes), followed on 20 June 2011.

The present band line-up contains four of the six original members; Joseph Washbourn, Dan Hipgrave, Rob Green and Matt Knight. 
On 8 April 2012, they performed at the University of Gloucestershire Student Union Summerball. They also performed at Aberystwyth University's May Ball on 11 May 2012. In May 2012, they played at Lakefest festival. They are also due to play at the Tiree Music Festival (TMF) July 2012. During 2012 the band agreed to act as patrons for a UK-based children's charity called 'Time Is Precious'. In November 2012 they are set to perform a gig in Frome, Somerset with all proceeds going to the charity, which helps ill children and their families.

In 2013, Toploader released a new single "Turn It Around", co-written with Eg White and produced by Andrew Green. The song is included on a four-song EP. In the summer of 2013 they headlined the LeeStock Music Festival in Suffolk and the AmpRocks Festival in Bedfordshire.

That's two down, one to go. My next blog entry features headline act Simple Minds, who played an excellent set once again! Coming soon...
Ash

Ella Janes, Alnwick Pastures, Northumberland

A rare Live Music blog entry. Late August 2014 and a journey north up the A1(M) to the historic town of Alnwick, the venue of an outdoors Summer concert, featuring Ella Janes, Toploader and headline act Simple Minds. The stage was set up on the pastures near Alnwick Castle, which proved a very picturesque backdrop and one that wouldn't be forgotten in a hurry. Around 5000 people attended the show, although only a fraction of that amount were present when opening act Ella Janes took to the stage. It was a cloudy day with occasional sun and a slight breeze, but this was to change later in the evening when the rain fell, although it seemingly never dampened the spirits of those who chose to party on regardless.

20 year old singer/songwriter Ella Janes grew up in the historical town of Winchester, moving to Exeter to study French Literature. Due for release on Sunday 4th November, Ella’s debut EP ‘Leave It All Behind’ marks her move from the Devon hills to Nantes, where she is currently spending a year writing and turning French ears to her intricate fingerstyle guitar playing and warm whispering vocals. Ella writes and performs her own music, sometimes on guitar, sometimes on her ukulele and recently supported fellow nu-folkers Ellen and the Escapades on their UK tour.

Not much to say about the music, to be honest. Not my cup of tea, but listenable I suppose. Ella's performance seemed to go down quite well with the crowd and she smiled throughout, enjoying the whole experience even though she was drafted in at the last minute, so to speak. The 35 minute set was a warm up before Toploader took their turn on stage. Alongside Ella were Fifi Homan (cello & vocals) and Matt Hurst-Smith (bass & vocals). I emailed a couple of my shots to Ella after the gig and she replied, saying they were beautiful photographs! She uploaded one to her Tumblr page, the very first shot that appears, which you can view by clicking.....here.

A nice note to end on. Back soon...Ash

Ultravox - Sage Gateshead (8th Oct 2012)

This was the fourteenth and final concert of the 'Brilliant' UK Tour, which started mid-September. The venue was the trendy Sage Music Hall, Gateshead, just over the water from Newcastle-Upon-Tyne. We were late arriving at the venue due to other commitments, and after parking the Juke we headed across the way to the main entrance. I took a quick look at the Millennium Bridge to my right and couldn't help noticing how still the River Tyne was. The reflections were like nothing I'd seen before, but with no time to waste we entered the Sage and made our way to the concert hall. This was my first ever visit for a live show and I was looking forward to the acoustics that I'd heard so much about - apparently the sound is amazing. With literally five minutes to showtime we took our seats. In no time the band were on stage and belting out the opener, the title track of the new 'Brilliant' album, which sounded exactly that. The band looked a little nervous and full of concentration, which was evident during the first few songs, but as the gig wore on they seemed to get more 'Into' the occasion. The concert was split into two parts, with a twenty minute intermission in between, which was new to me but it seemed to work well considering the amount of songs Ultravox got through on the night. As well as tracks from the new album we were treated to many more songs from their extensive back catalogue, including many of the chart hits that they achieved during their heyday. The light show was eye-catching, with occasional visuals projected on the rear curtain. There were the usual sound issues here and there, but overall the band were tight and played an excellent gig throughout. Midge Ure's vocals were excellent on the night, as was the uber cool vocals from drummer Warren Cann on 'Mr X' and his backing vocals on 'Rage In Eden'. Billy Currie's antics behind the keyboards were very reminiscent of his early day and quite odd at times, like his crouching forward, arm swinging display was like that of an OAP at the local carpet bowls club. He was greeted with deserved applause each time he came forward to play Viola, especially during 'Astradyne' and the classic 'Vienna', amongst others. Chris Cross, on keyboards and bass, was stood very close to our seats in the front row, and seemed to enjoy the dancing queen in the row behind us. The least said about him the better, he he.

 

A great show from start to finish.

Ash

Big Country - o2 Academy, Newcastle

In 2008 I saw Big Country perform at Legends, Newcastle - Bass player Tony Butler took on the role of lead singer, following the death of original frontman Stuart Adamson. With due resepect, Tony is no singer, but he done the best he could on the night and the fans went home happy. At Legends, back in 2008, the overall sound of Big Country was inevitably hollow due to the 'Missing' guitar parts that Adamson played, but again the band improvised and done a job as well as they possibly could under the circumstances. Tonight however was a very different matter, as the band had enlisted the help of Mike Peters (lead vocalist of The Alarm) and used his vocal prowess to compliment the anthemic Big Country sound, and he fitted in perfectly. Not many could have filled the void Stuart Adamson left, but Peters is a worthy successor judging by tonights vocal performance. And remember those 'Missing' guitar parts - well they were back and so was the full BC sound, courtesy of Jamie Watson, son of lead guitarist Bruce. Jamie was earlier drafted in as a kind of experiment after practising Stuart's guitar parts with his dad over a period of months. The band attitude towards a possible inclusion of Bruce's son was 'Let's give it a go and see what happens.' Some may have seen this is a gamble, but if it was, it was one that paid off as Jamie Watson fitted into the live set-up equally as well as Mike Peters - round pegs in round holes!

Big Country were founded in Dunfermline in the early 1980's, and another band with Scottish roots, Gun, supported them at tonights gig at the o2 Academy in Newcastle Upon Tyne. Gun weren't my cup of tea, to be honest, although they went down very well with the audience, who had turned up in large numbers and the event wasn't short of a sell-out. An hour in and I was still freezing cold - someone needed to hoy 50p in the gas meter to pump some well needed hot air into the place. It was -2 degrees outside yet it felt even colder inside the venue, but it didn't take long to warm up once Big Country took to the stage. The band received a huge welcome from the crowd as they started their set with a track called Angle Park. The place was soon bouncing - we were lucky to get places at the front so I was in confident mood of grabbing some decent live shots, taken with a modest Fuji F60 'Point and Shoot' affair. The band played their 1982 album 'The Crossing' in its entirety, to mark 30 years Anniversary of its release. The set list on the night was as follows...

1.Angle Park 2.East Of Eden 3.Another Country 4.Balcony 5.Restless Natives 6.The Crossing 7. In A Big Country 8.Inwards 9.Chance 10.1000 Stars 11.The Storm 12.Harvest Home 13.Lost Patrol 14.Close Action 15.Fields Of Fire 16.Porrohman...encore -17.Tracks Of My Tears 18. Look Away 19.Wonderland

From the freezing cold to the hot and sweating - the fast tempo of the music, coupled with a crowd paked in like sardines and bouncing about to the music, we soon warmed up. Highlights of the gig were as follows...

Mike Peters vanishing from the stage, eventually emerging at the rear of house, perched on someones shoulders and singing the 1983 hit 'Chance', much to the pleasure of the surrounding fans. As he made his way to the front of the audience he was helped over the barrier right next to us by security staff. I grabbed a shot of him at close quarters (second shot, above).
During one of the encores 'Tracks Of My Tears' Mike Peters altered some of the lines in respect of Stuart Adamson...'Since you left us, if you see me with another band, Looks like I'm having fun. Although I might be cute, I'm just a subsitute, cos you're the permanent one (Mike points skywards).
Another highlight (literally) was again centred around frontman Mike Peters as he turned his acoustic guitar to reveal a mirrored back, before pointing it towards the audience and reflecting the light from the rigging above onto the crowd in a 'Search Light' effect. It worked very well, easily reaching the seated audience on the balcony, as well as those at the back of the stalls. I can't remember off hand which song was playing at the time, but it covered atleast two minutes of instrumental as Mike's 'Search Light' flashed past most of the audience. I managed to grab the effect with my humble Fuji, shown here in my third shot.

I could ramble on, but I'll be here all night if I do. Enough said then. A great show - looking forward to seeing them again sometime. I hope BC can hang on to Mike Peters though. He's been getting rave reviews on The New Big Country Website for his performances on this tour so far. Bruce Watson, Tony Butler and Mark Brzezicki played their part as usual, leaving their fans with the feeling that there's still plenty left in the tank.
That's is all, until the next time,
Ash

A Flock Of Seagulls - Newcastle Academy

My first 'Live Music' blog entry. It was time to use my compact Fuji camera again - a permanent fixture when it comes to live music concerts. The battery (and spare) had been charged during the day plus I had the luxury of an empty 4gb memory card.

 

Tonight it was 'A Flock Of Seagulls', who started life in the 1980's as part of the New Romantic/ Electronic scene. The venue was the O2 Academy in Newcastle-Upon-Tyne. Quite a few people showed up for this one, although it was by no means a packed house. I went to the Academy with my gig mate 'Billy Bootleg' and got a reality slap at the bar when the young lass charged me £7.20 for two pints of lager!!! Mind you, them Geordies have always been a set of robbing buggers, eh (wink).

The gig itself was great. Fifteen songs in total. At £13 a ticket it was a steal. The support act, Billy Blood-Axe, was a bit of a joke though. Never mind, at least he had the balls to get up on that stage...unlike me. He he.

Ash