Gibson's Cave, Middleton-In-Teesdale

A Tutorial.

A day without colour, a day without sky, and a day to forget in photography terms. Well, not quite. A miserable day with very a flat overcast sky killed any opportunity of some decent landscape photography, but these conditions are favourable when shooting waterfalls, so why not have a bash. I had an accomplice today, Mr Billy Short, latest member of the Canon Club, who was after an introductory crash course on his new hobby. So off we went, into the heart of Teesdale to a location known as Bowes Lees, home of the picturesque Gibson's Cave. On the road for just under an hour, before reaching our destination, we were greeted with a fair amount of snow, which was absent at home, but we were well prepared for the accompanying chill and wrapped up accordingly. Off we tootled, through the wooded area where we eventually found our first waterfall. Nothing special, in all honesty, but this offered a first opportunity to show Billy the ropes, so he set his gear up and I walked him through the necessary settings to achieve the shots he wanted. It was the classic 'Milky effect' waterfall that we were after, so as a starting point we set a shutter speed of 1/10th of a second, working slightly either side and cherry picking the best shot so we could determine which shutter speed we were going to run with for the rest of the session. We covered the broad range of camera settings, dialing in a preferred choice throughout, before composing and eventually tripping the slow shutter. Billy was more than happy with the results on his Canon 1100d, which was also pleasing from my point of view, so the first tutorial went carefully to plan. Mr Short was even happier when he saw his mentor fall flat on his arse in the slippery snow. I was up on my feet in no time, especially as his camera was primed and pointing squarely in my direction - we'll have no Facebook exposure here, Mr Bootleg (Long story). 

Gibson's Cave was adorned with icicles, many of which were at least 3 metres long. The waterfall, Summerhill Force,  took centre stage as usual, and who would deny its glory. As the sun shone briefly I was almost hit by icicles, melting and falling from the rocks above me. You got a real sense of danger when these things hit the floor nearby with a very noticeable racket, so I wasn't gonna 'Hang around' for long (pun intentional). We crossed the water to the other side of the cave, hoping to grab more shots from another angle, which we did. Billy was off an running by this time, getting to grips with his new toy and firing away as if he'd been at it for years. He pulled in some nice close-ups of the ice formations too. As the sun shone brightly it hampered our task somewhat, throwing far too much light into the camera, so we tinkered with a cheap set of ND filters (Screw on) to block some of that light out, which gave us our required shutter speed back. Thank you.
We photographed Gibson's Cave for a good 45 minutes or so before heading back to the car, stopping briefly so I could pull a falling icicle from my skull (shown here). And that was it, lesson over. Until the next one...

Ash

Waves Of Discontent

Welcome back!
Seascapes come in various forms, from the calm to the stormy, the peaceful to the dramatic. And it's drama all the way in my latest batch of photographs which were captured locally, at Seaham Harbour in the County of Durham. Last Sunday was a right old windy affair, along with overcast skies and lack of colour all round. That combined was enough to leave with with little option other than to make it down to the coast in the hope of striking lucky with some big waves. JACKPOT !!!
Good decision - I'd never witnessed a sea like this one, as one massive wave after another rolled in, battering the sea walls and showing next to no mercy. Seaham Pier was up against it too, which is what I focused on for today's shoot, beginning my task from the top of a hill which overlooked Seaham Harbour. The steps to the summit were out of bounds, cordoned off with a barrier, which was less than imposing, so over I went, climbing the dozen or so steps until my vantage point was right in front of me. Naturally, in weather like this you get an accompaniment of chill, and boy was it cold. I was layered up, doing my prep work to a tee, well...not quite. Before leaving home I doubled up on fleeces, adding a body warmer for good measure. How about a wooly 'Bin Man' hat - yes, I'll have one of those too, plus warm hiking boots and 3 tog socks. Sorted? No way! I forget the gloves and paid a heavy price. Me little fingers were like icicles and I was in so much pain, I wasn't far off tears. Friggin' nightmare. But what to do, eh, other than grin and bare it. I wasn't gonna walk away from an opportunity like this.

I made my first few pictures from up top, before driving the car a short distance to the entrance of Seaham Pier, where I got the distinct impression I was getting a little bit too close to the action. The high North Sea to my left was frighteningly close to breaching the sea wall, it was that lively. The car was rocking to and fro, the winds doing their very best to intimidate. To my right, where I was now parked up, the Pier and lighthouse were both taking a battering from the incoming waves. This wasn't a happy sea and it wasn't taking prisoners in its state of discontent. Cars came and went, with occupants taking in the drama before heading off to safer ground. It was now time to take more shots, so I got out the car and almost got knocked off my feet with the full force of the wind that greeted me. I noticed the owld couple nearby, in the Morris Minor rust bucket, pointing towards me and laughing, but it was alright for them, they were safe and warm, they could laugh. I had a little chuckle to myself, ah well, I gave them summat to smile about. For a few minutes I stayed out there, opting to take the bad weather firmly on the chin, as the strong winds whipped up sand, straight into my eyes and mouth - not a pretty experience, to say the least. I imagined the owld folk behind me, laughing again, as I gave them better entertainment than 'Sunday At The Palladium' he he. As I
almost fell to my feet once again I turned my back on the wind and the seascape in front of me. From the corner of my eye I noticed owld Ernest & Elsie laughing their tits off at me, as I wrestled the elements, scoring nothing during the first three rounds. But hey, points were scored 'In camera' so I was consoled with that thought and fired off more frames to balance the boat, as it were. I was fighting my way back into the bout!

By this time my face and hands were in severe pain, chilled to a state of almost complete numbness, which I couldn't tolerate any longer, so I jumped back into my car. A safe haven, albeit temporarily, and with the added luxury of heaters. We take these things for granted usually, but what a godsend they were today, as they pumped out some much needed heat, making me look human once again. After recovering enough feeling in my hands I continued making pictures from inside the car, with a window lowered just enough to stick my lens out of. But with that came another snag - sand, sand and bloody more sand was thrown into the car through the five inch window drop, but I wasn't gonna miss capturing the scene in front of me, so I was more than happy for the interior to take one for the team. The Mrs can always hoover it up at a later date, he he. She'll kill me if she reads this. After ten minute or so there was, erm... quite a covering of sand along the dashboard, and the seats, and the floor. What a mess! Time to leave. Job done - I'd pulled in quite a bit of drama, a good slice of angry sea, all recorded on memory card, so off I drove. I made the decision there and then to get my freezing cold arse along the coast and into Gods Country, Sunderland, home of the devoted Mackem. It was destination Roker, for more big waves and the last drops of action before the tide turned. I parked up near Roker Hotel, up a height, along the seafront, shooting down towards the pier. The waves weren't as dramatic here, but enough to grab a couple of half-decent shots.

Enough was enough, as I waved (no pun intended) the white towel and made my way to Macdonalds, where hot coffee awaited. The 'mender' was well appreciated, and well needed, well deserved too. Soon I was back home, reviewing my 'Catch of the day' and being well pleased with the results. It may be some time before I witness another sea like this one. Until then, I think I'll play safe and stay at home, feet up in front of the fire. It's a much better place, trust me...

Ash

Photo's 1-5 > Seaham
6&7 > Roker

Another Visit To York

Last month Mr & Mrs C had another weekend away in York, which is one of our favourite places to visit and it's only a 90 minute car journey at a steady pace. Mind you, although we visit York at least twice a year we never seem to hit on good weather, for some odd reason, and our latest visit was no different. That said, it was February, so it was no surprise that the North of England was once again under a dull overcast sky, with accompanying cold winds and the odd bout of snow and sleet. What to do eh, other than grit thee teeth and get on with it - this weather is not for the soft lad. Or maybe it was, as I headed into warmer territory that is York Minster, while the Mrs went for a spot of retail therapy, which is not my cup of tea whatsoever, so a canny compromise was made to pass an hour or so before meeting up. I kept my entrance ticket from my previous visit, which guaranteed free entry to the Minster for a full year, so there was no crossing palms with silvers on this occasion, as I went on my way, into The Nave. It's £9 a go these days, but there were plenty of takers, especially foreign folk, eager to see what was on show in this ancient building. There was one noticeable absentee however, my tripod, which was given the day off,  as I wanted to see what the 5D Mk2 was capable of in a handheld situation with high ISO settings. Every shot inside York Minster was captured this way and the results were stunning, especially the ceiling shot in the Chapter House (Shot 2, below). As you can imagine, there was very little available light to play with inside the Minster, so the Auto ISO setting was necessary to give me a fast enough shutter speed in low light, even though it cranked itself right up to 3200 in the dimmest areas to get a fast enough shutter. Reviewing the images, I couldn't help but notice how pin sharp they were when magnified on the monitor, so off I went, in search of more. I covered all of York Minster, apart from The Quire, which was out of bounds due to an ongoing hymn practise. Handheld delivered some great shots, if I say so myself. Oh, and there's a rare shot of me too, capturing a mirrored reflection in the South Transept.

After a 30 minute sesh in the Minster I had just enough time to head over to the popular Shambles area of York City Centre. The Olde Worlde character of this place is tailor made for photography, although my shots don't show its popularity on this occasion as the place was almost deserted when I got there. It was almost 4pm and Sunday shopping was near its end, so the majority of folk had cleared off by this time, which wasn't a bad thing as the camera got to see what it wanted, with no crowds obstructing its view. Shambles (or The Shambles as it is often referred to) is a street in the city centre of York with a long and interesting past. Today it features great shops, cafes, restaurants and tourist attractions. A fine place to stroll on a day in York or visit to take in some shopping, history and culture - also this year's winner of Google's Most Picturesque Street in Britain. As the snow started to fall I packed the camera away and headed off to the pre-arranged meeting place, where my other half was already waiting, laden with shopping bags. Oh aye...what's the damage? She had a big smile on her face when I arrived, but I still don't know whether it was due to the bargain she'd bagged, or the state of my hair, which was looking very sorry for itself by this time. Ah well, time to sit down for a beer and a bar meal. It's not all trudging around in the cold, this York malarky.

As usual, click on an image to enlarge. And on that note I shall disappear once more, only to return with more photographs, made in the North-East of England. Until then, stay safe.

Ash

     

Tyne-Tees Television (Part 49)

As quick as the last batch of video clips were uploaded I've got another one to share (bottom of this blog entry), taken last Sunday (10th March) and shown on Tyne-Tees Television the following day. Another snow scene, captured at nearby Herrington Country Park during a blast of snowfall. From the main road I could see across the park to my right, noticing a group of blokes flying kites, so I made an instant decision that they would add to a good photo, with Penshaw Monument as a backdrop. I parked up soon after and headed across the far corner of the park to find a position to compose my shot, passing the kite flyer's as I went. The snowfall was full on in my face and visibility was very poor. I asked myself yet again what the hell I was up to in these mad conditions, but I've lost count of the times I've questioned my sanity and went on to grab 'The Shot', so onward I travelled. Reaching a good spot in the deserted park, I dropped my bag on the floor and unzipped it, removing the Star Of The Show, ready to get to work. I turned round to eye up what was on offer and their was a big fat nowt - visibility was no better than when I arrived and the Monument simply wasn't there. The snow had been off and on for the last hour, so I stood there like the classic tin of milk, waiting for the next lull. During this time I was numb with cold and covered in Snar from head to foot, which must have been a funny sight for any passers by, but today I lucky, there weren't any. Not hard to guess why. Atrocious conditions!

Within a few minutes the snowfall eased off and visibility improved massively. Hello Penshaw Monument, where were you? Time to get busy. The kite flyer's were having no more and packed their plastic away, so I grabbed my first shot as they headed back in single file to their nearby cars. Forget the kites, I still managed to make a decent picture. As I walked back to my car I fired off a few extra frames, catching some decent foreground in the shape of a crossroads (see photo 2). There was no colour to be had today, so black & white conversion was the way forward with this batch, and it worked quite well. Again, patience, perseverance and the odd 'Screw Loose' ruled the day. I was friggin 'Brass Monkey' but it was worth it. Shot one (top) was pulled in with a 70-300mm telephoto lens and the others with the L Series 24-105mm zoom, all attached to the Canon 5D Mk2 body, which is one hell of a piece of kit. Below is the video clip that was aired live on regional TV this week, plus you can can view it on the Tyne-Tees Weather site in High Definition if you wish, just scroll down to 'Monday 11 Mar 2013' - click here to view. Just below the video clip is the stand-alone photo, posted in the 'Sunday 10 Mar 2013' section. I have other Weather Photo's on the same site but you'll need to search for them in the archives.

And that's for now. I've got more new galleries opening up at ashleycorr.com very soon, including... 'Historic York' and 'Black & White 2' so look out for them. Late March will see me heading across the A66 to the Lake District, where I hope to bring back some top notch shots of the National Park. I'll be up on the fells once again, although I'm not sure which one yet. Spring and Summer will test me and the new camera out, so I'm looking forward to the challenge, plus there will be a big updates in my 'On Location' section as foreign travel is booked and I can't wait for that one. No clues as to what Country (or rather, Countries) - but I expect to bring back some great shots, so once again, stay tuned.

I'll be back soon with more photography. Thanks for visiting!
Ash

Tyne-Tees Television (Parts 46, 47 & 48)

Hello again.
Almost two weeks have passed since my last blog update - I must get my act together!
As promised, a short video clip featuring a selection of my photographs that appeared on TV recently, and they are as follows...
1. Sunset, Transporter Bridge, Middlesborough (Jan 2012)
2. Sunrise, Seaham Pier, County Durham (Feb 2012)
3. Snowfall, Angel Of The North, Gateshead (Feb 2012)

Rapidly approaching the 50 mark, which I hope to reach in the next couple of weeks, so keep an eye out all you people within reach of the Pontop Pike transmitter. I should be out and about with the 5D over the next few days, although nowhere in particular as a plan, but wherever it is, I'll be bringing home the shots. And that's all for now. Cheers.
AC

Let It Snow (Angel Of The North)

Sometimes you have to take chances and push the limits to get the shots you want. Sometimes you win, sometimes you don't. Last weekend was one of those 'Shall I bother' or 'Shall I not' moments, when the weather was awful and driving conditions were far from ideal. The snow fell from 11.30pm on Friday and continued throughout the night, with no let-up when I left my home at 9.30am on Saturday. Destination - Angel Of The North, Gateshead, Tyne & Wear. Between Houghton le Spring and the A1 Motorway junction at Chester le Street, the roads were awful and it was snail's pace all the way, not wanting to join other abandoned cars at the roadside. Oh don't you just love those blizzard conditions, when some motorists couldn't give a flying fcuk and drive as if it were a Summer's day. There's always the odd Arsehole behind the wheel and it's normally me that has a run-in with him (or her), so it was of no surprise when one fine example cut me up shortly after I joined the A1, ah well... jog on! No time for getting worked up, there's work to be done. And a few minutes later I was on site, with the Angel towering above me, getting a rather good lashing from the snow. A mini bus of full foreign folk pulled in and in no time they were coated up and walking towards the sculpture, snapping away as they went. After a few minutes of posing for group shots they were off, heading back to their warm mini bus. As they started to make there way back down the path I took my first shot (shown here, top). Lots of trees had been felled since my last visit - god only knows why, as the classic view of the Angel, flanked at either side by trees was now a thing of the past. Trees sat to the left, but not the right, they were gone!

I've been saying for a while that people often 'Make' this type of shot, as a sense of scale is important, versus the subject itself. And the people kept on coming and unknowingly offering themselves as extras. It was a straightforward case of waiting for them to position themselves where I wanted them in the frame. And that they did, making my composition 'Just right.' The snow continued to fall, which can be clearly seen against the dark backdrop of the Angel, adding a little extra to the shots, and by now making me realise that today's outing, despite the weather conditions, was well worth the effort. Sheltering my camera was a task in itself, as the snow swirled around me, making it virtually impossible to keep it dry. Next time I'll have to think on. But I was determined to leave with the shots I wanted, so the camera took a kicking and I grabbed my last few shots before getting back into the car to give it a good wipe down. The toes were aching, numb they were, but that's the price you pay, I suppose. Crack on!

No sooner was I back home and I was reviewing my work in Photoshop CS6, ready to pick one out and email it to Tyne-Tees Television - surely they'd like to use one on today's Weather Bulletin. And so they did, just four hours later. I'll upload the video clip, along with two other recent ones, and you can view them here on my Blog page, next time. Until then, catch ya later. Cheers.

Ash

A Frosty Herrington Park

A couple of days ago I was up bright and early and heading towards 'The Barber Shop' in Shiney Row, a ten minute drive from home. Yes, the old mullet needed a trim and an early morning visit usually beats the queue's, so off I went. I chucked the camera bag into the boot of the car on the off-chance that I might get a couple of half decent shots in the nearby Herrington Country Park, especially as there was a covering of frost on the deck. After my short back and sides (and nowt off the top), I drove the short distance to the almost deserted park, in bright sunshine it has to be said. Cold it certainly was. Still getting to grips with the new camera, but coming along very nicely. Not much else to report, just some new photo's from my brief visit to Herrington Park. Without further ado...

Ash

Heavy snow here in County Durham this morning. The Mackem Photographer was roaming again, before the snow thawed. Bad conditions on the A1(M), but hey, who dares wins! Some nice snow scenes up next, folks. As always, stay tuned...

Canon 5D MkII - More Test Shots

Hello again.
A few hours ago I was out and about once again, testing out my new camera at Newcastle Quayside. This was my third run out with the 5D MkII, following two previous outings to Seaham Harbour, County Durham, and like my last blog entry, I was on the hunt for more low-light photographs. I can safely say, after just three batches of test shots, this camera is unreal, especially the 24-105mm Luxury Lens, as it once again pulled in some brilliant tack sharp images. And no sooner did I process those images and I'm already planning my next jaunt, which is the effect this camera is having on me. It's slick, smooth and worth every penny of ones 'Hard earned.' So it looks very much like my Newcastle Quayside At Night gallery will be getting a revamp, as my new images will replace old ones and there will be more on the way. I'll be making more visits to this location in the next few weeks, so keep an eye open for more of the same, very soon. A new battery grip has been added to the kit bag, but one thing that I missed tonight was a Wide Angle Lens, following the sale of my 10-22mm EFS, which wasn't compatible with the EF mount I'm now running with on the full frame 5D MkII. So, it looks like I'll be shopping around for a Wide! Anyway, it's knocking on for 12.30am, so I'll have to call it a day - the fart sack awaits!

In the meantime, here is tonights shots...
Click to enlarge.
AC

Seaham Harbour, Revisited

It was seven days ago when I put my Canon 5D MkII to the test for the very first time at Seaham Harbour, County Durham (See my recent blog entry here). Today I revisited that same location, and although the weather conditions were similar, there were no big waves, but a much calmer North Sea. Because of this, the pier gate was open to all, so the vantage point I wanted was very much up for grabs. I passed through the open gate an hour before sunrise, giving me ample time to set my gear up to prepare for what would hopefully be a good sunrise at 7.41am. I had an odd feeling as I walked along the first stretch of concrete, bearing in mind the battering this pier received a week ago from those 80 foot waves. There was evidence of more recent waves too, judging by the many pools of saltwater I passed as I walked further along a pier of ageing concrete, peppered with pot-holes galore. These add to the character of Seaham Pier and most definitely give the photographer food for thought when looking to add some foreground interest to the frame. Many a Seascape composition 'Checked out' with good foreground detail, and I was ready to join the list of those like-minded folk who had made the same mental prep's before getting down to work. I wasn't alone on the pier, as I chatted to another photographer for a while before the sun showed up. He too was hoping to pull in some good sunrise shots, so we stood almost side by side, waiting for something to happen. His dog was standing on the edge of the pier, gazing down into the icy water, causing a worrying distraction for his master. Several shouts eventually brought the hound back to safer ground, although it wasn't long before he was off again and looking to engage in more mischief. 'Jasper, come here man, are ya friggin deaf or summat' was the sudden holler, much to my amusement, but the docile mutt never flinched as its eye was transfixed on the waters below, which appeared to be stirring up somewhat, despite the outgoing tide.

More chat followed, covering aspects of photography and social sharing sites like Flikr. He showed me a few of his shots on a mobile phone, which were female models under specialist indoor lighting. Quite impressive they were too. By this time I was kinda wishing I was indoors myself, as my hands were almost numb and the toes were having none of it. The sunrise wasn't too far away, so after 45 minutes of good photo-chat and zero minutes of photography, I reluctantly decided to move on as I was being distracted far too easily for my liking. At this point I took my first real shots, following two or three earlier test efforts. The situation was tailor made for my Lee ND filters, so out they came, along with their filter holder, and immediately the f-stop calculations were being made. I was up and running at last, with no distraction, and the shots were beginning to roll in. A combination of two filters, 0.6 and a 0.9 soft grad were used, stacked in the filter holder, delivering some great shots as cloud colour peaked in front of me. These filters are most definitely 'The doggies danglers' and a must for every serious landscape photographer - expensive, but worth every penny. Balancing exposure between shade and highlights is a very important part of exposure, so the need to introduce Neutral Density Grad's is very often a wise one, resulting in the type of shots shown here.

The sun rose on the horizon at 7.41am, as predicted on my Weather Channel app. I've included three shots here. A pre-sunrise shot, another when the sun appeared, plus a Black and White conversion - hope you like them. At 8.00am I was off Seaham Pier and climbing back into the car. On came the heated leather seat, once again, a regular feature during these cold Winter mornings. And that was it, another job done, another Sunrise outing, another freezing arse - but not for long, he he.

Might be out again tomorrow, some time, some place, putting this fantastic camera through its paces once again. This Canon 24-105mm L series lens is ridiculously sharp, although slight distortion at its widest setting, which is easily corrected with a single mouse click in post-processing. A new era of photography is under way, so let's see what I can pull in with the Canon 5D MkII. Judging by the photo's shown here, it's gonna be a smooth ride. Let's hope so. And on that note I shall bid thee farewell until the next time. Ta ta for now.

Ash           

Canon 5D MkII - First Test Shots

As promised, here is a handful of test shots that I captured yesterday with my new camera. The location was Seaham Harbour, County Durham, a fifteen minute drive from my home in Houghton le Spring. The weather forecast on my mobile phone was accurate enough, predicting a cloudy and windy day, with the odd burst of sunshine. Wind direction was ideal for some big waves, breaking over a pier, so I decided to check the tide tables for Seaham. I was in luck, the tide was incoming around mid-day, so I expected ideal conditions around tea-time when the sea was high and Seaham Pier would be on the wrong end of a good old battering - well, hopefully, but more often than not the roaming photographer doesn't get what he wants. With nothing to lose, and the overwhelming itch to get my first run out with my new toy, I was quickly on the road and heading to the coast. As I reached the junction near Seaham Hall I got my first glimpse of the North Sea. It didn't look at all menacing, despite the dodgy weather, but as I drove along the coast road towards the harbour I could see some big waves rolling towards the beach. Hmm, I might hit lucky here. I parked up on the promenade opposite the shops and walked the short distance towards the cliff top, excited at the prospect of testing out the 5D MkII for the very first time. Looking across towards Seaham Pier I could see some big breakers bashing against the pier walls, which was exactly what I was looking for, so my decision to check the weather conditions on my mobile phone proved to be a good one. From a decent vantage point I still didn't have enough reach with my 24-105mm lens, so I fitted the 70-300mm telephoto and pulled in the first shot (shown here).

Focus lock was instant, with no hunting, even though I was spot focusing on the lighthouse, which was quite small in the frame due to the composition I had chosen. One click and the shutter fired - the image review was also instant, fading in from almost black to the perfectly exposed final image, which is a nice extra feature that the 7D never had. I was running with Quick Burst, 3 frames per second, capturing the waves at different formations, giving me the opportunity to cherry-pick the best hots from the bunch. A fast shutter and Auto ISO was chosen in P setting, which worked very well in these conditions. I got a soaking as I photographed next to the pier wall, taking a few on the back as I shielded the camera under my jacket. Very happy with what I got. Hopefully the start of many more.
I'll be back soon with more test shots and feedback, so stay tuned...

Thanks, Ash

  

Out With The Old...

Welcome back! It's been a while...

Apologies for the lack of activity here at ashleycorr.com, 2013 hasn't even started, at least in photography terms. I never captured one single photograph in January due to other commitments, but I aim to make amends following a recent decision to sell most of my camera equipment. After a lot of deliberation during the last few weeks of 2012, I decided to upgrade my camera and migrate to full frame, at long last. I sold the Canon 7D...and the battery grip...and the 18-135mm lens...and the 10-22mm wide angle lens, which really wasn't as bad an experience as I thought it would be, as that kit pulled in some brilliant shots and I was quite reluctant to move it on - if it ain't broken, and all that. After careful consideration I eventually made my move, bringing home a brand spanking new Canon 5D MkII, and what a smart piece of kit it is! Mind you, it's not there to gaze at, either is the 24-105mm L series lens that came with it, yet it stood idle for just over a week before I put it through its paces. I've been wanting to join the 'Full-Frame Brigade' for some time now, even though the 7D, with its 1.6x crop sensor served me well, and I remember being torn between the 5D MkII and the 7D last time around, but played safe with a 7D purchase. Anyone who is familiar with full-frame bodies will be well aware that the accompanying glass doesn't come cheaply, which was the main factor in me opting for a 7D three years ago. Being in a much stronger position now, it was full steam ahead and after a brief dabble with its settings I was off and running once again, which was a nice feeling, especially when sliding slowly into February with no photography behind me for a full month. So, a few things to mention about the new kit...

First and foremost I expected, and noticed a big difference in what the 5D MkII can 'See' compared to the trusty and now departed 7D. There is so much more subject in the frame, so I'll be in no hurry to add a new wide angle lens unless It's really necessary, and that won't come cheaply either. I'm already eyeing up Tokina glass, but no concrete plans to buy until I see what the camera can deliver in all aspects of my photography, especially indoors and for those outdoor wide-angle shots. Canon makes cameras with three different sized image sensors. Full-frame digital cameras use a sensor the same size as 35mm film. Full-frame is the way to go if you have the choice. Consumer 1.6x cameras have a sensor 1.6x smaller than 35mm film. Obsolete Canon professional 1.3 x cameras used a sensor 1.3x smaller than 35mm film. The sensors in these cameras are the same as 35mm film: 24 x 36mm. To get more of an understanding of what this means through the eyepiece, here is an illustration explaining crop factors -

So there you have it, and you will most probably agree that there's a lot more subject in the frame, which comes at a price, but what the heck, you're only alive once. Another pixel hike takes me up to 21, from 18, although that's neither here or there in the bigger scheme of things. ISO capability with the 5D MkII now gives me the option of photographing a black cat in a coal mine, if necessary, and although I'm a black cat (Sunderland supporter) through and through, sadly, coal mines are now a thing of the past in the North-East of England, so I'll have to give that one a miss. Another reason for migrating to full-frame was to get my hands on those top of the range L lenses - not cheap, but worth every penny. My old 18-135mm EF lens served me well, catering for my needs at during that particular 'Era', but times change and so does the photographer, so, without further ado...

What is the Canon "L" Lens Series?
Good question - and many answers exist, but it is Canon's professional line (though used extensively by non-professionals) of EOS EF auto focus 35mm SLR and DSLR still camera lenses. Some say L stands for "Low Dispersion" - achieved by the UD lens elements found in these lenses. But, the true answer is probably "L" is for "Luxury".

Watch the sidelines at the next professional sporting event you attend or watch on TV. Look for the identifying L-lens red stripe around the end of the photographers' camera lenses. These are the people who make a living with their equipment - and they frequently trust the Canon L Lens Series for their income.

About their L lenses, Canon says "these lenses use special optical technologies [such as] Ultra-low Dispersion UD glass, Super Low Dispersion glass, Fluorite elements, and Aspherical elements to truly push the optical envelope."

OK so what does that mean - practically speaking?
What you can get when you use Canon L lenses (if you do your part right) are amazing pictures. In fact, this amazement is said to cause a disease know as "L-Disease". Once caught, it is incurable. You will have to buy Canon L lenses in all of the focal lengths you use. AND you will be happy (and I hope you know that I am not being totally serious).

Finally, two photographs of my new camera, taken on my mobile phone, which also has an 'L' lens (In this instance, 'L' stands for 'Loada_Sh*t'). Pardon the French, folks. And I'll be back tomorrow with my first batch of shots from the all new and exciting Canon 5D MkII and 24-105mm L series lens, with IS (Image Stabilisation). Until then...

Ash

High Moor II - Moonstruck

As promised, an update on the new novel by Graeme Reynolds, High Moor II - Moonstruck, which is close to be publication. It features an image of mine on the front cover, of Finchale Abbey, County Durham, which is a ten minute drive from AC Towers. An earlier blog entry touches on the initial contact from Graeme and his illustrator, Stu Smith, but if you missed it, here it is. When Graeme first approached me regarding my photo of Finchale Abbey (shown below), I wondered how a colourful picture postcard shot would look on the cover of a Horror novel, especially if it followed the theme of the first book, High Moor. Stu Smith got it just right, and although there's a huge difference between my raw image and the reworked version that apperas as a backdrop on the High Moor II cover, the alerations work very well, in my opinion. The story is set in Finchale Abbey, and as you can see by the cover, bad things happen here! Graeme and the publishers are aiming for a February or March 2013 release date, so I'll update you as and when I get more news on that.

That's all for now. I've got more new photo's to share, on my blog page via the website, www.ashleycorr.com, so don't go far from your Internet connection - I'll be back soon with those shortly. Until then, enjoy what's left of your Christmas/New Year holiday, but if you're already back to the grind, never mind (he he he).

Ash

Infinity Bridge, Stockton-On-Tees

Welcome to my first blog entry of 2013, and a Happy New Year to everyone!

With the new year just a few hours old I was out and about once again with the trusty Canon 7D, heading south down the A19 towards Stockton-On-Tees, home to the Infinity Bridge. I don't know what it is about illuminated bridges that draws me in, as I've photographed quite a few nearer home, in particular the array of bridges along Newcastle Quayside. For some time now I've dedicated a lot of my 'Camera Time' to low-light photography, mainly at dusk, but also at dawn, when I'm often in pursuit of that dramatic sunrise shot. When I recently noticed the Infinity Bridge on a local news bulletin, I made a mental note of it and added it to my 'Places to visit' in 2013, although I never imagined I'd be making that visit on January 1st. So what better way to begin a new year of photography than adding more low-light shots to my collection - no doubt this will be my first of many visits to this location, of that I'm sure.

The bridge was officially opened in May 2009,
following construction work that started in June 2007. It is a public pedestrian and cycle footbridge across the River Tees in the borough of Stockton-on-Tees in the north east of England. The bridge is situated one kilometre downriver of Stockton town centre, between the Princess of Wales Bridge and the Tees Barrage and it links the Teesdale Business Park and the University of Durham's Queen's Campus in Thornaby-on-Tees on the south bank of the Tees. The bridge is a dual, tied arch bridge or bowstring bridge. It has a pair of continuous, differently-sized structural steel arches with suspended precast concrete decking. The bridge deck is 5 m wide and 4 m between its handrails. The main arch of the bridge is 120 m long, weighing 300 tonnes, 32 m tall with its top 40 m above the Tees and the short arch is 60 m long and 16 m tall. The hangers (droppers) are spaced 7.5 m apart and are made from 30 mm diameter high strength locked coil steel cable. The tie cables are 90 mm diameter on the large arch and 65 mm on the smaller. A special feature is made of the way the bridge is lit at night. The bridge handrail and footway are lit with custom made blue and white LED lighting built into the handrail that changes colour as users cross. Attached to the steel cable ties are white metal-halide up-lighters to illuminate the white painted bridge arches, and blue LED down-lighters to illuminate the water and ground surfaces immediately below the deck. At night from certain viewing angles when the river surface is flat calm, the twin arches together with their reflection in the river appear as an infinity symbol ∞, and it is this effect that inspired its name.

Following the SatNav, I arrived at the bridge after a thirty minute journey, steady away from Houghton le Spring. The light was falling quickly so I got to work straight away, shooting from the top of a staircase, across the water, with the Infinity Bridge slightly over to my left. It was a great angle to shoot from. I fired off a few frames before making my way onto the bridge and making the short walk across to the other side of the River Tees, where I took more shots, this time with the last colours on the horizon directly in front of me, looking West. The river was flowing quickly, with the tide heading out, so there was no chance of any still water reflections tonight. Maybe another time. I headed back across the bridge, struggling to keep a grip on my tripod due to the fact that my fingers were about to drop off. It was effing freezing! But I was almost done, so I made my way back across the water and once again took up position on the staircase where I originally photographed the Infinity Bridge. The sky was much darker by this time and it looked much better as a backdrop, which you can see here (shots 3 & 5). Click an image to reveal a larger version.

And that was that. Another outing that yielded some good shots. I was glad to get back in the car to be honest. The heated seats were on full throttle and I out of there in no time. Job done.

Back soon, Ash