Showing posts with label monument. Show all posts
Showing posts with label monument. Show all posts

Sunday, 15 January 2012

Seven Sisters - Daily Visits

Hello again. Regular visitors to my Blog page will be aware that during the Winter months I make regular visits to the Copt Hill Barrow, also known locally as the Seven Sisters, situated in Houghton le Spring. A quick 'search' of my Blog will throw up previous entries where I have visited the monument to photograph it during different seasons. I rarely bother photographing it in Summer as the leaves are thick and the silhouette against a bright sunset is nowhere near as effective as it is during Winter when the leaves are long gone. A week of great Sunrise and Sunset photography yielded my latest batch of silhouette shots and I can't remember a week like it, as it was one brilliant sky after another. In the meantime, here is a brief description, copied and pasted from another web page...




Monument: Seven Sisters round barrow, Copt Hill, Houghton le Spring

Parish: Sunderland

County: Tyne and Wear

National Monument number: 32055

National grid reference (s): NZ35344921


The monument includes the round barrow known as Seven Sisters. It is situated in arable land on the western flank of Copt Hill and is 300m south of Copt Hill public house. The barrow mound is 3m high and approximately 25m in diameter. It is of earth and stone construction. The stones include magnesian limestone and sandstone. To the west and north west of the mound there are visible remains of a surrounding bank. An aerial photograph of the monument indicates a further boundary to the west and north of the mound about 25m from the edge of the mound, and a rectilinear cropmark to the east believed to be the terminal of a cursus. Excavation of the barrow in 1877 by Canon William Greenwell and Mr T Robinson revealed that the primary burial was a Neolithic cremation believed to be an example of an axial mortuary structure. There were also several Bronze Age cremations and inhumations, and an early medieval inhumation.


Between Monday 9th and Thursday 12th January I visited the Seven Sisters each day, twice at sunrise and twice at sunset. Winter, especially January, has historically presented the most colourful skies at each end of the day, so if you like to shoot silhouettes then this is one of the best locations in the North-East of England for this type of photography. I'm lucky, I only live round the corner, so within ten minutes of leaving the house I'm 'Set up' and ready to work. During the golden hour - 30 minutes before sunrise and 30 minutes after sunset, I captured many images, all recorded in RAW format at 18 Megapixels on a Canon 7D. I used a bog standard 18-135mm lens and a 10-22mm wide for the images shown here. Each lens gives different results in their own right, although the wide angle glass gets you right up close, almost on the barrow itself, and you can still fit it all in! The close angle offers a sense of drama as the trees tower over the lens, and if the right sky is available, you get drama on a big scale, which is exactly what I was after. Two of my shots show 'One Man And His Dog', which has almost become an obligitory fixture for me when I photograph the Seven Sisters. Scale is quite important here - I always try to include people whenever they present themselves and this place is a favourite haunt for Man and his Best Friend, so you're never short of the odd 'Extra' or two entering the frame. Some folk walk round the barrow when they see me, thinking they might be spoiling my shot by walking over the top, which is never the case, as a walking man and dog offer a nice profile in silhouette (as shown here, shot 3). And there's no escape, as this fella walked round the barrow and I still caught him and his dog. It worked quite well. Just for the record, the first and last of my four shots were taken at Sunset and the middle two at Sunrise. Whether it's 8.30am or 4.00pm it makes little difference, as I was freezing to the bone, despite wearing two fleeces and a jacket as well as the black wooly 'Bin Man' hat. I switch off to the cold - little choice, but looking back I'm glad I did. It wasn't long before I was back in my house and sat down with a cup of coffee while the wife massaged my feet. Well, maybe I made the last bit up, he he, she wouldn't go near my feet with a knotty prop!


And now to the last shot. And it's colour all the way - once again. I love this one. I showed a friend this shot and he thought it had been captured in Africa, of all places. Houghton le Spring is a far cry from the African continent, although you often see the odd 'Elephant' walking in and out of the Silver Grid (Local Chippy). And before I forget, some of you may have noticed the obvious discrepancy - there isn't actually Seven Sisters, but Six, after one was burned down a few years ago by some brain-dead 'Chav' who obviously had nowt else better to do than torch the Monument. Tosser! Ah well, he's cursed now - history and myth of the real Seven Sisters (Witches) will catch up with him sooner or later - card well and truly MARKED. Ah well, it is on that note that I shall wind up my latst Blog entry and finish off by telling you that another scribble or two will follow shortly. As mentioned earlier this week, I planned a visit to Bamburgh Castle on the Northumberland Coast, which is where I eventually ended up yesterday after planning and later postponing my previous attempts to photograph on location.So stay tuned for more low-light Sunrise photography, this time on the sand with the imposing Bamburgh Castle silhoutted against yet another dramatic sky as the sun rose. For a sneak preview check out my Historic Northumberland gallery over at ashleycorr.com (Images 24-27).


Full write-up coming soon.

Ash

Tuesday, 16 August 2011

Penshaw Poppies, Sunderland

The Oilseed Rape had died off near Penshaw Monument, leaving a once bright yellow field a mid shade of green, before the red carpet appeared. And appear it did, as the days turned into a week and a week turned into a fortnight, the poppies were there in abundance near one of the North-East's best known landmarks. I'd been waiting for this for three years. 2008 was the last time this particular field had a show of poppies and I remember taking a couple of shots that eventually ended up going to print, before sitting in a frame. A steady supply adorned the walls of Penshaw Tea Rooms, at the foot of Penshaw Hill. They sold well but I wasn't that impressed with the shots to be honest. I knew the re-appearance of the poppies would give me ample opportunity to put that right, so now I was armed with a Canon 7D it was time to cause some 'Damage'. I'd spoken to Tony, manager of the Tea Rooms and he was in the mood for a new batch of poppy frames, saying I was lucky the poppies were there this year, adding that the owner of the field had told him he intended to apply a chemical to the plants that would kill the poppies as they emerged, but the chemical in question had recently been banned from agricultural use, preventing him from using it. What a pity eh (wink).
As the poppies started to bloom around the edges of the field I decided to wait until the whole field was awash with red, which would really make a picture. A slight worry arose when my trip to Venice was only a few days away. Would my return be too late - would the poppies have died off after ten days? Well ten days later I returned to the UK and the first sign of good weather coincided with my ten minute car journey to Penshaw where I saw the field in great nick. Picture perfect - poppies everywhere. Time to set those idle hands to work. I photographed from the outkirts of the poppy field before making my way through the tangled mess and into the heart of the field where I photographed my best work. A small selection is shown here. This part of the field was the best location to shoot from - an ideal vantage point. Weather was warm, a slight breeze, broken clouds - happy days. I just knew these shots were going to light up my portfolio. I would like to think I got there. Sold a few already and more to go through the channels shortly. I don't know, there's something that attracts folk to photo's like these. All the better if you can include an iconic landmark alongside the red carpet. Say what you want about 'Life Up North', but I love this place. It's all here - the photographs go some way to reinforcing that statement. That is all. The world through my eyes, in photographic form...



Thanks for visiting.

Ashley Corr