Angel Of The North - Tutorial 2

Following a recent photography tutorial to a friend, at Gibson's Cave, we were out again with the camera's at another location closer to home. This time it was Gateshead's 'Angel Of The North', for some evening shots and another insight into shutter speed. The Gibson's Cave tutorial focused on slow shutter speeds, as we photographed a waterfall and wanted the desired milky effect of the water as it fell. The results of that visit can be viewed here. So it was shutter speed once again, but this time we were heading further up the scale with faster speeds in very bright sunlight. As the sun sets behind the Angel, our best hope was to grab some silhouette shots, with the setting sun in the background and hopefully a burst of colour after it had set. We fired off a few frames on the plot where the tree's had been felled, which offered us a position which was impossible to imagine just a few weeks ago. I explained to Billy that the inclusion of people in the shot was, in my opinion, quite important, as a sense of scale gives the image an extra dimension. Without people in the frame the image simply doesn't have the same impact, so it was a waiting game as we picked off the best visitors to include in our shots. It was quiet at first, with no-one showing up, so we improvised and added ourselves to each others shots, just to warm up, ready for those unsuspecting folk walking into our shots and not having a clue what was going on behind our lenses. My first shot shows Billy doing a spot of modelling, he he, as he does as he is told by his mentor and gets his arse into the picture. Metering off the brightest part of the sky I was running with a fast shutter speed of 500th of a second, in shutter speed priority. Seven frames per second and the job was done, as Billy walked up the hill towards the Angel. I was lucky to see some colour in the sky too, on the horizon, which made the shot. Abstract worked quite well with this one, as I zoomed in to clip one of the Angel's wings.

My second shot is in Landscape mode, and again I went for scale, using a young girl who was photographing the sculpture from the approach path. This was actually taken before my first shot (above), and before the sun had set. Some nice cloud formation in this one, which was emphasised with a polarising filter - always a handy piece of kit to have tucked away in the bag. I deliberately under-exposed this shot to add that little bit of moody drama to it, and it seemed to work. Composition is all important, as usual, so get this aspect right and you're half way there. Billy took my advice on board and was quickly up and running on his own, pulling in some great shots.

My final shot of the Angel was taken the next day, from a viewpoint near the 'Angel View' pub, on the roadside towards Wrekenton. I was driving along this route and noticed an angle that I'd never seen before, so quickly pulled over and done the necessary. Something a bit different, with the countryside backdrop offering a different slant on my Angel photo's.

Plenty more photo's to come...
Until then, see ya.
Ash

Gibson's Cave, Middleton-In-Teesdale

A Tutorial.

A day without colour, a day without sky, and a day to forget in photography terms. Well, not quite. A miserable day with very a flat overcast sky killed any opportunity of some decent landscape photography, but these conditions are favourable when shooting waterfalls, so why not have a bash. I had an accomplice today, Mr Billy Short, latest member of the Canon Club, who was after an introductory crash course on his new hobby. So off we went, into the heart of Teesdale to a location known as Bowes Lees, home of the picturesque Gibson's Cave. On the road for just under an hour, before reaching our destination, we were greeted with a fair amount of snow, which was absent at home, but we were well prepared for the accompanying chill and wrapped up accordingly. Off we tootled, through the wooded area where we eventually found our first waterfall. Nothing special, in all honesty, but this offered a first opportunity to show Billy the ropes, so he set his gear up and I walked him through the necessary settings to achieve the shots he wanted. It was the classic 'Milky effect' waterfall that we were after, so as a starting point we set a shutter speed of 1/10th of a second, working slightly either side and cherry picking the best shot so we could determine which shutter speed we were going to run with for the rest of the session. We covered the broad range of camera settings, dialing in a preferred choice throughout, before composing and eventually tripping the slow shutter. Billy was more than happy with the results on his Canon 1100d, which was also pleasing from my point of view, so the first tutorial went carefully to plan. Mr Short was even happier when he saw his mentor fall flat on his arse in the slippery snow. I was up on my feet in no time, especially as his camera was primed and pointing squarely in my direction - we'll have no Facebook exposure here, Mr Bootleg (Long story). 

Gibson's Cave was adorned with icicles, many of which were at least 3 metres long. The waterfall, Summerhill Force,  took centre stage as usual, and who would deny its glory. As the sun shone briefly I was almost hit by icicles, melting and falling from the rocks above me. You got a real sense of danger when these things hit the floor nearby with a very noticeable racket, so I wasn't gonna 'Hang around' for long (pun intentional). We crossed the water to the other side of the cave, hoping to grab more shots from another angle, which we did. Billy was off an running by this time, getting to grips with his new toy and firing away as if he'd been at it for years. He pulled in some nice close-ups of the ice formations too. As the sun shone brightly it hampered our task somewhat, throwing far too much light into the camera, so we tinkered with a cheap set of ND filters (Screw on) to block some of that light out, which gave us our required shutter speed back. Thank you.
We photographed Gibson's Cave for a good 45 minutes or so before heading back to the car, stopping briefly so I could pull a falling icicle from my skull (shown here). And that was it, lesson over. Until the next one...

Ash