Angel Of The North, Gateshead

Static objects like the Angel Of The North are very straightforward subjects to photograph. As always, the light controls the conditions and the photographer controls exposure. A combination of correctness in both areas can yield a great final image, and although there's no such thing as 'correct' weather, as this is entirely open to interpretation based on the type of efffect you wish to achieve. There's no effects in these images though - they are simple daylight shots with plenty of colour under ideal summer weather conditions. As always, I try to include people in my Angel shots to give a sense of scale - The Angel Of The North rises 70 feet, but to anyone who hasn't seen the sculpure up close they obviously don't know the sheer size of it, hence the addition of people as extra's. I shot this first image from an angle that I previously hadn't attempted - crouching low under bushes in a small wasteland near the perimeter path. An overhang of leaves at the top, and grass sprouting from the bottom, frames the Angel quite nicely. There was a lot of broken cloud which sheltered the sun from the Angel every few seconds, so I had to act sharp and release the shutter precisely as the sun shone through, bringing out the natural rusty colour in my subject.

After switching postion to the far side of the Angel I heard voices nearby. People were walking up the path and into my shot - time to add that sense of scale - My second shot shows what I'm talking about. I waited a while longer, hoping more people would come along and lend themselves to my shots, but no-one showed up. Once again I heard voices and got myself ready for some more photography, but this time I got more than I bargained for. A coach load of German tourists had arrived at the site and within a few seconds the place was flooded with them, but this was no good to me, the shot would have been far too busy with that lot in frame. No thanks. Hoards of camera's were clicking away as I packed up my camera and made my way back to the car park. They seemed to be enjoying their experience so who was I to complain, eh. The 'Jormans' have landed!!!

My third shot was taken later that day when I returned to the site after a brief visit to Newcastle. Once again I waited for human intervention, which came in the shape of a mother with young child. The mother disappeared behind the legs of the Angel, leaving the youngster as an extra in my shot once again - now that's what I call scale! The only filtration used on each shot was a 67mm Circular Polarizer (Hoya Pro-1 Digital), rotated accordingly for maximum effect on the sky. All shots were taken handheld, on 'Shutter Speed Priority' (1/30th), using an ISO setting of 100. My trusty old 7D rig done the necessary once again. Can't be without it these days - it's a breeze to work with!

Coming next - Whitley Bay Sunrise - getting to grips with my brand new set of Lee filters.
Cheers, Ash

Herrington Country Park, Sunderland

A former Durham pit site, which was reclaimed and developed into the now known Herrington Country Park, the park is one of the largest in Sunderland and is home to a large selection of events including the Annual County Show, Marie Curie daffodil walk, diabetes UK walk in the park and many more. The park has cycle routes, boating lake, cycle/skate park, large amphitheatre created from grassed embankments and numerous sculptures/art works set out around the park. Herrington Country Park was once the site of Herrington Colliery, which closed in 1985. By that time the colliery waste heap was the largest in the North East and cast in the shadow of Penshaw monument, it was transformed into one of the premier parks of the North East.

A typical summers day presented me with an ideal opportunity to take some shots of the park from nearby Penshaw Hill. This vantage point was ideal as I had the bright sun behind me, bathing the park in light for long spells due to the sparse scattering of clouds. My first shot was taken between two pillars of Penshaw Monument as I faced south towards the park. A shadow of the Monument was cast across the grass embankment in front of where I stood, which was an ideal subject to fill the foreground, which would have been fairly bland without sun and shadow. This shot only shows a small section of Herrington Country Park, which lies to the right of the pond which is seen in the distance. Farm fields make up the bulk of this landscape shot and these are situated between the park and Offerton, just off the A183 single carraigeway. My second shot shows a larger section of the park although this, in fairness, is only a quarter of the actual size of the park. I was drawn to the landscape in front of me when composing the shot, opting not to pan too far to the right where the bright sun was 'Burning out' the sky. Once again, both shots were taken on a Canon 7D with a 18-135mm EF lens. A circular polarizer gave a nice effect to the cloud formation, adding some saturation to the blue sky in the process. The polarizer is a must for landscape shots - mine being a 67mm HOYA PRO 1-DIGITAL affair, picked up on ebay as a used item, but mint condition nevertheless. If you've just bought your first DSLR and fancy knocking out a few landscape shots (Ross!), then give one of these filters a try, they're worth shelling out for.

I'll be back soon. I'm trying to catch up on a backlog of blog images for you, including more low-light work in the shape of a Whitley Bay Sunrise, Latrigg Fell Walk in the English Lake District, Sunrise over Keswick and a few Angel Of The North shots. Until then...

Ash