Banks Of The River Wear, Sunderland

Going back a few months in time to June 2014 and my visit to the banks of the River Wear, Sunderland. The exact location where this batch of photo's were taken was the rooftop of the National Glass Centre, near the University Campus on the north side of the water. It was an ideal day for photography, with blue sky and broken clouds, just the ticket for some picture postcard shots of the city's East End. It was a Saturday afternoon and the area was quiet, give or take the odd fisherman, although a fair few cycle riders went past on the final hurdle of the classic Coast 2 Coast route.

The roof of the National Glass Centre wasn't an easy one to negotiate, especially when you're not too keen on heights and you can see directly below through the plain glass you're walking on. Oh dear, my walk across must have provided a laugh or six for anyone who was watching. I've took on far worse heights in the past, so this was a doddle in comparison. Well, maybe not, he he. Once in position, I ran off a few frames and was satisfied with the results. My vantage point was by far the best position along this stretch of the river at this particular time, and even though I got the shots I wanted, I wasn't done yet. From the roof to the ground, I was soon on a comfortable footing and scouting about near the Uni Campus for more shooting positions. This location has been on my list of places to visit at night too, so I'll be heading down there again during the darker evenings that are round the corner. Not long now. So, until then, here are a few shots to be going on with...

Ash

Ella Janes, Alnwick Pastures, Northumberland

A rare Live Music blog entry. Late August 2014 and a journey north up the A1(M) to the historic town of Alnwick, the venue of an outdoors Summer concert, featuring Ella Janes, Toploader and headline act Simple Minds. The stage was set up on the pastures near Alnwick Castle, which proved a very picturesque backdrop and one that wouldn't be forgotten in a hurry. Around 5000 people attended the show, although only a fraction of that amount were present when opening act Ella Janes took to the stage. It was a cloudy day with occasional sun and a slight breeze, but this was to change later in the evening when the rain fell, although it seemingly never dampened the spirits of those who chose to party on regardless.

20 year old singer/songwriter Ella Janes grew up in the historical town of Winchester, moving to Exeter to study French Literature. Due for release on Sunday 4th November, Ella’s debut EP ‘Leave It All Behind’ marks her move from the Devon hills to Nantes, where she is currently spending a year writing and turning French ears to her intricate fingerstyle guitar playing and warm whispering vocals. Ella writes and performs her own music, sometimes on guitar, sometimes on her ukulele and recently supported fellow nu-folkers Ellen and the Escapades on their UK tour.

Not much to say about the music, to be honest. Not my cup of tea, but listenable I suppose. Ella's performance seemed to go down quite well with the crowd and she smiled throughout, enjoying the whole experience even though she was drafted in at the last minute, so to speak. The 35 minute set was a warm up before Toploader took their turn on stage. Alongside Ella were Fifi Homan (cello & vocals) and Matt Hurst-Smith (bass & vocals). I emailed a couple of my shots to Ella after the gig and she replied, saying they were beautiful photographs! She uploaded one to her Tumblr page, the very first shot that appears, which you can view by clicking.....here.

A nice note to end on. Back soon...Ash

The Kelpies, Falkirk, Scotland

Across the border and into Scotland for my latest low-light shots. The location was Falkirk, home of The Kelpies, the largest equine sculptures in the world. The Kelpies are 30-metre high horse-head sculptures, standing next to a new extension to the Forth and Clyde Canal in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse powered heritage across Scotland. The sculptures opened to the public in April 2014. As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.

It was dusk when I arrived at the site and the blue hour was almost over, so I quickly got to work while there was still decent colour in the October sky. Initially I ran with a Canon 17-40L lens, but soon switched to my brand new and as yet unused Samyang 14mm prime. The difference was immediately noticeable, not only with the extra wide angle field of view, but also the focus ring, which is manually operated and glides easily with just one finger. The Samyang 14mm is a rectilinear fisheye lens, which would be much smaller and less expensive, but also curves everything into a ball. Samyang is a Korean maker of security camera lenses -  Tamron does the same thing in Japan. Compared critically to Nikon and Canon's 14mm lenses, the Samyang 14mm f/2.8 is the least expensive 14mm ultra wide lens ever made and it attempts to keep straight lines straight.

But enough about the new lens, more of that will be revealed at a later date when I post more pictures and a review after putting it through its paces. To view 'The Kelpies' page on my website click here and go to Gallery 2 > Special Feature Galleries. Here is a small selection of shots from my visit, the first of many...
Back soon, Ash

Tommy 1101, Seaham Harbour

September 2014 was a blank month as far as blogging goes, which is something I needed to address quickly. Facebook activity was the main reason for time spent away from my blog page, so I've decided to step back from that in order to regain my commitment to blogger. With quite a few photo's already in the bag, it gives me enough ammunition to step up my efforts in October, beginning with today's blog entry that features the 'Tommy 1101' sculpture that is situated in Seaham Harbour, County Durham.

The imposing metal sculpture entitled 1101 - owing to the fact the armistice went into effect at 11am on November 11, 1918 - stands 9ft 5ins tall and is built out of special corteen steel, was installed to mark the centenary of the start of the Great War and was only expected to remain in place for three months. But after winning the hearts of hundreds of visitors to the town, it could now be exhibited permanently. Around £72,000 has been raised to keep the 1.2-tonne statue in the town, and fundraisers are only £12,000 from their target. The Journal included it in its list of 100 great things about the North East - alongside more established landmarks like Hadrian’s Wall and the Tyne Bridge - and regular crowds are flocking to Seaham to take in the artwork. In the process, Ray Lonsdale’s work has been catapulted into the public eye and his journey from metal worker to fully fledged artist has been completed. He said: “There was always a big risk with Tommy because there was no sale for it. It was just a case of me biting the bullet and having hope that someone somewhere would buy it. There was no guarantee that it would have sold and it could have ended up sitting around for sometime. “Finally great things happened and they are just about there with the money now.”

The artwork, which was installed in May has attracted hundreds of visitors to Seaham, many of whom have donated cash to the Save Tommy campaign. A Facebook page called Mission 1101 has attracted more than 4,000 members with many pledging to support to Tommy, which is situated on Terrace Green. “I was surprised by the level of support 1101 got,” said Ray. “I’ve had a positive reaction to a lot of my work but not by as many people as this. The whole town has pulled together to put money in the buckets and raise cash to keep it here. That is a new experience.”
After leaving school Ray, 49, of South Hetton in County Durham, qualified as a maintenance fitter and began working at Coles Cranes in Sunderland, which closed in 1996. Following the factory’s closure Ray set up his own steel fabrication business, where he produced bins, seats and railings for local authorities and private clients. He always had an interest in art and at school he was always encouraged to go onto to art college. But it wasn’t until 2007 that Ray decided to start his career in art and changed the name of his business to Two Red Rubber Things. The father-of-two said: “In 2002 I got back into art and drawing on an evening and I decided to try and combine my work and interest. That’s when I produced my first piece. I got into a competition at the Biscuit Factory and I won the competition. “That gave me the confidence to try and do a bit more and over the next five years I completed more and more art work. There was a gradual change-over from steel to artistic steel work. “Someone told me that I would never stand a chance making it in the art industry unless I had a degree in art. I started college but I soon realised it wasn’t for me. “I decided to do things off my own back and that’s how I started and finally things were well received. “I didn’t feel I had time to do an art degree. It would take seven years and I felt I would be wasting opportunities. “I just wanted to push myself. I’m big on having a go and I never wanted to get to a point in my life where I would think ‘I wish I would have tried that’. “I kept the steel work going alongside the art work and it wasn’t until 2007 when I changed the name of the business and decided to take a chance with the art.”


Ray now has 30 life size statues under his belt and another six large scale pieces. These include The Big Dance at Gretna Green - a 14ft depiction of a couple’s hands - which was put in place in time for Valentine’s Day, a soldier on a bench at North Bay, Scarborough and the Filey Fisherman, in Filey.
Ray, who lives with wife Bev, said: “I like to create work that people can take something from it. Public art should be for the public. I don’t agree that it is an artist’s job to educate the public about art but if they like it then it’s been a success. “I like people to look at it and appreciate it and appreciate the work that’s gone into it. I also like them to look deeper into it and find the story behind it. Previously I would make seats, bins and railings. I had to get used to people buying my work for the way it looked rather than for its functional purpose. “It felt strange at first. I realised that people were having a positive reaction to my work and that’s something I got used to, which was nice.”
Ray is keeping quite tight-lipped about his next project but he admits he’s been approached by local authorities. He said: “I have completed a lot of drawings since 1101 and I’ve been approached by a couple of authorities with ideas but nothing has been finalised yet.” Leaving his full-time profession to concentrate on his dream to make it as an artist was a risk but Ray has not looked back since, citing his family’s support for helping make the leap. He said: “Bev has been fully supportive. She had a lot of faith in me when I didn’t. If it wasn’t for her I wouldn’t be any of this at all.”

It wasn't until the back end of September that I finally made the effort to visit Tommy. I had seen many photographs of him on Facebook and he certainly was flavour of the month for a while, which was half the reason I held back. Didn't wanna jump on the bandwagon and head over there simply because every man and his dog were doing it. I arrived at the site around 30 minutes before sunrise, hoping for some decent colour in the sky, and I wasn't disappointed, Another photographer stood alongside and we chatted for a short while before stopping to grab our shots. We chatted some more then the sun rose on the horizon, so the talk stopped once again while we pulled in some more shots. He was already set up when I arrived so he had the prime spot, which was exactly where I wanted to be, He obviously knew what angle to shoot from, and even though I was practically shooting on his shoulder, that extra foot or so to my left was quickly mine when he decided he'd had enough and retreated to his car. It was from this position that I had a perfect silhouette of Tommy, with the sun rising to his left (shown here).

As the sun rose further, losing it's orange hue as it slowly ascended, I decided to take a few close up shots of the sculpture. This photogenic piece of artwork will be the subject of more photography very soon. One visit is never enough. AC

                                        

Luss, Loch Lomond

After a nice week away on the Isle Of Wight, it was nice to make the most of my second week off work by paying a visit to Scotland. The main reason for our drive across the Anglo-Scottish border was to visit family in Livingston, not too far from Edinburgh, in a westerly direction. From Livingston we made the 64 miles trip to Loch Lomond and the Trossachs National Park, stopping off at Luss. The weather was fine, which is quite a rarity in Scotland, even in Summer. Our visit to Luss was a fairly short one and merely an exercise to get out and stretch our legs around the shores of Loch Lomond, taking in some fine views in the process. There were many tourists, like ourselves, and the coaches came and went every few minutes - Luss was obviously a popular place to tick off the list, judging by the sheer volume of people that were entering this small town. Apart from photographing the landscape around Loch Lomond, mainly from the pier, plus a quick walk around the nearby streets, I saw little else. That wasn't a disappointment though, as what I did see was more than enough and a taster of what else lay ahead. It was from Luss that we made a further journey North, up the West Coast towards Glencoe, adding another 60 miles on the clock. An hour and twenty minutes later, after being stuck in traffic on a very narrow road, we arrived at a very sunny Glencoe. Just what we wanted. Stay tuned for that and more, soon...
Cheers, AC

Planet Farnes, Northumberland

Our annual pilgrimage to the Farne Islands took place in mid-July, 2014. Once again it was an all day affair, courtesy of Billy Shiels boat trips, out of the harbour at Seahouses, Northumberland. Boarding the boat at 9.45am meant an early departure from Gods Country, at 7.20am, to be precise. We hit Seahouses just before 9 o' clock and headed straight to the local bakers shop, where we had breakfast, in the shape of a bacon and egg stottie. Just what the doctor ordered. Then it was a simple case of paying for our pre-booked tickets at the kiosk, although there's nowt simple about parting with £48 in the blink of an eye. That's the entry ticket for one plus one, and seeing that this whole affair comes around once a year, what the hell, let's get over to the Farnes and take it all in. And what a hive of activity it was, as expected, thousands of breeding birds in full flow, it was noisy and it was certainly smelly, and that was just my arse after scranning the bacon butty!!!!

And so we set off, heading towards the Farne Islands on a boat packed with people from all over the world. Again, it was camera equipment overload and there was a nation of it, worth thousands upon thousands of pound notes (or Euro, whatever the case may be). We were packed on board the Glad Tidings vessel like sardines in a tin, which came as no surprise really, it's like that every year we attend. Our tour of the islands was accompanied by the very informative captain, who's knowledge of the area and the breeding seabirds is well established. Then we hit the business end of the trip, our first landing, on Staple Island. From the boat we were led up the steep steps where the National Trust Rangers were waiting, taking payment from those who weren't holding a valid membership card. £6.80 for me and £3.75 for Chris! Ouch, and we had to do it all again on our second landing, at Inner Farne. Good job I was holding a pocket full of shekels!

Numbers of breeding birds were thriving, such as Puffin, Guillemot, Shag, Cormorant, Razorbill, Terns & Gulls. We saw a nesting Fulmar too, quite a rare sight on the Farnes. Our landing on Inner Farne had the customary welcome - the attack of the Arctic Terns, dozens of them! Well prepared for this as usual, with the baseball cap to take the sting out of those sharp pecking bills. If you stood still for more than a few seconds the Terns would have no hesitation in standing on your head, which was respite from their usual behaviour on the stretch of path leading to the Visitor Centre. And it was this area where activity was frantic, between the Centre and the toilets, where me n' Chris were dive bombed on countless occasions.

From here we headed off and over to the lighthouse, where dozens of Shags were nesting on the cliff face. I pulled in some decent shots here, including Puffins in flight. This was the last part of our visit as it was almost 3pm by this time. The day has flown by (no pun intended). I've added a few of my favourite shots of the day, all shot on a Canon 5D3, with 100-400mm L and a 24-105mm for close up shots. Hope you like them .Until the next time, catch ya later...
AC

Light Painting (War Of The Worlds)

Hello again.
Two blog entries in one day - what's that all about?
Well, I said I would write more regularly than usual, which at best is three or four times a month, so here I am again with my latest ramblings. Today's offering comes in the shape of another experiment as a novice in light painting. My recent Astro Photography got off to a good start when I pulled in some impressive shots of the Milky Way, as well as Star Trails. I appear to have picked that up fairly quickly and I expect to carry on in a similar vein during future midnight outings into the dark. But now, it's onwards and upwards into the world of light painting, another area of photography that until recently was as alien as Astro (no pun intended). With many years of experience in photography, this has springboarded me half way up the ladder in areas of photography that is new to me, as general knowledge of exposure settings and all round familiarity of the camera gives you that head overall start. You're already up and running, so it's then a case of acquainting yourself with the surroundings, lighting conditions and one or other minor factors that give you the main ingredients to throw into the mix. Trial and error plays a part too, as even the most accomplished photographer (not me, by the way) rarely gets it bang on first time. Nothing wrong with that, as we learn from our mistakes as we go along.

Anyway, enough of that. Here's my take on light painting with a simple torch. I tried it once at Hadrian's Wall, which again was quite challenging as it was completely new territory for me, but it came up trumps at Sycamore Gap. This time the location was a lot closer to home, at South Shields. The Groyne Lighthouse would be the location for this experiment, overlooking the mouth of the River Tyne, with the Groyne Lighthouse as the focal point. My first shot (above) has a slight Apocalyptic feel to it, reminiscent of a scene from 'War Of The Worlds', with the pod on legs and a dramatic sky as a backdrop. Well, maybe not quite in that mould, but that was what sprung to mind when I reviewed the processed images. So, without further ado...

Back soon, AC