Hello again!
Continuing the Black & White theme...
I have a rather nice set of framed prints on offer at £45 each. One or two examples can be found on display at Clay's Garden Centre, Washington and also Penshaw Tea Rooms. Mounted in white and framed in black, each measures 20x16 inches and is part of an ever increasing set of 'North East Icons'. There are four available at present, with more additions planned for the very near future. I recently sold two to a customer in Lechlade, Gloucester, so it's nice to know my work is continues to be scattered around the UK and further afield. Here are the icons that are currently available. I will post photo's of the actual framed images during the next few days. Cheers!
Ash
1. Winter, Penshaw Mounument
2. Groyne Lighthouse, South Shields
3. Millennium Bridge, Gateshead Quays
4. River Tyne, Newcastle
5. Guardian Angel
Thursday, 15 August 2013
Saturday, 10 August 2013
Black & White Photography
Wot, two blog updates in as many days! I guess it must be pissing down outside!!!
Oh dear, the colourful language raises its naughty head again, tut tut. Of course, pun intentional, as this latest blog entry has nothing to do with colour, unless of course I refer to grey scale, also known as Mono, but more commonly referred to as Black & White. I've never been a big fan of this type of photography to be honest, but lately I've been dabbling more and more with B/W conversions, and quite liking the end result. A big part of a good conversion is picking a suitable image to begin with. Many images simply won't work, so get your selection right and you're half way there. I cherry picked a few recent shots of mine before giving them the B/W treatment, and I'm well satisfied with their 'New look'. The majority of these shots were captured on dull, cloudy days, which is a good start as a lack of available colour generally has me pointing in the direction of B/W anyway, coupled with the fact that these moody skies often add a sense of drama to the shot, lending themself to B/W more than colour. Another slice of criteria is contrast - I tend to favour strong contrast in B/W conversions and always look at the depth of shadow and highlight before making a decision whether to 'Convert' or 'Back heel' the image I am considering for use. Thinking rationally, if it doesn't work in colour then there's only one path to go down. I choose to do my B/W photography in post processing, rather than capture it at source with the aid of Yellow, Orange and Red filters. Traditional methods, such as the Y/O/R filter route, were the only way to achieve true B/W shots before the introduction of digital camera's, but now it's a whole new ball game when you can easily lay your hands on a decent editing suite such as Photoshop. The end result, with the help of Photoshop is just as pleasing on the eye and it's a lot cheaper than shelling out on expensive B/W filters (that is, providing you have a copy of Photoshop that you managed to download for free!). Did I really say that? (wink).
And now to the business end of this blog entry - the photo's. Here is a small selection of B/W images by yours truly. Don't forget to click them for enlargements. The list is as follows...
1. Tynemouth (above)
Standing on the pier next to the Groyne Lighthouse, Littlehaven, I waited a few minutes for the arrival of the Amsterdam-bound ferry, which eventually arrived on schedule. Plenty of great detail in the sky!
2. Tynemouth 2 (above)
As the ferry approached the Groyne Lighthouse at South Shields, I waited til it sailed alongside, then I tripped the shutter.
3. Transporter Bridge, Middlesborough
Positioned on the south side of the River Tees. Some nice foreground interest, and the Transporter Bridge dominating the shot. Not too much sky detail in this one.
4. Temenos, Middlesborough
A dramatic artwork on the banks of the Tees, with the Transporter Bridge in the background.
5. River Tyne, Gateshead Quays
I shot through a glass partition to get this one. A storm was brewing, as you can see in the distant black clouds. The rain was well and truly on its way...
6. Baltic Arts Centre, Gateshead Quays
And the rain soon fell! I took the lift from the viewing terrace back to ground level, which took no more than half a minute. Within this short space of time the heavens had well and truly opened. Seeking shelter in the Baltic doorway, I grabbed this shot, with like-minded folk opting to stay dry.
7. Roseberry Topping, Near Great Ayton, North Yorkshire
(as featured in my last blog entry). Works well in B/W. I quite like the added effect of the overhanging tree, which almost 'Frames' the iconic hill in the background.
8. St.Mary's Island, Whitley Bay
And finally, an experimental shot. Taken in broad daylight with a shutter speed of 45 seconds!!!!
An ND filter was applied to achieve an extra long exposure time, thus smoothing out the water in the process. A very dull and overcast day, with very little detail in the sky, Poor conditions for my type of photography, but you have to make the most of what you've got to play with, and on this occasion I landed a decent shot...
Oh dear, the colourful language raises its naughty head again, tut tut. Of course, pun intentional, as this latest blog entry has nothing to do with colour, unless of course I refer to grey scale, also known as Mono, but more commonly referred to as Black & White. I've never been a big fan of this type of photography to be honest, but lately I've been dabbling more and more with B/W conversions, and quite liking the end result. A big part of a good conversion is picking a suitable image to begin with. Many images simply won't work, so get your selection right and you're half way there. I cherry picked a few recent shots of mine before giving them the B/W treatment, and I'm well satisfied with their 'New look'. The majority of these shots were captured on dull, cloudy days, which is a good start as a lack of available colour generally has me pointing in the direction of B/W anyway, coupled with the fact that these moody skies often add a sense of drama to the shot, lending themself to B/W more than colour. Another slice of criteria is contrast - I tend to favour strong contrast in B/W conversions and always look at the depth of shadow and highlight before making a decision whether to 'Convert' or 'Back heel' the image I am considering for use. Thinking rationally, if it doesn't work in colour then there's only one path to go down. I choose to do my B/W photography in post processing, rather than capture it at source with the aid of Yellow, Orange and Red filters. Traditional methods, such as the Y/O/R filter route, were the only way to achieve true B/W shots before the introduction of digital camera's, but now it's a whole new ball game when you can easily lay your hands on a decent editing suite such as Photoshop. The end result, with the help of Photoshop is just as pleasing on the eye and it's a lot cheaper than shelling out on expensive B/W filters (that is, providing you have a copy of Photoshop that you managed to download for free!). Did I really say that? (wink).
And now to the business end of this blog entry - the photo's. Here is a small selection of B/W images by yours truly. Don't forget to click them for enlargements. The list is as follows...
1. Tynemouth (above)
Standing on the pier next to the Groyne Lighthouse, Littlehaven, I waited a few minutes for the arrival of the Amsterdam-bound ferry, which eventually arrived on schedule. Plenty of great detail in the sky!
2. Tynemouth 2 (above)
As the ferry approached the Groyne Lighthouse at South Shields, I waited til it sailed alongside, then I tripped the shutter.
3. Transporter Bridge, Middlesborough
Positioned on the south side of the River Tees. Some nice foreground interest, and the Transporter Bridge dominating the shot. Not too much sky detail in this one.
4. Temenos, Middlesborough
A dramatic artwork on the banks of the Tees, with the Transporter Bridge in the background.
5. River Tyne, Gateshead Quays
I shot through a glass partition to get this one. A storm was brewing, as you can see in the distant black clouds. The rain was well and truly on its way...
6. Baltic Arts Centre, Gateshead Quays
And the rain soon fell! I took the lift from the viewing terrace back to ground level, which took no more than half a minute. Within this short space of time the heavens had well and truly opened. Seeking shelter in the Baltic doorway, I grabbed this shot, with like-minded folk opting to stay dry.
7. Roseberry Topping, Near Great Ayton, North Yorkshire
(as featured in my last blog entry). Works well in B/W. I quite like the added effect of the overhanging tree, which almost 'Frames' the iconic hill in the background.
8. St.Mary's Island, Whitley Bay
And finally, an experimental shot. Taken in broad daylight with a shutter speed of 45 seconds!!!!
An ND filter was applied to achieve an extra long exposure time, thus smoothing out the water in the process. A very dull and overcast day, with very little detail in the sky, Poor conditions for my type of photography, but you have to make the most of what you've got to play with, and on this occasion I landed a decent shot...
And that's all for now. I'll be back soon...in colour!
Ash
Friday, 9 August 2013
Roseberry Topping, Nr Great Ayton
Welcome back to my blog page!
I have many new photo's to share, but finding the time to upload them is another matter, which is the main reason ashleycorr.com hasn't had the update treatment lately. But that is about to change. A busy July scuppered my chances of getting out with the camera, which obviously had a knock on effect with site updates. However, I got my arse into gear this week and ventured outdoors once again to catch some more of the local landscape, including sets from Offerton, Cox Green and Wearmouth. They'll be here soon enough, but first up is a selection of images I captured in North Yorkshire, at Roseberry Topping near Great Ayton, a fifty minute drive from my home. I'd visited this location as a kid, as part of a school trip to Captain Cook Country, and distinctly remember being shepherded up the hill by our teacher, who clearly wasn't enjoying the task due to a complete lack of fitness on his part. Roseberry Topping is a mere 320m in height, so hardly Mount Everest in comparison, yet our shepherd struggled big style, and was ready to collapse at any given moment, much to the amusement of me and my classmates, he he. Since then, I've had no connection with Roseberry Topping, other than marvelling at it in photograph form, taken by Joe Cornish (probably Britain's most famous Landscape photographer). Joe lived locally for many years, so the Topping was on his doorstep - easily accessible throughout the changing seasons, and ready to be captured in all its glory. I made three visits to this site between May and June. My first jaunt was for one purpose only - to photograph the bluebells, with Roseberry Topping as a backdrop. The result is shown below. The bluebells were on show for quite some time, but getting 'The shot' wasn't as easy as first anticipated, due to the fact that a fair few had been trampled on by idiots. Aye well, you get them everywhere, unfortunately.
From the car, parked in the visitor car park at the foot of the hill, it was a very mild accent through the bluebell woods and up towards the summit, taking around 40 minutes in total. There were families up there, dogs, pensioners et al. Great views from the top, panoramic style. Another visit saw me heading through the woods once again, but instead of climbing to the summit, I headed through more wooded areas and out towards the fields. I wanted to retrace the steps of Joe Cornish and to locate one or two of his vantage points that he photographed from. After studying one of his shots in particular I headed up a footpath towards where I thought the shot was taken. I found it in no time. The foreground trees were ideal for a landscape shot that I was about to land, so I got to work quickly before the clouds drifted over and killed what was left of the blue sky in my viewfinder. Click. My first shot (top) is without doubt my favourite one from the three visits I made. I converted it to Black & White, and it too made a great shot! Another visit followed soon after, as I was in the nearby town of Guisborough, so paid a visit while the oilseed rape was on show, also shown here. And no doubt I'll be back again, sooner rather than later. I reckon Autumn might throw up one or two surprises down there.
Finally, click this link to view the Joe Cornish shot, which I replicated above. A nice comparison - which one do you prefer?
See ya soon, Ash
I have many new photo's to share, but finding the time to upload them is another matter, which is the main reason ashleycorr.com hasn't had the update treatment lately. But that is about to change. A busy July scuppered my chances of getting out with the camera, which obviously had a knock on effect with site updates. However, I got my arse into gear this week and ventured outdoors once again to catch some more of the local landscape, including sets from Offerton, Cox Green and Wearmouth. They'll be here soon enough, but first up is a selection of images I captured in North Yorkshire, at Roseberry Topping near Great Ayton, a fifty minute drive from my home. I'd visited this location as a kid, as part of a school trip to Captain Cook Country, and distinctly remember being shepherded up the hill by our teacher, who clearly wasn't enjoying the task due to a complete lack of fitness on his part. Roseberry Topping is a mere 320m in height, so hardly Mount Everest in comparison, yet our shepherd struggled big style, and was ready to collapse at any given moment, much to the amusement of me and my classmates, he he. Since then, I've had no connection with Roseberry Topping, other than marvelling at it in photograph form, taken by Joe Cornish (probably Britain's most famous Landscape photographer). Joe lived locally for many years, so the Topping was on his doorstep - easily accessible throughout the changing seasons, and ready to be captured in all its glory. I made three visits to this site between May and June. My first jaunt was for one purpose only - to photograph the bluebells, with Roseberry Topping as a backdrop. The result is shown below. The bluebells were on show for quite some time, but getting 'The shot' wasn't as easy as first anticipated, due to the fact that a fair few had been trampled on by idiots. Aye well, you get them everywhere, unfortunately.
From the car, parked in the visitor car park at the foot of the hill, it was a very mild accent through the bluebell woods and up towards the summit, taking around 40 minutes in total. There were families up there, dogs, pensioners et al. Great views from the top, panoramic style. Another visit saw me heading through the woods once again, but instead of climbing to the summit, I headed through more wooded areas and out towards the fields. I wanted to retrace the steps of Joe Cornish and to locate one or two of his vantage points that he photographed from. After studying one of his shots in particular I headed up a footpath towards where I thought the shot was taken. I found it in no time. The foreground trees were ideal for a landscape shot that I was about to land, so I got to work quickly before the clouds drifted over and killed what was left of the blue sky in my viewfinder. Click. My first shot (top) is without doubt my favourite one from the three visits I made. I converted it to Black & White, and it too made a great shot! Another visit followed soon after, as I was in the nearby town of Guisborough, so paid a visit while the oilseed rape was on show, also shown here. And no doubt I'll be back again, sooner rather than later. I reckon Autumn might throw up one or two surprises down there.
Finally, click this link to view the Joe Cornish shot, which I replicated above. A nice comparison - which one do you prefer?
See ya soon, Ash
Labels:
bluebells,
great Ayton,
hill,
joe cornish,
north yorkshire,
oilseed rape,
roseberry topping,
yorkshire
Wednesday, 31 July 2013
Back To The Farne Islands
Following our recent and very enjoyable trip to the Farne Islands, me and the rookie photographer were at it again one month later. We purposely planned two visits to coincide with the 'Eggs' and 'Chicks' stage of the breeding season. In case you missed my earlier blog entry which covered our initial visit, click here. If that first visit was a memorable one, then we were treated to a lot more on our second trip, and the photo opportunities were endless, especially where Puffins were concerned, and after all, they were the main focus of today's trip. Yes, those Puffins are without doubt one of the most photogenic of all birdlife, and now that their eggs had hatched it was a case of grabbing those shots when the parents are actively to and fro, supplying their young with a diet of Sand Eels. I'd seen many photographs of Puffins with bills crammed full of eels, but never had I actually seen one in real time, until today. Considering the fact that there were thousands of burrows on Staple Island & Inner Farne, most of which contained a single puffling, the chances of me not pulling in some decent 'Eel' shots were almost nil, but some things are easier said than done, and although these birds are used to human visitors on the Farnes, they don't made the task any easier by keeping their distance. That's when the big lenses come to the party, and considering I was only carrying a modest 300mm Sigma telephoto, I was lagging behind some of the 'Big Hitters' who were flashing off their top of the range glass. But hey, someone once said it wasn't the size that mattered, but how you use it!
So it was different day, same script. The cruise past Inner Farne kicked off the bird watch, followed further travels which took in the Grey Seal colonies that were basking on the rocks at low tide. Cutting the chase, we soon landed on Staple Island, where a hive of activity awaited us. The Puffin count had rocketed since our first visit a few weeks back. Obviously the anonymity of many Puffins back then was due to the obvious fact that many were inside their burrows, incubating eggs. It was a much different story now though, as those eggs had hatched, leaving parent birds free to scan the North Sea for sand eels, before flying back to feed hungry mouths of chicks, deep in the burrows. There were thousands of Puffins in flight, but their speed of flight made them very difficult to track with the camera. Now this was a test! Lots to consider for someone who usually shoots landscapes and low-light stuff, so this was indeed a very different ball game. Many of the photographers around us were using tripods, which was definitely the way forward considering the size and weight of the kit they were running with on the day. Me, well, my modest 300mm lens needed no legs so I opted for hand-held shooting for the duration, hoping those mega fast shutter speeds would se me over the line. In comparison, I was the Conference footballer up against the Champions League money men, in equipment terms, but regardless, I was confident I could land the shots I was hoping for, so my concentration from now on was purely blinkered in that direction.
In all honesty, my first few shots were a complete bag of shite. No kidding. A few of them were just blue sky, nothing else. I had missed the flight of the Puffin completely, he he. I knew this wasn't gonna be an easy task, but sky shots are quite boring, especially when there's nowt else in the frame, so I had to get my shit together, very soon. Things did improve though. I actually caught a Puffin bang in the centre of frame, although it was just a small black dot when I reviewed it on my monitor. In fact, it could have been a Common Spuggie, you really couldn't tell the difference, it was that tiny. Sharp focus was also a big issue here, but then again, you aren't gonna pull in cracking shots every time, especially in this area of photography, which I'm a novice at. By this time, my son Chris was pulling in some great shots with my old Sony F828 Cybershot camera that I took along for him to use. Looks like I'm being outdone by a twelve year old, he he. He was concentrating on the nesting Shags and Guillemots, as well as the Kittiwakes on the rock faces in front of us, but my decision to photograph Puffins in flight was proving a task too far, up to this point. We took time out to grab a spot of lunch from our backpacks before taking in some more photography. The scran must have had an effect on me, as my next batch of photo's were one big improvement on the last. Switching my drive mode to A1 SERVO, this allowed me to track the flight of the bird as it went, giving me sharp and accurate focus, which is a must in these conditions. I was also using a very fast shutter, beginning with 1/2000th, before cranking the dial to its max - 1/8000th of a second. Bingo!!!
I was now very much off and running. Those Puffins in flight weren't so easy to capture after all. They say that practise makes perfect, well, my shots were in no way perfect, but I was certainly heading in the right direction. I got some great 'In flight' shots, most of which are on my new 'Farne Islands 2' page at ashleycorr.com. Here are one or two of my favourite Puffins. I got there in the end - just needed that extra bit of patience and perseverance to get over the finishing line. And young Chris brought home a very impressive collection of shots too. I photographed him as he was ambushed by a 'Head Banger' (Arctic Tern, near its nest). He bagged an excellent shot of the angry parent, at the same time as I took this picture of him. Chris's photo of the 'Attack' is below, and a fantastic shot it certainly is. And he wasn't the only one who got his head pecked on Inner Farne. Check out the old chappie below. He must have been a bit miffed when another Arctic Tern dive-bombed him, as me and another bloke relished the chance to capture it with our camera's, he he. Oh well, I was on the receiving end of an arse kicking myself, and even got shat on at one point, so it's swings and roundabouts.
And on that note I shall make myself scarce once again, only to return with another helping of photographs and accompanying drivel, he he. Got some nice Black & White shots to share, plus my story of walking in famous footsteps, as I retrace one particular path that Joe Cornish had walked. Then there's the small matter of foreign travel. Just got back from a great holiday where I visited some great places such as Corsica, Sardinia, Rome, Sorrento and the Amalfi Coast, plus Menorca.
Stay tuned for that lot...coming soon...
Cheers, Ash
So it was different day, same script. The cruise past Inner Farne kicked off the bird watch, followed further travels which took in the Grey Seal colonies that were basking on the rocks at low tide. Cutting the chase, we soon landed on Staple Island, where a hive of activity awaited us. The Puffin count had rocketed since our first visit a few weeks back. Obviously the anonymity of many Puffins back then was due to the obvious fact that many were inside their burrows, incubating eggs. It was a much different story now though, as those eggs had hatched, leaving parent birds free to scan the North Sea for sand eels, before flying back to feed hungry mouths of chicks, deep in the burrows. There were thousands of Puffins in flight, but their speed of flight made them very difficult to track with the camera. Now this was a test! Lots to consider for someone who usually shoots landscapes and low-light stuff, so this was indeed a very different ball game. Many of the photographers around us were using tripods, which was definitely the way forward considering the size and weight of the kit they were running with on the day. Me, well, my modest 300mm lens needed no legs so I opted for hand-held shooting for the duration, hoping those mega fast shutter speeds would se me over the line. In comparison, I was the Conference footballer up against the Champions League money men, in equipment terms, but regardless, I was confident I could land the shots I was hoping for, so my concentration from now on was purely blinkered in that direction.
In all honesty, my first few shots were a complete bag of shite. No kidding. A few of them were just blue sky, nothing else. I had missed the flight of the Puffin completely, he he. I knew this wasn't gonna be an easy task, but sky shots are quite boring, especially when there's nowt else in the frame, so I had to get my shit together, very soon. Things did improve though. I actually caught a Puffin bang in the centre of frame, although it was just a small black dot when I reviewed it on my monitor. In fact, it could have been a Common Spuggie, you really couldn't tell the difference, it was that tiny. Sharp focus was also a big issue here, but then again, you aren't gonna pull in cracking shots every time, especially in this area of photography, which I'm a novice at. By this time, my son Chris was pulling in some great shots with my old Sony F828 Cybershot camera that I took along for him to use. Looks like I'm being outdone by a twelve year old, he he. He was concentrating on the nesting Shags and Guillemots, as well as the Kittiwakes on the rock faces in front of us, but my decision to photograph Puffins in flight was proving a task too far, up to this point. We took time out to grab a spot of lunch from our backpacks before taking in some more photography. The scran must have had an effect on me, as my next batch of photo's were one big improvement on the last. Switching my drive mode to A1 SERVO, this allowed me to track the flight of the bird as it went, giving me sharp and accurate focus, which is a must in these conditions. I was also using a very fast shutter, beginning with 1/2000th, before cranking the dial to its max - 1/8000th of a second. Bingo!!!
I was now very much off and running. Those Puffins in flight weren't so easy to capture after all. They say that practise makes perfect, well, my shots were in no way perfect, but I was certainly heading in the right direction. I got some great 'In flight' shots, most of which are on my new 'Farne Islands 2' page at ashleycorr.com. Here are one or two of my favourite Puffins. I got there in the end - just needed that extra bit of patience and perseverance to get over the finishing line. And young Chris brought home a very impressive collection of shots too. I photographed him as he was ambushed by a 'Head Banger' (Arctic Tern, near its nest). He bagged an excellent shot of the angry parent, at the same time as I took this picture of him. Chris's photo of the 'Attack' is below, and a fantastic shot it certainly is. And he wasn't the only one who got his head pecked on Inner Farne. Check out the old chappie below. He must have been a bit miffed when another Arctic Tern dive-bombed him, as me and another bloke relished the chance to capture it with our camera's, he he. Oh well, I was on the receiving end of an arse kicking myself, and even got shat on at one point, so it's swings and roundabouts.
And on that note I shall make myself scarce once again, only to return with another helping of photographs and accompanying drivel, he he. Got some nice Black & White shots to share, plus my story of walking in famous footsteps, as I retrace one particular path that Joe Cornish had walked. Then there's the small matter of foreign travel. Just got back from a great holiday where I visited some great places such as Corsica, Sardinia, Rome, Sorrento and the Amalfi Coast, plus Menorca.
Stay tuned for that lot...coming soon...
Cheers, Ash
Wednesday, 10 July 2013
Caerlaverock Castle, Dumfries
Hello again, and welcome back to the blog page of a roaming Mackem photographer. A few weeks ago I was in Dumfries on the south east of Scotland, photographing a rather picturesque 13th century castle at Caerlaverock. Surrounded by a moat, the ruins of Caerlaverock Castle are surprisingly in good nick, so all angles presented decent photo opportunities, which I was about to take advantage of. This was my third visit to this castle, following two previous appearances back in 2002 when I was using Fuji Velvia transparency film, which I still have archived somewhere in my house. From my base in Houghton le Spring, the castle is approximately 100 miles - a journey which takes just over 2 hours to complete. Anyway, a brief insight to Caerlaverock Castle...
Caerlaverock Castle is a moated triangular castle first built in the 13th century. It is located on the southern coast of Scotland, 11 kilometres (6.8 mi) south of Dumfries, on the edge of the Caerlaverock National Nature Reserve. Caerlaverock was a stronghold of the Maxwell family from the 13th century until the 17th century when the castle was abandoned. It was besieged by the English during the Wars of Scottish Independence, and underwent several partial demolitions and reconstructions over the 14th and 15th centuries. In the 17th century, the Maxwell's were created Earls of Nithsdale, and built a new lodging within the walls, described as among "the most ambitious early classical domestic architecture in Scotland". In 1640 the castle was besieged for the last time and was subsequently abandoned. Although demolished and rebuilt several times, the castle retains the distinctive triangular plan first laid out in the 13th century. Caerlaverock Castle was built to control trade in early times. Today, the castle is in the care of Historic Scotland and is a popular tourist attraction. It is protected as a scheduled monument, and as a category A listed building.
Back soon with another blog entry - it's more of the Farne Islands!
Ash
Caerlaverock Castle is a moated triangular castle first built in the 13th century. It is located on the southern coast of Scotland, 11 kilometres (6.8 mi) south of Dumfries, on the edge of the Caerlaverock National Nature Reserve. Caerlaverock was a stronghold of the Maxwell family from the 13th century until the 17th century when the castle was abandoned. It was besieged by the English during the Wars of Scottish Independence, and underwent several partial demolitions and reconstructions over the 14th and 15th centuries. In the 17th century, the Maxwell's were created Earls of Nithsdale, and built a new lodging within the walls, described as among "the most ambitious early classical domestic architecture in Scotland". In 1640 the castle was besieged for the last time and was subsequently abandoned. Although demolished and rebuilt several times, the castle retains the distinctive triangular plan first laid out in the 13th century. Caerlaverock Castle was built to control trade in early times. Today, the castle is in the care of Historic Scotland and is a popular tourist attraction. It is protected as a scheduled monument, and as a category A listed building.
Back soon with another blog entry - it's more of the Farne Islands!
Ash
Wednesday, 26 June 2013
Tyne-Tees Television (Parts 55-59)
Hello again.
It's time for another video upload of my photographs that have been shown on TV recently. Another five to add to the collection, which now stands at 59. They are as follows -
55. First Light, Littlehaven, South Shields
56. Midnight, Penshaw Monument
57. Littlehaven Sunrise, South Shields
58. Littlehaven Sunrise, South Shields (slideshow)
59. Millennium Bridge, Newcastle Quayside
So, here they are...
AC
It's time for another video upload of my photographs that have been shown on TV recently. Another five to add to the collection, which now stands at 59. They are as follows -
55. First Light, Littlehaven, South Shields
56. Midnight, Penshaw Monument
57. Littlehaven Sunrise, South Shields
58. Littlehaven Sunrise, South Shields (slideshow)
59. Millennium Bridge, Newcastle Quayside
So, here they are...
AC
Friday, 21 June 2013
Farne Islands, Northumberland
It's been a few
years since my last visit to the Farne Islands, so I was looking
forward to another boat trip from the nearby harbour of Seahouses
across to the bird sanctuary in high
season. Thousands of seabirds breed on the islands each year, which
attracts people in their droves who pay a visit to get much closer to
nature. Firstly, a brief insight to the islands -
The Farne Islands are a group of islands off the coast of Northumberland, England. There are between 15 and 20 islands depending on the state of the tide. They are scattered about 2.5–7.5 km (1½–4¾ miles) from the mainland, divided into two groups, the Inner Group and the Outer Group. The main islands in the Inner Group are Inner Farne, Knoxes Reef and the East and West Wideopens (all joined together on very low tides) and (somewhat separated) the Megstone; the main islands in the Outer Group are Staple Island, the Brownsman, North and South Wamses, Big Harcar and the Longstone. The two groups are separated by Staple Sound. The highest point, on Inner Farne, is 19 metres (62 feet) above mean sea level.
Every year, between the months of May and July, the Farne Islands is an impressive seabird city. Naturally, with excessive numbers of birds on the islands this place is very noisy and smelly during the breeding season, but that doesn't deter the average visitor from making the most of their experience. Today I travelled with my son Christopher, who'd been looking forward to this day for some time, given his big interest in bird life, which made my experience even better. We pre-booked our places on the boat trip, which was all day affair, so we needed to leave home at 7.30am in time to catch our boat which sailed out of Seahouses at 9.30am. Of course, we checked the weather forecast before booking the trip, so we knew we were in for much sunshine, which gave us something else to look forward to. Quite often the weather plays its part and occasionally the tour operator cancels sailings because of it, but no such drama today as it was sunshine and warm temperatures all the way. We arrived at Seahouses at 9am, giving us ample time to park up before making our way down to the harbour. We paid and collected our boarding cards then waited for our boat, which arrived bang on time. We were at the front of a large queue, so we had pick of the seats once we boarded. By the time everyone else had joined us the boat was crammed with around 45 people, plus the 2 man boat crew. And that was it, we were off and running.
Our boat, Glad Tidings V, swiftly headed towards the islands. The all day boat trip is particularly suitable for the ornithologist/ photographer who wants to spend more time observing the wealth of nesting species. This trip only runs during the breeding season and lasts approximately six hours (two hours on Staple Island on the morning, and two hours on Inner Farne during the afternoon. The other two hours includes a cruise around the islands to view the nesting birds on cliff faces and the Grey Seal colony at several vantage points. Inner Farne and Staple Island are major sanctuaries in the UK for approximately 22 species of breeding sea birds, including Guillemot, Razorbill, Eider Duck and 4 species of Terns, not forgetting the small detail of 70,000 puffins!
Our first point of call was the cliff faces at Inner Farne. The boat engine was temporarily cut as we took in the sight and sounds of the nesting birds. The skipper commentary was interesting enough, although most people at this point were snapping away with their camera's and seemingly taking little interest in it. From Inner Farne we then headed out to Staple Island, through Staple Sound, then onward to Brownsman, Bluecaps and Longstone, the furthest point of the boat tour. After circling Longstone we were now heading towards Harcars, passing Grey Seal as we went, plus many species of birds which were flying low near the surface of the North Sea. Apparently a Minke Whale was spotted near the Farnes two weeks before, and although the skipper asked us to keep our eyes peeled for it, the animal didn't appear. We had been on the boat for an hour and our first landing was coming up shortly - Staple Island. As this is a National Trust property a landing fee applies, which works out at £6.40 per adult and £3.20 per child. Obviously the same figures apply to the afternoon landing at Inner Farne, so the cost of your day out can work out quite expensive, unless of course you know someone who has a NT membership and he lets you borrow it for the day (wink). The sea was very calm today, so we had no problem getting off the boat and leaving our sea legs behind for a couple of hours. A queue formed as we stepped onto Staple Island, as most of the trippers weren't members of the National Trust. Those who were members were fast tracked past the queue before making their way up the entry path towards the action.
Staple Island is very flat and rocky. The numbers of Shag were well down compared to my last visit in 2008, and this was evident on the rocks where I only managed to see around half a dozen nesting pairs. This area was awash with them five years ago. There are no facilities on Staple Island so most people take a packed lunch, which we did, and it nice after an hour or so on the island to sit our arses down and take advantage of our packed goodies. After our pit stop we hit most corners and outreaches of Staple, pulling in a few decent shots of flying Puffins en route. Razorbills and Guillemots were top heavy as they gathered in their thousands on the ledges and outcrops that were readily available. Many were lined up, facing the same way and sheltering their single pear-shaped eggs, which was quite a sight. Almost everyone carried a camera of some description. I photographed a group of 'Big Hitters' who were positioned nearby and those customers were carrying some expensive kit. There wasn't a telephoto lens with a reach of under 400mm, so these punters were almost guaranteed the cream of the crop, as far as photographs are concerned. Me, well I was packing a modest 300mm Sigma piece of glass, so in essence I was a Conference League player up against the money men of the Champions League! Oh well, what to do eh - but then again, you can only pee with the tail you've got!!! I could only dream of owning one of those white Canon lenses, but ya never know, maybe one day...
In no time it seemed our two hour limit was up, so next thing we knew we were back on Glad Tidings and travelling around the remainder of the Farnes before our last landing on Inner Farne, which was scheduled as another 2 hours on land. By this time I was confident I had pulled in some decent shots, although my lens went hunting on more than ten occasions and had trouble locking on to subjects, even stationary birds. With that in mind I was expecting an uphill task when photographing birds in flight, but against the odds this is where I managed to pull in my best shots. We didn't see a great deal of eggs today, although Chris and his eagle eyes (binoculars) picked out a few here and there. He was loving the whole experience. As the breeding season was at an early stage we expected to see plenty of eggs, but the majority of parents were sitting, so that put paid to that prospect. It would be at least two weeks before chick were visible, but we had anticipated this before our journey, so we weren't gonna be disappointed on that particular score. Again, we passed a few Grey Seal en route to Inner Farne as they basked on the rocks. High tide isn't the best time to see them however, as low tide has many hundreds of basking seals on show around this time of year when they are also breeding.
At 1.20pm we approached our second landing at Inner Farne. We tethered to the jetty before disembarking and were told in no uncertain terms that the 'Head Bangers' were waiting for us just a few metres ahead. Enter the Arctic Terns, who were nesting in their hundreds along the path we were about to tread, and these customers don't take kindly to visitors who trespass their domain. We were well prepared for what lay ahead though, as I told Chris the tale of my last visit here, when an Indian boat tripper decided his turban was sufficient protection against the dive-bombing terns - WRONG !!!!! The poor fella seemed to be singled out by at least five angry as fcuk Terns, who in turn (no pun intended) took it upon themselves to drop shat over his dark head wear. Hey, this was hilarious to say the very least, that was until I got whitewashed myself down the left side of my laughing face. Needless to say I wasn't laughing anymore, especially as I was now providing laughter to all around me, whilst poor Abdul scurried off, seeking refuge in the nearby visitor centre. Welcome to Inner Farne!!!
But that was then. Today there was just the usual pecking of the head and no whitewashing, not that we saw. At the top of that path lies the NT visitor Centre, and opposite is St Cuthbert's Chapel, originally built in 1370. All around this area is nesting Arctic Terns who are just as hostile as the others, with eggs on display. On my website slideshow there is one shot which shows a Tern heading straight towards my camera with a look of anger in its eyes (Link at bottom of blog entry).
We expected to see dozens of Eider Duck nesting on Inner Farne, as is usually the case in May, but numbers were down and we only saw three or four sitting females. Next to Inner Lighthouse there were many nesting birds on the cliff faces, including Shag & Kittiwake, plus the Guillemots across the way on Pinnacle Rock. It was the amount of Puffin burrows that caught the eye too, with literally thousands of them everywhere we walked. I dropped anchor near the path an waited for Puffin's to appear, which they did, any they were anything but shy, as my photo's prove. Puffin's are peoples favourite bird of the Farne Islands, or so it seems. The 'Clowns of the Atlantic' are certainly photogenic, make no mistake about that. In the visitor Centre there is a newly installed 'Puffin Kam', where visitors have the chance to see one incubating it's egg in a burrow. I saw a video clip of it laying its egg, apparently the first time it has ever been filmed. Photographing Puffin's in flight is one of the hardest tasks I've done with a camera, as these birds are quick. I managed to shoot one or two with a quick shutter and I was chuffed with the results - one is shown here, of an incoming bird above a small colony of 'Friends' on the cliff edge.
Before long we were back on the boat and making our way back to Seahouses Harbour. Everyone aboard seemed to have enjoyed their day out - I know we certainly did, and it was worth every penny. Chris reminded me that I promised him Fish & Chips when we were back on the mainland - he doesn't forget stuff like that, he he. And by this time we were ready for a meal. The sun was still shining brightly as we disembarked, so off we went, up the ramp and into the restaurant. A nice way to end the day. I'd recommend this trip to anyone who shares an interest in this type of thing, so if you do, then check out the links below for more details. And that is all for now. I'll be beck again soon with more ramblings and the usual photograph accompaniment, so until then I shall tootle off and return at a later date. Hope you enjoyed your read!
Ash
Farne Islands - Wikipedia
Book A Farne Islands Boat Trip
My Farne Islands Slideshow, 2008-2013
Labels:
billy shiel,
birds,
boat,
farne islands,
national trust,
northumberland,
puffin,
seahouses,
terns
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