North Yorkshire Coastal Route - Pt 2

Staithes to Sandsend

The short journey from Saltburn By The Sea to Staithes was approximately 9 miles, heading south by car along the North Yorkshire Coastal Route. The tiny fishing village of Staithes is a place I've visited on many occasions, mainly to photograph it from the many vantage points along its steep cliffs and hilltops. Exploring the many back streets is one thing, but it's not until you 'Get up top' that you see what Staithes is all about. From the dizzy heights of Cowbar Nab you are able to see right across the rooftops of picturesque Staithes - a sight that almost has you believing you've travelled back in time, judging by the old fashioned buildings that have deliberately been left untouched over decades (shot one). The place is oozing character - you only have to walk its streets to witness this. The powers that be must be hellbent on retaining Staithes' character so much so that planning permission for any building work must be considered very carefully. There's not a great deal in Staithes to attract the tourist to be honest, other than it's Olde Worlde existance and its photogenic attraction. Shops are very few and far between, there's a couple of pubs and the odd antique shop and art gallery. The Cod & Lobster is where you'll find a decent Real Ale, if you're that way inclined. No decent food on offer though - toastie's were as good as it got - no thanks missus, I'll give that one a rain check. On each occasion I've been to Staithes it's been blue skies all the way, but chilly also. Odd that - maybe it's like that most of the time. I have an uncanny habit of turning up when the tide is out - something that I'll have to put right next time as photographs from Cowbar Nab are much better when the tethered boats are floating on water, as opposed to sitting lopsided on dry harbour. I'll have to check the tide tables prior to my next showing.  

From Staithes we headed south through Loftus, eventually stopping off on Lythe Bank to photograph a stretch of great coastline from Sandsend, heading towards Whitby. Conditions were ideal - visibility was perfect as I photographed the coastline from Lythe Bank (shot two), next to the Church Of St Oswald. Some fine beach lay straight ahead of me, with its clean sands, so I spent a short while photographing it using a bog standard 18-135mm lens, followed by a 300mm Telephoto, to pull in the scene from afar.  This was to be our last stop before the 3 mile journey to our next port of call - Whitby. The weather was kind to us and it made for ideal photography conditions once again. Hang about and bring ya more photo's. The wait won't be too long (wink).

AC  

North Yorkshire Coastal Route - Pt 1

Saltburn By The Sea

Another day out by the sea, from Houghton le Spring to Robin Hood's Bay, via the North-Yorkshire coastal route. No car journey from Tyne & Wear to the quiet olde worlde fishing village of Robin Hood's Bay would be the same by taking the 'Route One' path, missing out the towns and views that lie in between. This stretch of coastline has a lot to offer the tourist, if he or she is prepared to go looking for it, so you'd be cheating yourself if you didn't make the effort. I say this because of the picturesque towns and villages that lie along the coast, just waiting to be picked off, one after another. Forty Four miles into the journey we find ourselves at our first stop-off, at Saltburn By The Sea, a town that has retained much of its charm as a Victorian seaside resort. Saltburn has the oldest water-balanced cliff tramway that is still in operation, linking the town with the pier 120 feet below. You can park the car at sea level where the old fishing village straddles Skelton Beck. The Ship Inn remains as a focal point, steeped in smuggling folklore, but there wasn't time to prop up the bar today, opting for Fish n' Chips at lunchtime instead. The takeaway next to the pier car park comes well recommended - trust me.

The fully operational Water Tram Lift and Pier are without doubt the most eye-catching attractions at Saltburn, which is why I decided to photograph them during our one hour pit stop. The weather was fine, although a tad on the windy/chilly side, and the fluffy clouds had me reaching into the 'Tool Box' for my Circular Polariser - a must for these conditions. My first shot shows Saltburn Pier, stretching out towards the North Sea, propping up many a visitor that decided to tread its boards. A stretch of pier railings was adorned with knitted figures to commemorate thesforthcoming Olympic Games in London, although mystery surrounds the origins of this artwork and who was responsible for attaching it to the pier. Rumour spread recently that it was attached to the railings during the early hours when no-one was around to witness it. Dozens of knitted characters, featuring athletes from various disciplines, such as Cycling, Running, Rowing, Fencing and Swimming, covered at least 40 feet of the pier railings - hours of work and effort, from an unknown creator! A small section of it is shown in my second photograph.

After lunch we headed, rather gingerly, up the steps towards the top of the Water Lift tracks. From here there was an excellent view across the bay of Saltburn, including the Beach, Pier and Water Lift, right ahead of us. A brief history of the Water lift...

The two 10 person cars are each fitted with a 1,000 imperial gallons (4,500 L) water tank, and run on parallel standard gauge 1,435 mm (4 ft 8 1⁄2 in) funicular railway tracks. Double steel wire ropes are attached to both cars, controlled by a brakeman in the upper station. The car at the top has its water tank filled until its mass exceeds the mass of the car at the bottom. It then travels down the incline, counter-balanced by the mass of the other car, which travels to the top, with the brakeman controlling safety and the speed of travel. When the car reaches the bottom, its water is released thus reducing the mass of the lower car, and pumped back up to the top of the cliff. It is believed that the Cliff Lift opened on Saturday 28 June 1884, but there was a period of inconsistent operation at the start. The opening of the Cliff Lift allowed the pier company to undertake an extension to that structure. The original cars, capable of seating 10-12 passengers, had stained-glass windows. But when the Cliff Lift was refurbished in 1955, the car bodies were replaced without these. When the wholly new aluminium cars were introduced in 1979, modelled on the original design, stained-glass windows were reinstated. Owned since post-World War II by the local council, Marks' design was so good that, beyond maintenance and refurbishment, little has changed since 1884. In 1924 an electrically operated water pump was installed, and in 1998 the main winding wheel was replaced for the first time, together with the installation of a new hydraulic braking system.

The best view across the sands were up top next to the Water lift, as it led the eye straight into the composition, taking me through the frame that was interesting from front to back. Positioning the moving Tram in the composition was pretty straightforward - I thought the shot would balance better with the car at a certain point on the track as I fired the shutter. It worked well, as did another effort with the stationery car at the top, preparing its descent to the promenade below. Many a lazy bugger used the tram lift, opting to dodge the steps, taking the preferred soft option. Mind you, if it wasn't for the lazy folk there would have been no tram movement and ultimately no photographs of it in operation - so maybe I should take back those criticisms and thank myself lucky. Maybe I've just had too much my own way, he he, Fish n' Chips weshed doon wi Coca-Cola - not to be sniffed at. Returning to the car we found we were blocked in by an Ambulance, for a good 30 minutes. Lights flashing, and judging the way the Ambulance was bouncing up and down it seemed someone inside was most definitely in a bad way. Eventually it drove off - lights off and no sirens - not a good sign.

We then headed down the coast to our next anchorage, Staithes - A 9 mile journey to another idyllic fishing village on the North-Yorkshire Coast. Coming next...

Cheers, Ash

Penshaw Tea Rooms

Situated between Chester le Street and Sunderland, just off the the A183, lies one of the North East's most iconic landmarks - Penshaw Monument. To those of you who aren't familiar with the Monument click here, it'll save me the bother as I'm off out to collect an Indian takeaway shortly and time isn't on my side, he he. At the foot of Penshaw Hill is Penshaw Nursery & Tea Rooms, a place that has been exhibiting and selling my work for over two years. People flock here from far and wide, if not to buy the plants and shrubs, then probably to sample the fine food and drink that is on offer each day. Who knows, some folk might even make the journey just to admire the artistry on the walls, before digging deep and walking out with a piece of their own. Although one or two other artists exhibit their work in the Tea Rooms, I have established myself as a popular photographer, judging by the amount of sales that Tony and Robert (The owners) have made during the last two years. It all started off with an enquiry by myself, which led to my feet getting well and truly underneath their table, before going on to bigger and better things. Originally, half a dozen mounted prints were sold, then I hooked up a couple of A4 framed prints to test the water, and they sold. I then exhibited larger mounts and larger framed prints (A3), which followed suit. The trend continued well into my second year of involvement so expanded my product range to A2 framed prints, Canvas Prints and Postcards. The decision paid off handsomely as more of my work was ordered due to the sales of previous deliveries. The majority of orders by request are photographs of Penshaw Monument, although we have had success with other subjects, such as Angel Of The North, Durham Cathedral and various coastal scenes throughout the region. Penshaw Tea Rooms is now stocking a large range of my photography in a variety of formats, featuring lots of new scenes. There are approximately 20 framed prints in a variety of sizes and colours, 6 Canvas Prints, 30 Mounted Prints and a small selection of Postcards. No spare hooks to be at at the moment, but hopefully that will change soon, especially after the heavy volume of people that pass through the doors over the Easter period and beyond.

Why not get thee'sel owa and check it out!

AC

Another Close Encounter

Venus/Jupiter Conjunction (March 2012)

Well, as promised, here's my second batch of photo's of the recent terrestrial event, known as the Venus/Jupiter Conjunction. I was aware that this 'Meeting' of the planets was due to last only a couple of weeks, so I made every effort to get out there to strike while the iron was hot - this was my second and third attempt to photograph this optical illusion and once again I was presented with a clear night-time sky on both nights - perfect visibility for this kind of photography. My second outing took me on a short car journey to Gateshead, home of the Angel Of The North, where I was very hopeful of landing some good shots, as I usually shoot the sculpture when facing West, the same direction the conjunction appears to the viewer. On arrival I had the place to myself, apart from my 11 year old son who was 'Helping Dad' by posing in the frame, here and there, Lowepro bag weighing him down! (see picture 1). Once again, the inclusion of people offer a sense of scale to the shot, so if you've never visited the Angel you'll get a rough idea of its size when compared to the 'Extra's' in the frame. Mind you, it's a pain in the arse when folk start climbing onto the feet of the sculpture as this spoils the photograph and I usually rely on Photoshop to bail me out with the odd bit of brush work. Luckily this time round the group of youngsters didn't bother with climbing routine, so there was no need for me to run at them with an extended tripod, he he. Sensible Geordies they were - I never knew they existed!

So there I am, for a short time, probably ten minutes or so, pulling in a half dozen shots of the Angel with Venus and Jupiter lending themselves to the shots. As night fell rather quickly I was running with 30 second exposures. Any more loss of light and I was heading quickly towards Bulb Mode, a function that allows shutter speeds of beyond 30 seconds, which is the maximum speed when shooting in Manual mode (my preferred function mode for low-light photography). For the tech heads amongst you, I made these pictures with a Canon 7D, with an attached 10-22mm wide angle lens, fired remotely with the camera sat on Manfrotto legs. The unwritten rule applied - image recorded in RAW format, highest possible resolution and the lowest possible ISO setting of 100, to give crystal clear 'No Noise' clarity when printed out at A2 size (25x17 inches). Those remote control units are priceless! I got my hands on a piece of cheap Chinese rubbish via eBay, which actually does a brilliant job - it does as it says on the box (Yes folks, I do know the odd word or two of Chinese ya know...............................Chow Mein! Oh no, here I go again, turning the subject towards food once again! Sorry about that. Yes, the small hand-held transmitter communicates with a receiver that slides onto the camera hot shoe. With a range of 50 metres the transmitter triggers the shutter and Bob's yer Uncle. At a price of just eleven sheets ya can't get robbed. Camera shake is most definitely a thing of the past. God bless the Chinese!

And I wasn't done there. The very next night I was at it again. Penshaw Monument was the venue again, just like my first excursion to photograph the Venus/Jupiter Conjunction. This time there was another guest to the show - the Moon. Sitting close to the two planets, my luck was in and conditions were once again very favourable, so three planets make up my last batch of shots, shown here. Penshaw Monument - let's av it...

Ash

A Very Close Encounter

In all the years I've been making photographs, I don't recall a time when I recorded a terrestrial event, on film, transparency or digital media. I had no interest in Star Trek and rubbish of that particular ilk - infact, the only stars I remember seeing were the ones spinning around my head after a heavy night out on the tiles during my earlier 'Social' years. Ahh, memories.

So before the skeletons threaten to burst out of my cupboard I dramatically swich tack and quickly return this blog post to a semblance of normality, in the shape of my first ever 'Close Encounter'. No, I won't pretend I was recently abducted by aliens or any such nonsense - this was an event that I recorded on memory card, and I'm ready to share the results. Let me aquaint you with the details of my search for the planets in question - A search that didn't take long, in all honesty. A look over my shoulder during a meal was when the TV grabbed my attention. The local weather bulletin on ITV , presented by Philippa Tomson, informed viewers that during the last two weeks of March 2012, the two planets, Jupiter and Venus appear to be at their closest point in the sky, approximately 3 degrees apart, and a clear night time sky would offer the ideal opportunity to view this 'Close Encounter' when looking West. The two planets have been travelling in a westerly direction across the Northern Hemisphere and the phenomenon is known as the 'Venus & Jupiter Conjunction'. It is however, an optical illusion!

The whole world can see the two bright lights in the west after sunset now, but, for the Northern Hemisphere, mid-March 2012 presents the best time to see a Venus-Jupiter conjunction in the evening for years to come. At mid-northern latitudes, these two brightest planets – Venus and Jupiter – stay out for nearly four hours after sunset. That’s about the longest period possible at these latitudes. No matter where you are on Earth now, you can’t miss these two worlds in the west as darkness falls. In the opposite direction at nightfall – looking east – you can’t miss the ruddy planet Mars. This world won’t be so brilliant in our sky again until April 2014. Mars shines from dusk till dawn, whereas Venus and Mars set four hours after sunset at mid-northern latitudes.

And what better location to photograph this event - the summit of a fairly steep hill in my neck of the woods, with a well-known iconic landmark thrown in for good measure. Yes, it just has to be Penshaw Monument, illuminated and displayed in all its glory - visible for miles and dominating the Wearside skyline. Let's go!
I was up the hill for a good hour, from the fall of darkness, to the point where the sky was black and my job was done and dusted. I had the place to myself - even the previously ever-present cattle had gone AWOL, adding to an already definate sense of isolation at the top of Penshaw Hill. It was nippy, as expected, but when you're in concentration mode you tend not to feel the cold too much. Two fleeces and a body warmer kept the chill at bay. I must have stood in at least a dozen piles of cow-shit as I switched shooting position on the hill top - aye, you just know what's under foot when your boots slide about, here, there and everywhere. I must have spent an unnecessary 5 minutes wiping me boots on the grass before getting back into the car. All part and parcel of 'Shooting In The Field', so to speak. It was worth it though - very satisfied with the shots I pulled in. Here are a couple of them...

I'm planning to photograph the 'Venus & Jupiter Conjunction' again over the weekend, at another well-known site in the North-East. Coming next...
Ash

Clay's Garden Centre, Washington

March has been a month of few updates at ashleycorr.com. I did manage to get out with the camera on a couple of occasions, and the results will come your way shortly, but most of my spare time has been used on expanding my customer base throughout the North-East. Next week will see me follow up two more opportunities to display my photography in well known outlets, so stay tuned for more news about that as and when it announced here on my Blog.

Over the last week I have been negotiating with the director of Clay's Garden Centre in Washington, Tyne & Wear, in the hope of selling my wares through this popular, and rather busy outlet. Good news - Clay's are NOW stocking my work. A quantity of limited edition mounted prints are now available to purchase, along with a selection of postcards, all featuring a local scene that I captured during the different seasons of the calendar year.

Firstly, the mounted prints - initially available in two sizes only, 14x11 inches and 10x8 inches. Mounted in either Ivory or Textured White mountboard (acid free) and signed by myself, the mounts are numbered and available as limited runs. Various scenes can be purchased and they include most of the iconic landmarks in our region, such as Washington Old Hall, Angel Of The North, Penshaw Monument, Durham Cathedral and Roker Pier, amongst others.

The postcards - well, these originally kicked off as a ten card set, after I was commissioned by the Tourist Board in Sunderland to produce 10 different scenes in this format. My postcard collection now stands at 33, all matching and printed on glossy media, which are currently selling in a number of outlets in our region. Clay's Garden Centre are now stocking 15 different postcards from my collection and plans are afoot to display my cards on the front of gift packs, such as biscuit boxes, confectionary, etc. Again, more details on this to follow, as and when.

So, if you're in the region, why not pop along and get yourself through the doors of Clay's Garden Centre. There's a nice coffee shop on the premises too, so sit yer arse down and admire those postcards and prints you've just bought (wink). No shame, have I? he he.

Until the next time - see ya,

Ash

Lee Filters On Test

Hello again!

More low-light photography comes your way after I made a recent trip up the coast to St Mary's Lighthouse, near Whitley Bay. This location was featured on my Blog not too long ago, and once again I have more Sunrise shots to share. The alarm clock called out at 5am and a cold wash had me awake in no time, before I necked a cup of coffee and left the house. St Mary's is approximately 35 minutes from home, passing through the new Tyne Tunnel before heading down to Tynemouth and coninuing along the coast road. Passing Cullercoats I saw the first colour breaking through on the horizon, which is what you hope for on a freezing cold morning like this. Not many folk around at this hour, just the odd dog walker and a couple of photographers with tripods - must be mad! Today though, it was time to give my Lee Filters a run out - something of a rarity, which I need to address after paying an arm and a leg for them. The set comprises of 3 Neutral Density Grad's - a 0.3, 0.6 and 0.9 - or 1 stop, 2 stops and 3 stops, whichever you prefer. Basically, each filter is clear at the bottom and dark at the top, the shading is graduated and fades out in the middle of each filter, allowing you to balance exposure between the highlights and shadows of your chosen subject. The filters are ideal for Sunrise shots, especially when you have a colourful sky at the top of your frame and darkened rocks at the bottom. Metering off the foreground rocks will expose perfectly for particular area of the shot, but will in turn burn out the detail in the sky. That's where the grads come in handy. After selecting the correct strength filter (based on the difference in f-stops between the dark and bright areas, the filter is then positioned over the highlights in the sky to 'Hold back' the detail in it. Just for the record, the filters are made of resin and are calibrated precisely to reduce the amount of light by either 1,2 or 3 stops - they measure 150x100mm and are dropped into a filter holder (Lee Foundation Kit) that is fitted to the lens. The dark portion of the filter is positioned carefully over the sky to retain detail. In the first two photo's shown here, the rocks and sky are exposed very well, but because of the big difference in f-stops between the two, I had to use two filters together, a 0.9 and 0.6 soft grad, stacked in the holder. Shutter speed was down to 5 seconds for these two shots, so naturally a tripod and remote release switch came into play. The tide was in when I arrived but it seemed to retreat quickly enough, allowing me to pick my spot on the rocks as I shot towards the Lighthouse. The sun rose over to my right, almost out of shot, but I managed to get some colour without panning to far across and losing St Mary's Island altogether.

Feet were stone cold, icicles began to form on the owld snozz, but there was work to be done so I persuaded myself to stop being a pussy and continue the task in hand. And no Blog entry of mine would be complete without a mention of food and drink at some point. As the sun came up and the colours faded I began to limber up for a pit-stop at McDonalds, on the nearby Silverlink. I could almost taste that double sausage n' egg McMuffin and the hot coffee!

Half a dozen photographers were scattered around me, as I packed up my gear and headed onto the sand. I felt I had the best spot out of all of us, so it was worth scrambling down the muddy bank onto those rocks, even though the tide was swirling around below. Fearless photography and all that - or am I just an idiot who puts his camera first? My last offering is a panoramic effort. Well, not strictly true - I simply cropped the top and bottom to create that format after deciding the bulk of the detail lay in the middle portion of the frame. Some nice subtle colour in the sky, coupled with the ancient groynes that add some interest to the right-hand side of the shot, with the focal point being St Mary's Island itself. And that's about all folks - another early start that saw me get to grips once again with those trusty Lee Filters. I feel that I haven't given them a proper run as such, and will use them heavily in the coming weeks and months, along with a new filter that I've just invested in - a Lee Filters 'Big Stopper'. For more details click here.

I ordered this one six months ago and have just recently received it, due to the long waiting list from the supplier. Most definately the most sought after filter in the world! Lets see what I can do with the 'Big Stopper', eh.

See ya soon. AC