Canon 5D MkII - First Test Shots

As promised, here is a handful of test shots that I captured yesterday with my new camera. The location was Seaham Harbour, County Durham, a fifteen minute drive from my home in Houghton le Spring. The weather forecast on my mobile phone was accurate enough, predicting a cloudy and windy day, with the odd burst of sunshine. Wind direction was ideal for some big waves, breaking over a pier, so I decided to check the tide tables for Seaham. I was in luck, the tide was incoming around mid-day, so I expected ideal conditions around tea-time when the sea was high and Seaham Pier would be on the wrong end of a good old battering - well, hopefully, but more often than not the roaming photographer doesn't get what he wants. With nothing to lose, and the overwhelming itch to get my first run out with my new toy, I was quickly on the road and heading to the coast. As I reached the junction near Seaham Hall I got my first glimpse of the North Sea. It didn't look at all menacing, despite the dodgy weather, but as I drove along the coast road towards the harbour I could see some big waves rolling towards the beach. Hmm, I might hit lucky here. I parked up on the promenade opposite the shops and walked the short distance towards the cliff top, excited at the prospect of testing out the 5D MkII for the very first time. Looking across towards Seaham Pier I could see some big breakers bashing against the pier walls, which was exactly what I was looking for, so my decision to check the weather conditions on my mobile phone proved to be a good one. From a decent vantage point I still didn't have enough reach with my 24-105mm lens, so I fitted the 70-300mm telephoto and pulled in the first shot (shown here).

Focus lock was instant, with no hunting, even though I was spot focusing on the lighthouse, which was quite small in the frame due to the composition I had chosen. One click and the shutter fired - the image review was also instant, fading in from almost black to the perfectly exposed final image, which is a nice extra feature that the 7D never had. I was running with Quick Burst, 3 frames per second, capturing the waves at different formations, giving me the opportunity to cherry-pick the best hots from the bunch. A fast shutter and Auto ISO was chosen in P setting, which worked very well in these conditions. I got a soaking as I photographed next to the pier wall, taking a few on the back as I shielded the camera under my jacket. Very happy with what I got. Hopefully the start of many more.
I'll be back soon with more test shots and feedback, so stay tuned...

Thanks, Ash

  

Out With The Old...

Welcome back! It's been a while...

Apologies for the lack of activity here at ashleycorr.com, 2013 hasn't even started, at least in photography terms. I never captured one single photograph in January due to other commitments, but I aim to make amends following a recent decision to sell most of my camera equipment. After a lot of deliberation during the last few weeks of 2012, I decided to upgrade my camera and migrate to full frame, at long last. I sold the Canon 7D...and the battery grip...and the 18-135mm lens...and the 10-22mm wide angle lens, which really wasn't as bad an experience as I thought it would be, as that kit pulled in some brilliant shots and I was quite reluctant to move it on - if it ain't broken, and all that. After careful consideration I eventually made my move, bringing home a brand spanking new Canon 5D MkII, and what a smart piece of kit it is! Mind you, it's not there to gaze at, either is the 24-105mm L series lens that came with it, yet it stood idle for just over a week before I put it through its paces. I've been wanting to join the 'Full-Frame Brigade' for some time now, even though the 7D, with its 1.6x crop sensor served me well, and I remember being torn between the 5D MkII and the 7D last time around, but played safe with a 7D purchase. Anyone who is familiar with full-frame bodies will be well aware that the accompanying glass doesn't come cheaply, which was the main factor in me opting for a 7D three years ago. Being in a much stronger position now, it was full steam ahead and after a brief dabble with its settings I was off and running once again, which was a nice feeling, especially when sliding slowly into February with no photography behind me for a full month. So, a few things to mention about the new kit...

First and foremost I expected, and noticed a big difference in what the 5D MkII can 'See' compared to the trusty and now departed 7D. There is so much more subject in the frame, so I'll be in no hurry to add a new wide angle lens unless It's really necessary, and that won't come cheaply either. I'm already eyeing up Tokina glass, but no concrete plans to buy until I see what the camera can deliver in all aspects of my photography, especially indoors and for those outdoor wide-angle shots. Canon makes cameras with three different sized image sensors. Full-frame digital cameras use a sensor the same size as 35mm film. Full-frame is the way to go if you have the choice. Consumer 1.6x cameras have a sensor 1.6x smaller than 35mm film. Obsolete Canon professional 1.3 x cameras used a sensor 1.3x smaller than 35mm film. The sensors in these cameras are the same as 35mm film: 24 x 36mm. To get more of an understanding of what this means through the eyepiece, here is an illustration explaining crop factors -

So there you have it, and you will most probably agree that there's a lot more subject in the frame, which comes at a price, but what the heck, you're only alive once. Another pixel hike takes me up to 21, from 18, although that's neither here or there in the bigger scheme of things. ISO capability with the 5D MkII now gives me the option of photographing a black cat in a coal mine, if necessary, and although I'm a black cat (Sunderland supporter) through and through, sadly, coal mines are now a thing of the past in the North-East of England, so I'll have to give that one a miss. Another reason for migrating to full-frame was to get my hands on those top of the range L lenses - not cheap, but worth every penny. My old 18-135mm EF lens served me well, catering for my needs at during that particular 'Era', but times change and so does the photographer, so, without further ado...

What is the Canon "L" Lens Series?
Good question - and many answers exist, but it is Canon's professional line (though used extensively by non-professionals) of EOS EF auto focus 35mm SLR and DSLR still camera lenses. Some say L stands for "Low Dispersion" - achieved by the UD lens elements found in these lenses. But, the true answer is probably "L" is for "Luxury".

Watch the sidelines at the next professional sporting event you attend or watch on TV. Look for the identifying L-lens red stripe around the end of the photographers' camera lenses. These are the people who make a living with their equipment - and they frequently trust the Canon L Lens Series for their income.

About their L lenses, Canon says "these lenses use special optical technologies [such as] Ultra-low Dispersion UD glass, Super Low Dispersion glass, Fluorite elements, and Aspherical elements to truly push the optical envelope."

OK so what does that mean - practically speaking?
What you can get when you use Canon L lenses (if you do your part right) are amazing pictures. In fact, this amazement is said to cause a disease know as "L-Disease". Once caught, it is incurable. You will have to buy Canon L lenses in all of the focal lengths you use. AND you will be happy (and I hope you know that I am not being totally serious).

Finally, two photographs of my new camera, taken on my mobile phone, which also has an 'L' lens (In this instance, 'L' stands for 'Loada_Sh*t'). Pardon the French, folks. And I'll be back tomorrow with my first batch of shots from the all new and exciting Canon 5D MkII and 24-105mm L series lens, with IS (Image Stabilisation). Until then...

Ash

High Moor II - Moonstruck

As promised, an update on the new novel by Graeme Reynolds, High Moor II - Moonstruck, which is close to be publication. It features an image of mine on the front cover, of Finchale Abbey, County Durham, which is a ten minute drive from AC Towers. An earlier blog entry touches on the initial contact from Graeme and his illustrator, Stu Smith, but if you missed it, here it is. When Graeme first approached me regarding my photo of Finchale Abbey (shown below), I wondered how a colourful picture postcard shot would look on the cover of a Horror novel, especially if it followed the theme of the first book, High Moor. Stu Smith got it just right, and although there's a huge difference between my raw image and the reworked version that apperas as a backdrop on the High Moor II cover, the alerations work very well, in my opinion. The story is set in Finchale Abbey, and as you can see by the cover, bad things happen here! Graeme and the publishers are aiming for a February or March 2013 release date, so I'll update you as and when I get more news on that.

That's all for now. I've got more new photo's to share, on my blog page via the website, www.ashleycorr.com, so don't go far from your Internet connection - I'll be back soon with those shortly. Until then, enjoy what's left of your Christmas/New Year holiday, but if you're already back to the grind, never mind (he he he).

Ash

Infinity Bridge, Stockton-On-Tees

Welcome to my first blog entry of 2013, and a Happy New Year to everyone!

With the new year just a few hours old I was out and about once again with the trusty Canon 7D, heading south down the A19 towards Stockton-On-Tees, home to the Infinity Bridge. I don't know what it is about illuminated bridges that draws me in, as I've photographed quite a few nearer home, in particular the array of bridges along Newcastle Quayside. For some time now I've dedicated a lot of my 'Camera Time' to low-light photography, mainly at dusk, but also at dawn, when I'm often in pursuit of that dramatic sunrise shot. When I recently noticed the Infinity Bridge on a local news bulletin, I made a mental note of it and added it to my 'Places to visit' in 2013, although I never imagined I'd be making that visit on January 1st. So what better way to begin a new year of photography than adding more low-light shots to my collection - no doubt this will be my first of many visits to this location, of that I'm sure.

The bridge was officially opened in May 2009,
following construction work that started in June 2007. It is a public pedestrian and cycle footbridge across the River Tees in the borough of Stockton-on-Tees in the north east of England. The bridge is situated one kilometre downriver of Stockton town centre, between the Princess of Wales Bridge and the Tees Barrage and it links the Teesdale Business Park and the University of Durham's Queen's Campus in Thornaby-on-Tees on the south bank of the Tees. The bridge is a dual, tied arch bridge or bowstring bridge. It has a pair of continuous, differently-sized structural steel arches with suspended precast concrete decking. The bridge deck is 5 m wide and 4 m between its handrails. The main arch of the bridge is 120 m long, weighing 300 tonnes, 32 m tall with its top 40 m above the Tees and the short arch is 60 m long and 16 m tall. The hangers (droppers) are spaced 7.5 m apart and are made from 30 mm diameter high strength locked coil steel cable. The tie cables are 90 mm diameter on the large arch and 65 mm on the smaller. A special feature is made of the way the bridge is lit at night. The bridge handrail and footway are lit with custom made blue and white LED lighting built into the handrail that changes colour as users cross. Attached to the steel cable ties are white metal-halide up-lighters to illuminate the white painted bridge arches, and blue LED down-lighters to illuminate the water and ground surfaces immediately below the deck. At night from certain viewing angles when the river surface is flat calm, the twin arches together with their reflection in the river appear as an infinity symbol ∞, and it is this effect that inspired its name.

Following the SatNav, I arrived at the bridge after a thirty minute journey, steady away from Houghton le Spring. The light was falling quickly so I got to work straight away, shooting from the top of a staircase, across the water, with the Infinity Bridge slightly over to my left. It was a great angle to shoot from. I fired off a few frames before making my way onto the bridge and making the short walk across to the other side of the River Tees, where I took more shots, this time with the last colours on the horizon directly in front of me, looking West. The river was flowing quickly, with the tide heading out, so there was no chance of any still water reflections tonight. Maybe another time. I headed back across the bridge, struggling to keep a grip on my tripod due to the fact that my fingers were about to drop off. It was effing freezing! But I was almost done, so I made my way back across the water and once again took up position on the staircase where I originally photographed the Infinity Bridge. The sky was much darker by this time and it looked much better as a backdrop, which you can see here (shots 3 & 5). Click an image to reveal a larger version.

And that was that. Another outing that yielded some good shots. I was glad to get back in the car to be honest. The heated seats were on full throttle and I out of there in no time. Job done.

Back soon, Ash

Tyne-Tees Television (Parts 44 & 45)

I'm back with another video clip!
Just getting up to speed with my latest Weather photographs that I recently submitted to Tyne-Tees Television. Two more shots, one of which was shown late November and the other on December 22nd. The first was taken along the banks of the River Wear in Durham City Centre. A low-light shot of Durham Cathedral, using a long shutter speed of 50 seconds on the Bulb setting, fired remotely with the aid of Mirror Lock. A nice shot, especially with the nice reflection of Durham Cathedral in the almost still waters. It was pitch black at the time of capture, which is hard to believe when you study the detail in the composition, but those long shutter speeds put paid to any under-exposure, so if you fancy giving it a try, dive in! Lack of light doesn't always scupper the chance of a decent shot, just let your creative juices do the rest and you'll be surprised at what you can achieve. To read more of this outing, click here.

My second Weather shot was captured on Seaham Pier. You may recall a recent blog entry that was dedicated to this particular outing, if not...click here to read about it. I like this shot a lot. A lovely sunrise, around 8.30am, a couple of weeks ago. Well worth getting out of bed for. The details, well, another long exposure of 4 seconds, perched on the tripod, aperture priority at f22, 100 ISO, fired remotely (as per), and shot in RAW format at 18 Mega pixels. The shot is tack sharp from back to front and may well get the print treatment at A2. We'll see...

And that's about it, for now. I'll be back soon with the final book cover of 'High Moon 2' which features one of my Finchale Abbey shots. The book is about to go to print, so more on that, as and when it happens. Again, for anyone who may have missed the finer details of this - click here.

Speak soon, Ash

Boxing Day Dip 2012 - Seaburn, Sunderland

As mentioned at the end of my last Blog entry, here are some more Seaside shots. Not my usual Seascape offerings, these are 'People shots' taken on the beach at Seaburn, Sunderland, during the annual Boxing Day Dip. I already have a slide show at ashleycorr.com featuring more of the same from last years event, so feel free to check that one out. I had no plans to attend this years madness, until I received an email from the people at the BBC Tyne and Wear website, who dropped a hint for photo's of the event to add to a regional Boxing Day Dip gallery they were about to create. I charged the battery pack up on Christmas day and made the usual preps, before throwing the Wellies into the car for the task ahead. The Boxing Day weather was very mild, which was a definite plus point, as this was the only thing that would have put me off. I mean, who wants to brave the wind, rain and freezing cold North Sea, when they could easily be sat on their arse eating more turkey leftovers! If I see another piece of that stuff I'll most probably throw up - so off I went, bound for the coast at Sunderland. The event kicked off at 11am, so I made sure I arrived with at least 30 minutes to spare, parked up and ready to go. The crowds were out in force to witness this increasingly popular show of mad Mackem folk, running into the sea with barely a stitch on, all in fancy dress, all shapes and sizes. There were some big 'un's on show alright. I'm sure Greenpeace were in attendance, ready to push one or two of them back into the water! Yeah, some big ones - hairy, covered in tattoo's and looking mean as owt - and they were just the women!

Well done once again to the attendees of this years dip. Thousands of pounds raised for good causes through sponsorship and collections on the day. There are several such dips held around Europe, but the largest is organised by the Lions Club of Sunderland and it attracts one thousand dippers every year. Up to five thousand spectators turn out to witness the dip, including the City’s Mayor and Mayoress. Originating in 1974 the dip is one of the oldest events in the country. The dip of 2011 raised nearly £90,000 for charity, with several teams taking part. Some of the major donators are Ashbourn Guest House, Alexandra Plumbing and Heating, the New Clipper, CR Builders, TWR Window Frames, Ttonic, MTL Scaffolders, Print Centre, Jolly Potters, Jacksons.

11am came around quickly enough - I almost got flattened in the stampede. The lens cloth I brought was a godsend. I grabbed what photo's I could before everyone had their few minutes of fun before retuning to dry land. By this time I was soaked. Wellies were half full of salt water, freezing cold salt water. I did, on more than one occasion, ask myself why I bothered in the first place, but casting aside the obvious disadvantages, our Boxing Day Dip has its merits. Firstly, I was lucky to photograph the event instead of actually taking part, then there was the fun side of it, seeing all the madness unfold right in front of me, and there were some brilliant costumes on display. Finally, the short walk back onto the promenade was a good one, as usual, as the sight and smell of the fish shop was one to behold and I certainly wasn't gonna walk past it. Greedy bastards never do, he he. Sorry for the lingo, folks. Just getting the last few swear words in before yet another failed New Year's Resolution. Oh well. And on that note I shall bid thee farewell, with the promise of one or two more Blog entries before the end of 2011. Make sure you overdo it (wink).

Oh, before I go, here is a link to the BBC Tyne and Wear web page,  featuring a couple of my shots. I sent a few in, but they decided to show two of my 'Weaker' efforts, for some odd reason. Click here (Image numbers 4&5). Also, a short video clip from 'Look North', our regional BBC news bulletin, featuring this event. Plus, a few of my photo's. . .

Back soon, Ash

The North-East Winds

With Christmas almost upon us I took the opportunity of using a spare hour or so to fit in some photography. December has been a quiet month with the camera, as you may have noticed by the acute lack of updates at www.ashleycorr.com. This has been due to the usual hectic programme that often accompanies December, but I intend to make amends before the month is over, with a few updates being planned for the final few days of 2012. My last Blog entry brought you a batch of Seascape images, taken at Seaham Harbour last Sunday morning, and I was by the sea again this morning for more of the same. This time I was shooting big waves from the promenade at Seaburn, Sunderland. Although there was bright sunshine this morning, it was typically cold and the strong winds almost had me on my arse on more than one occasion, but I managed to keep my balance against all the odds. My Sigma 70-300mm lens got a rare run out today. It was just what was needed to pull in those telephoto shots - range is everything when shooting from afar, so the long lens was called upon once again, and it never fails to deliver. There was very little colour to play with this morning, so I converted my shots to Mono (Black & White), which is always a good idea with this type of photography. I think it worked quite well, apart from the lack of detail in the sky, but you can only pee with the tail you've got! Some folk add new sky to get round this problem, but we don't want to do that do we - no cheating allowed!

And here they are, three shots, cherry-picked from a batch of ten and shot in RAW format. I was done and dusted, then out of there after a few short minutes. Back into the car and off home to sit down to a nice roast lunch. I'll be back soon with more Seaside shots, so get yer'sel back here in a few days time. Until then, have a nice Christmas and don't overdo the calorie count, eh. You know it makes sense!

Back soon, Ash