Penshaw Countryside

April 2011 saw the Spring weather take a firm hold in Houghton le Spring. It was a mild season in many respects - overcast skies and rain were evident most weeks but we had our fair share of sunshine too. One place I was drawn to, yet again, was Penshaw Hill, a ten minute drive from my home. I supply quite a lot of my work to Penshaw Tea Rooms & Nursery, who in turn sell it on their premises. The Tea Rooms look out onto Penshaw Hill and its dominating Monument, making it an obvious attraction and customers are surrounded by a selection of framed prints, by yours truly. Over the past two and a half years they've sold dozens of frames, including my mounted prints, canvases and postcards. Sales continue to do well as I write, so hopefully that will continue for some time to come. Naturally I'm always on the hunt for new photographs of Penshaw Monument so I tend to visit the National Trust site every few weeks to update my collection. My best selling images up to 2011 were of the nearby poppy fields which I shot during Spring 2008. Since then the oilseed rape hadn't been planted so I didn't get the opportunity to update my poppy shots, which by my own admission, weren't that good. That all changed however in Spring 2011 when I drove past Penshaw Hill towards the A19 dual carraigeway. I noticed to my left that the oilseed rape was in bloom and this signalled the arrival of the poppies once again, although that would follow the yellow carpet once it died off, probably in early May.

My first shot (shown here) was taken on an embankment next to a busy road near Penshaw Hill. I wanted a variation of shots from different points near the field, although the location of Penshaw Monument and the field itself meant I was shooting towards the Monument from similar angles. Situated on the edge of the field I included the wooden fence in the foreground, rather than have little or no interest in this part of the shot, as in my second effort shown below (shot 2).
Again I chose a day when there was plenty of broken cloud - something I prefer to add to landscape shots, as opposed to a clear blue sky or even an overcast one. I like those picture-postcard type shots and I've tried to capture that kind of Spring scene here. In ful bloom I'd say the oilseed rape only lasts a couple of weeks at most. As it begins to die off you begin to see the emergence of the poppies, usually scattered around the outskirts of the field, which was again the case in 2011 as red began to replace yellow. This shot was taken from a position right in the middle of the farmers field. No poppies in these shots though as I knew they'd be getting plenty of attention during the next few weeks, once the yellow had gone. As you can see in my third and final shot, the rapeseed was by now few and far between, but that was ok - I'd got what I wanted and that was that. All I needed now was the poppies, and plenty of them. It was time to update my collection of images and I knew a good batch would sit well in frames too. It wasn't long before the fields were in full bloom - but did I get what I wanted?
Results shortly...

Cheers, Ash

Venice - Part 3 (Fond. Dogana)

The third and final part of my Venice blog concentrates on my journey through San Polo to Fond. Dogana, the most southerly part of the city. I was more than happy with the photographs I'd taken on the east side of the Grand Canal and more opportunities followed as I hit San Polo on the west side - gaining access via the Rialto Bridge. By this time it was early afternoon and the temperature was up there, which isn't something I'm a big fan of. I don't mind big heat, but when there's no let up it usually has me hunting down a shaded refuge for a short while. I remember the tee-shirt I was wearing was stuck to my back for the best part. Yes, I remember it well - navy and white hoops, very similar to that worn by those gondolier chaps. All I needed now was a straw hat and two litres of brylcreem and that was me suddenly impersonating one of them. Mind you, when they're asking 100 Euro's a pop for a 30 minute trip in a gondola, I could have made a few bob! Ah well, maybe another time - for now I'll just stick to impersonating a photographer.

My first shot (above) is a typical scene along the Venice waterways, although I don't remember the exact location. The tower was leaning over to one side, not as much as another famous tower but it was easily noticable along the canal where I stood. Two identical bridges give access to either bank of this particular waterway and these add to the shot considerably - there's hundreds of them in Venice, which often give a good excuse to stop when taking photographs of the oncoming gondola's. Again you can see many motor boats along the waters edge - the Venetian residents equivalent to our 'Car on the drive.' Many of the apartments at each side of the canal actually belong to hotels, although you rarely see a reception entrance or a sign telling you which hotel it is. On thing for sure, these rooms won't come cheap but are probably worth every penny when you're commanding a prime spot in a place like this. I'd love to have photographed Venice at dusk when the place is lit up, especially along the Grand Canal towards Rialto and an overnight stay in Venice would have been the way to go, but seeing as I was based at Jesolo the idea never really got off the ground.
Continuing my journey South towards Canal Della Giudecca finally reached Ponte Lungo, another bridge that led me along a waterside path to my eventual destination - Punta Della Dogana. It was here that I had an excellent view across the water to San Marco (shown here in shot 2), with its dominating Campanile Tower. The sky offered an excellent backdrop with those fluffy white clouds that have a knack of finishing of an excellent landscape shot, or seascape in this case. Of course, the obligatory boat enters the frame to add some foreground interest. The buildings to the right of the shot are situated along the edge of Canal Di San Marco and this is where many of the tourist boats reach Venice from places such as Schiavoni, Arsenale and Punta Sabbioni, which is where I arrived from.

At the tip of Fond. Dogana was a large white statue of a man holding a lizard. The design must have stood around ten feet in height, undraped and sporting a rather small penis. Well, you couldn't help but notice it! Groups of girls stood giggling nearby, pointing, before having their photo took next to it. One girl grabbed the manhood while her friend lifted her camera to take a shot, when this scrawny little fella dressed in a policemans uniform jumped out from seemingly nowhere and went apeshit!!! 'NO TOUCH, NO TOUCH' he shouted, as the startled girl pulled her hand away as if she'd received an electric shock, he he. This fella was obviously the 'New Starter' in the police station and had been assigned to the job no-one else wanted. His brief must have been to stand there there all day and make sure no-one touched the statue. Poor lad was about four-foot nowt and five stone wet through! It was funny watching him from afar, trying to look menacing with his truncheon and handcuffs, big black leather boots and hat. He looked like summat from a Wacky Warehouse kids party - in fancy dress! Wish I'd taken a photo of him now. Ah well...

From there I made my way along the waters edge facing Bacino Di San Marco to Palace Genovese. Crowds were taking a breather on the palace steps looking down towards a young Japanese couple that were having their photographs taken. At first it appeared that they'd just been married but it was soon obvious that they hadn't. Another Japanese guy was taking the shots, probably for his wedding photography portfolio, while a girl followed, occasionally spraying the bride's hair and touching up her make-up. There were many obvious pointers that this was an exercise to promote a photography business in Venice - plus the bride and groom were rowing most of the time! I attached my 300mm lens and took a few candid shots of the wedding shot. Quite pleased with them considering I was in the shadows during the 2 or 3 minutes I was there. The couple looked immaculate though - have to give them that.

Finally it was time to head back over the canal and wait for my boat back to the mainland. I made a few more pictures before reaching the docking area, including a well photographed scene of the Venetian gondoliers with the island of San Giorgio Di Maggiore in the background (shown here, shot 4). The gondola's in the shot were out of service at the time, hence the waterproof blue covers. A quick visit to a nearby toilet followed before I made my way towards the docking point where the Marco Polo boat was due in a few minutes. While waiting I watched the world go by, doing a spot of people watching to kill my last few minutes in Venice. At this point along the promenade are many gift stalls and cafeteria's and if you fancy one of those fake Gucci bags - ya know, the ones that fall to bits after a week, well, there's plenty of African immigrants knocking those out. Barter with them if you decide to take a chance on a bag - these fella's will sell their granny for a few Euro's. One of them tried to grab my arm as I walked past. I told him I wasn't 'That way inclined', then he said 'Quality Dolce Gabbana Leather, Sir'. I thought to me'sel 'He he, leather MY ARSE'. I shook my head and walked past the Garth Crooks lookalike as my boat arrived. That was it - I was out.

Venice - never to be forgotten. Fantastic place!

Back soon...AC

Venice - Part 2 (Rialto Market Area)

Stepping out of St Mark's Square and into the Napoloenic Wing I headed into the unknown through an archway that led me to Calla Larga, which included exclusive shops such as Louis Vuitton. With only my backpack and a map of Venice for company I was about to begin an exploration of this unique City, as a sense of excitement gripped me as to what lay ahead. I was confronted by a maze of narrow streets with tall buildings, which looked like they probably did 50 years ago, retaining character during the passage of time. Many had those old wooden velour shutters, which were all closed, probably to keep the heat at bay. Then again, the residents of Venice mustn't be short of a bob or two, so I reckon Air-Con must come as standard. These three and four storey buildings looked rather run down from the outside but I dare say the interiors are a very different matter. As I stop for a minute to find my bearings, courtesy of my map, I find myself stood outside a pizzeria-stroke-cafe. The smell was something else. What is it about freshly baked bread? I gazed into the window to see an array of pizza, wraps, sandwiches, rolls and cakes. To be honest, I didn't have a clue what was in most of the sandwiches as they were individually labelled in Italian. All I could understand was the prices, and they weren't cheap. I was in there like a dog after a bone, buying a small rolled pizza that looked the best of the bunch. I waited a short while until it was lightly crisped off in a toasting machine before it was handed over in exchange for 5 Euro's. Add to that a 500ml can of coke and I was more than happy, toddling out of the shop with a look of satisfaction on my face. I was now back into the soaring heat as I parked my arse on a nearby bench overlooking Rio Del Veste. Time for lunch.

Feeling a tad more than content after my 15 minute pit-stop I was on my feet again as my map began to draw me towards the famous Rialto Bridge over the Grand Canal. As the early afternoon heat started to get the better of me, I remember taking the odd wrong turn or two before getting back on track and heading through Calla Del Fuseri, which took me in a straight line towards Palace Loredan and eventually to the edge of the Grand Canal. The area was very busy - top heavy tourist numbers in every direction, and that included the canal itself! As well as Gondola's, the canal in front of me was a highway for motor boats carrying food supplies and drinks to the many homes and restaurants on the Venice waterways. The Rialto Bridge (Second shot) was the focal point of interest and not only was it a photogenic subect as the gondola's passed under its arch, but the view from the bridge itself was equally as attractive as I looked back along the Grand Canal. Almost everyone around me were using camera's, and why not, views like this don't come along every day! I'd safely say, with hindsight, that this was my favourite viewpoint in the whole city - an ideal position to capture a bit of everything that Venice had to offer.

More sightseeing followed, as I wandered through more narrow streets that ran parallel with the Grand Canal, heading upstream towards the Pescheria (Fish Market), on the San Polo side of the canal. It certainly wasn't my map that guided me to this point on my journey, but the strong smell of raw fish that filled the air. Intrigue got the better of me so I entered the Fish Market to see exactly what had been landed. I somehow assumed that the catch would have naturally been pulled from the Med, so I was more than surprised when I read the origin of Gamberoni (Jumbo Prawns) and Red Snapper was Argentina. The prawns were like nothing I'd seen before - 'Jumbo' is a modest way of describing them! Money was exchanging hands at a sharp rate as the place was packed with customers looking for a good deal. Best sellers appeared to be Tuna Steaks, Shark, Lobster and Sea Bass, as well as Gamberoni. Brought to the market by boat, the seafood left the premises in Venetian carrier bags, by the dozen. As I passed the last stall on my left an apron clad fisherman was gutting a huge fish on a slab - it's head bared a striking resemblance to John Prescott in more ways than one, just before the knife came down, detaching it from its body. Within a few seconds I was out of the building and enjoying some much needed fresh air. I stood near the jetty where the fish was delivered to the market, looking up the Grand Canal, which is where I captured my third shot (shown here). Gondola's was passing regularly, as well as the usual
motor boats that service the City's businesses and homes. Straddling this section of the Canal were the many buildings, side by side, including Palace Brandolin, Palace Broldu and
Ca' Da Mosto. This was to be the most northern point of Venice that I visited before heading west across San Polo, to my evental destination Punta Delia Dogana, the southern gateway to the Grand Canal.

More of this next time, including some photo's of a Venetian wedding that I stumbled across. Until then, thanks once again for visiting.
Ash

Venice, Italy - Part 1 (San Marco)

Venice - without doubt the most photogenic City I have ever visited. I could be excused for saying Venice is a photographers paradise, and if you're a photography buff yourself then you'll know what I'm getting at if you ever have the pleasure of visiting. I made two trips to Venice within the space of three days - the weather was overcast on the first visit and sunny/cloudy on the second. Weather aside, I intended to make the most of my time here, especially as it may have been my first, second and last visit to this unique place. Water-girt Venice rises on an archipelago of small islands separated by a dense network of waterways, which were rectified down the years, noticably changing the original conformation. Venice lies four kilometers from the mainland and two from the open sea. The longest of the canals, and the widest, is the Grand Canal which divides the city into two main parts that are connected by three bridges - the Bridge of the Scalzi, the Bridge of Rialto and also the Academia. Forty-Five internal canals run into the Grand Canal, which can all be navigated with small boats or gondolas. As many as 350 bridges connect the various zones of the city. Piazza San Marco is a gem among gems in the the field of Italian architecture. This large open space has the Basilica of San Marco, the Palace of Doges and the Logetta (clock tower) on each side. It was here that I made my way into Venice from the boating station after docking a few minutes earlier. The boat trip across from Punta Sabbioni lasted approximately 25 minutes and cost 9 Euro's for a return ticket. The place was crammed with tourists like myself, eager to see what Venice had to offer. The Clock Tower in Piazza San Marco was built between 1496 and 1499 and is undoubtedly one of the most photographed monuments in Venice, mainly because of the two moors that strike the bell at the top of the tower every hour. The Campanile of San Marco is dominated by the lofty bell tower that reaches 100 meters high. Queue's for the tower stretched from its entrance across the way towards the Basilica but I didn't fancy waiting in that lot, opting to explore the more photogenic areas of Veneto instead. Mind you, the view from the top would have been well worth the wait in the queue.

From the Piazzetta I took a swift left turn past the Campanile and into St Mark's Square. Either side of the square is decked with tables and chairs - sit on a chair at your peril! How about 20 Euro's for two cups of coffee - not likely. If you've got money to burn then dive in, but surely no cup of coffee in the world is worth that kind of outlay. Then again, you're paying for the location, a prime spot in the heart of Venice, and that obviously comes at a price. A small orchestra played for the paying customers as they sat watching the world go by. Waiters in white dinner jackets and dicky-bows tended to the customers, lending a rather finishing touch to the art of exclusivety in St Mark's Square. It was interesting to see just how many people were sitting in the restaurant seats - they must have mare money than sense! There was an abundance of Japanese and American tourists among the crowds in St Mark's - many of them formed part of a group that were being guided around the area, enjoying an informal and factual account of ancient Venice up to the present day. I noticed a flyer on the boat across to Venice that advertised a forthcoming open air concert in the square by Sting, former frontman of pop group The Police. The show was billed as Symphonicity, and what a place to play live in on a potentially warm Summer's night. I wonder how much those tickets were going for?

From the Square I headed through the Napoleonic wing, a long walk where exclusive (and very expensive) shops lined the route on one side, with columns along the other that led back into the Square. The first part of Venice had been seen and what an eye-opener it was - a kind of 'How the other half live'. From the Napoleonic Wing I walked through an arch and into Calle Larga, a typical narrow street with high buildings that had plenty of character. At this point the exploration of Venice really started to kick in and I had the feeling I was going to do some serious damage with my camera. It was now time to invite my 10-22mm wide to the party...

To be continued.

Ash

Verona, Italy

With plenty of things to catch up on I'll start with my first ever blog entry of a recent visit to a European City. Although I've visited quite a few capital cities over the last few years I've never actually visited one since I started writing my blog. One of my favourite European cities has to be Rome, in Italy - an excellent place to visit in every aspect. At the beginning of June I visited Italy once again with my family, where we spent seven days on the Venetian Riviera, based at Lido Di Jesolo. This was an ideal base for travelling around northern Italy and my intended 'Hot Spots' for photography were Verona, Lake Garda, and top of the list...Venice. We made visits to all three, and Venice twice, where I photographed some of the places I'd missed during our first visit. We were only at Lake Garda for a couple of hours but it was well worth seeing - more on that another day. Venice was the jewel in the crown though, a place that I'll be writing about at length very soon on my blog. In the meantime, if you'd like to view my Venice slideshow on ashleycorr.com, click here and you will be taken directly to the page. More Venice photographs will be uploaded to my site next week when a new page 'Venice Revisited' will go live.

Todays blog entry concentrates on Verona, a city in Veneto, northern Italy, home to approx. 265,000 inhabitants and one of the seven provincial capitals of the region. It is one of the main tourist destinations in northern Italy, thanks to its artistic heritage, several annual fairs, shows, and operas, such as the lyrical season in the Arena, the ancient amphitheatre built by the Romans. The first shot (above) shows a section of the Arena, which in the past has played host to the likes of U2, Simple Minds, REM and Coldplay, to name just a few. We spent a short time outside the Arena but never went inside, opting to press on and see what the centre of Verona had to offer instead. Arena Di Verona still remains in excellent condition today despite its age. As far as a spectacle is concerned I rate the Coliseum in Rome as a more attractive peice of architecture, although the Arena runs a close second. Having said that, I hear the interior of the Coliseum is no match for that of the Arena, which beats it hands down. Unfortunately I can't verify that - not until I make a return visit, that is. As the grey clouds hung above I headed off through the nearby park with its 'Lemon Squeezer' fountain - quite an eye-catcher! The weather was unsettled according to the forecast on my phone. It looked as though a heavy downpour of rain was imminent. Had to keep an eye on that one as we strolled through Piazza Bra in the old Roman section of the town (see photo 2). Just off the Piazza sits the Palazzo Barbieri, Verona's Town Hall that was completed in 1883.

A walk through Via Mazzini takes you to the centre of Verona which is more commonly known as Piazza Delle Erbe (photo 3). There was plenty of activity here - a large square with shops and restaurants on each side, as well as buildings of architectural interest. Once again a fountain took centre stage, right next to the local market stalls that were also attracting a lot of interest. The Madonna Verona Fountain was built in 1368, although the sculpture on top is much older. The building in the background is the Palazzo Mafei which was completed in 1668. Perched along the top rail are six pagan divinity sculptures - Jupiter, Mercury, Venus, Apollo, Hercules and Minerva. It is one of the few remaining baroque buildings of Verona and is currently used as a mere tourist office! In the Piazza della Erbe you will also find the Lamberti Tower standing at almost 85 metres high. You can climb it if you're fit enough, or spend a Euro and take the lift. Either way its most definately worth it for a panoramic shot of medieval Verona and beyond. Definately recommended.

Romeo, Romeo, where forth art thou Romeo?
Probably third in line behind the American and French guys getting their picture taken rubbing the right breast of Juliet's statue, he he. It's supposed to bring you luck and since she's bronze, she won't slap you! The legendary lovers famed balcony has become a must see stop for tourists visiting Verona. It doesn't matter if they were fictional characters and the balcony was built in the 1930's to provide photo seeking tourists with a photo op, it's fun to dream and imagine Juliet peering out from the balcony waiting for her lover to appear - he never does though - probably down the bookies putting a few Euro's on a nag!

Today, you can stop in the courtyard and see the statue and balcony, although the place is regularly full of tourists having a good old gander. On entering the gates to the courtyard the side walls are covered in graffiti love notes, which is allowed, although you'll be hard pressed to find a blank space to join in the trend. I'm not that superstitious but my sister wrote a note asking to find a special person and that same night she met a nice guy in Venice - he took her out to an exclusive restaurant for a a pricey meal washed down with the finest Vino, before legging it out the back door, leaving HER to pick up the bill - charming eh! Juliet's house houses a small museum and temporary art exhibitions. All the frescoes, paintings, and ceramics on display are genuine antiques from the 16th and 17th century, however, none of them have ever belonged to the Capulets. Photo number 4 (shown here) is the Romeo & Juliet Balcony. What I would have given to throw a bucket of cold water from the balcony onto the dozens of tourists below, he he. Nowt against tourists mind, I was one of them, but there were screaming kids all over the place and I must have been clouted at least five times by swinging backpacks. Ah well.

And that's about it folks. Verona - a lovely place - just a pity the weather wasn't better. Again, it was one of those visits where you see only a minute fraction of what is on offer. Who knows, I might get back there one day to see more.

Coming next - VENICE

Cheers, Ash

Hatching Out - Mute Swans 2011

I finally got round to posting again on my blog - it's been a while! I've been busy with other things recently, although the photography hasn't suffered because of it - I've got stacks of new images to get through and they will be uploaded soon on ashleycorr.com.

More on that later.

Just a quick update on the Mute Swans that were nesting at nearby Rainton Meadows, Houghton le Spring. After visiting the nest site a few weeks ago I saw a clutch of six eggs, but for reasons unknown only two eggs actually hatched. Whether the nest had been robbed at some point or predators had possibly destroyed the other eggs, who knows. I managed to get over to the site shortly after the two remaining eggs had hatched and here are a couple of photographs from my visit. Both the Cobb and Hen were present as the new cygnets took their maiden voyage on one of the ponds at Rainton Meadows. I didn't get too close however as both parents made it clear upon my arrival that they weren't gonna tolerate any arseing about on my part. Of course the bread came in very handy - the key to those close-up photographs. Weather was fine. Plenty of sun and blue sky. Just the ticket. The birds were literally a couple of feet away from me as I photographed them, with the Cobb guarding them closely as I worked. I made sure not to move around quickly as any sudden movement is usually met with disapproval from both parent swans and if I pushed my luck I was going to get a dig of some sort. Didn't want that did I.

Two nights later I was photographing another family of Mute Swans at Herrington Park near Penshaw Monument. There were seven chicks at this location and they looked approximately ten days old. They must have been fed heavily by visitors to the park earlier in the day as they weren't interested in a feed, preferring to doze off at the waters edge, making photography a bit of a non-starter. I was sat roughly six feet away from them but they just didn't want to know. I normally photograph Mute Swans a lot during the breeding season but 2011 has seen me concentrate more on landscape shots that I had pre-planned earlier in the year. I've also had one or two other things on the go so my nature photography in general has taken a back seat of late. Never mind, there's always next year. I keep toying with the idea of buying a full-on telephoto lens, possibly 500mm, maybe 600mm, but the asking price always puts me off. To me, this type of kit is a must for nature photography, especially birds. I'll stick to landscape photography for now.

I'll be back soon with some photographs and write-up's, including Local Landscapes, Local Landmarks and Live Music Photography. There's also some new 'On Location' shots to come, in the shape of my recent visit to Italy. I photographed the unique city of Venice, plus Verona and Lake Garda...COMING SOON!

Until then, see ya later,

Ash

Hillside Cemetery, Houghton le Spring

From the peaceful idyllic setting of the Northumberland Coast at Dunstanburgh to an eerie yet fascinating site in Houghton le Spring - Hillside Cemetery. I've lived in Houghton for twelve years now, yet it's only recently that this local site has come to my attention. I never knew of its existance until a few years ago when a story went to print in the Sunderland Echo regarding a gang of youths that had recently vandalised the graveyard, including the opening of a tomb. Many headstones were either felled or smashed during this rampage of sheer mindless vandalism, causing outrage in the local community. I don't know whether the culprits were ever brought to book, but the cemetery was later cleaned of all grafitti and some of the headstones were raised back into position to restore the site to a semblance of normality. In December 2003 following a public meeting, the Friends of Houghton Hillside Cemetery were formed and since the formation of the group the site is slowly returning to its former glory. So far the group have carried out substantial conservation works within the site and also secured funds which saw the restoration of the Lych Gate and Railings at the entrance. They have also held their own fund raising events such as their annual open days, a sponsored graveyard gallop and more recently in 2008 a sponsored 10 mile walk. The walk was undertaken in atrocious weather conditions as it rained from beginning to end but this did not deter the Friends who took part. Tours of the site are undertaken several times each year and each time are attended by new visitors to the site together with many visitors who support the group year after year.

Hillside is a cemetery located on the outskirts of Houghton Le Spring and the recently restored Lych Gate can be seen when driving along Houghton Cut on the A690 towards Sunderland. It is in actual fact not a cemetery but a detached burial ground for St Michaels and All Angels Church, however, it is more often than not referred to as 'the old cemetery'. It was consecrated in 1854 by Rector John Grey after a lot of controversy as the site was initially a quarry. There had been an outbreak of Cholera in Houghton Le Spring and as the churchyard surrounding St Michael & All Angels Church was full another site had to be found. Eventually after a lot of debating the Hillside site was consecrated. Initially the main entrance to the site was through Hillside Farm next door but in 1873 the Lych Gate was built and this became the entrance. The Lych Gate was damaged due to a road traffic accident in the 1960's. Due to the site being used less and less the Lych Gate soon became overgrown with ivy and other climbing plants. Although the site was a split level site, Hillside soon started to fill up and it was found necessary to have an extension which was opened in 1894. This also coincided with the opening of the Municipal Cemetery on Durham Road in Houghton Le Spring but as the municipal did not at the time have a consecrated area the authorities were forced to extend Hillside. There were about 7000 burials in total took place at Hillside.

The last burial took place at Hillside in the 1970’s. Also, when the A690 was built through Houghton Cut in the 1960’s the cemetery was forgotten about. Sunderland Street, where the cemetery is located, became a dead end due to the recently built dual carriageway. Hillside quickly became overgrown and a haven for wildlife. During the building of the A690 the headstones on the plateau area of the site were bulldozed and plateau levelled. The stones are supposedly buried in the top left hand corner of the site. There are over 7000 people buried at Hillside including Rector Grey and Thomas Usherwood Robinson. Thomas Usherwood Robinson being the main objector in the controversy! Ironic to think that even though he was one of the main objectors he ended up at Hillside in the end.

A conversation with a workmate who lives in the nearby village of Fence Houses turned to the subject of Hillside Cemetery. He encouraged me to make a visit with my camera as the cemetary was an interesting place to photograph. I said I would take his advice and get my arse up there, sooner rather than later. Since the conversation I often wondered what this place actually looked like, after hearing tales of this strange place that is situated on a hillside, just five minutes drive from my house. It was by chance that the following day I had my car booked in for its annual MOT test, at a garage just down the road from Hillside Cemetery. Instead of waiting in the garage while my car was being tested I decided to take a walk up to the cemetary and return to collect my car later. I had an hour to kill so off I trudged, up the bank to the main Lych Gate entrance (pictured here - photo one). Walking through the arch I headed along the path towards a plateau next to the cliff face. There were a dozen or so headstones scattered about and a recently erected memorial cross to honour the miners that had died at Houghton Colliery down the years, before its eventual closure in 1981. The place was desolate, just me and my camera phone, walking around this odd place that must have had many a story behind it, unknown to me.

As I found myself at the far end of the plateau I stood next to the memorial cross and looked back across the plateau. It was at this point I thought to myself 'Is this all there is'. It certainly didn't live up to my expectations. I was told there were many gravestones standing up against the cliff face, but I didn't see any. I was about to head back to the entrance of the cemetary when I noticed a break in the trees behind the memorial stone. Intrigued, I walked into the wooded area on a well used path - obviously there was more to Hillside Cemetery than first meets the eye. As I walked into the woods I noticed what looked like a gravestone, then another, and another. By now my mind was working overtime and it suddenly dawned on me that my visit to Hillside Cemetery was only just beginning. I hadn't seen anything yet! What lay ahead was something of completed astonishment - dozens of graves in a completely overgrown wooded area. It was definately a surreal moment, like a scene from the set of a horror movie. I was half expecting some zombie like figure to crawl out from the undergrowth and tell me to get back to the garage, as my car had failed its MOT with four broken coil springs, he he. I've visited some unusual places in my time but nothing like this. And to think, I'd been living on its doorstep for over a decade!

The majority of the gravestones were vandalised. Many dated back to early nineteenth century - etchings on some were barely visible through erosion over the passage of time. As I walked further into the site I noticed a large black char mark on the ground, obviously the result of a fire by some locals - maybe even lit during a night time vigil whilst camping, who knows. Rather them than me. Nearby I noticed a blanket sticking out of the earth. I scraped at it with my foot, wondering what lay inside it. Maybe a pet had been buried at this spot. Just then my mobile phone rang loudly - I nearly shat myself!!! Places like this have a habit of hightening your senses and every little sound is heard, like a twig snapping nearby, or did it? Was my mind playing games with me, I wondered. It was broad daylight yet I wasn't having any of it. Call me a pussycat, but you had to be in the thick of this place to realise its ability to unnerve. Another moment to forget was when I kneeled down to brush away leaves on a felled gravestone. I remember reading 'Aged 3 years' as a roosting pigeon in the tree above decided to fly off, making a racket in the process. Again, I missed a heart beat and feared a change of underwear was on the cards if I stayed here any longer. Time to go collect my car!

Hillside Cemetery - a place I'll not forget in a hurry. A fascinating place.
I'll be back soon. Thanks for visiting - Ash