Friday, 15 April 2011

Where Spring Meets Summer

Hello again! The months of March and April are traditionally Spring months, although the end of March signals the official beginning of BST - British Summer Time. Todays blog entry combines the two seasons, so my latest photo offerings reflect those typical Spring/Summer sights that are fairly commonplace during this time of year. Flowers, such as daffodils, typify everything that Spring is synonomous with, so I was keen to capture one or two scenes containing daffs at the height of the season. My first shot shows blooming daffs at a local English Heritage site - Finchale Abbey, County Durham. I made a previous visit to the ancient site a few weeks ago but the daffodils had just sprouted so I was way too early for the shots I was after. A calculated revisit brought me better luck though. I knew I had to be there early to catch the sun hitting the abbey from it's 'best side', and in turn bringing the best colour out of the flowers. As I walked through Cocken Wood towards the abbey I could tell instantly that my preparations had paid off - the sun was shining brightly and a burst of yellow could be easily seen between the trees as I walked the approach path. I was now in the abbey grounds and determining what settings to run with when a massive cloud slowly passed over, taking the sun out of the equation - great (not)! After 15 minutes or so it had passed over and I was off and running again. Bright sunlight and no breeze - perfect conditions. Wide angle was the way to go, guaranteeing full coverage of the abbey facade and flower bed in the foreground. Infact, I was practically in amongst the daffs to begin with, shooting low angle up a slight incline. Handheld, with a small aperture, the camera delivered a pin sharp image from my first effort, which was the whole objective, and a quick review on the histogram and monitor and gave me the thumbs up. I took full advantage of the conditions and pulled in at least 20 good shots from different angles, in both portrait and landscape format. These daffs don't last too long so better to strike while the iron is hot. Don't think I'll be back here this year so it was a simple case of making the most of my opportunity. I submitted this Finchale Abbey image to Tyne-Tees Television and it was shown on their weather bulletin a few hours later. The footage can be seen here, by activating the video clip on the control panel. My second Spring shot, which also features daffodils, was taken at Staithes, an olde worlde fishing village on the North-Yorkshire coast. A viewpoint near Cowbar Nab, the highest point at Staithes, offers an excellent view over the rooftops and harbour, including the river that runs through the village. As far as photogenic fishing villages are, Staithes is as good as it gets in this part of the world. Exploring the tight streets throws up many photo opportunities too and the character of the place has been retained after all these years - it often feels like you're in a different age as you walk the cobbles. There's a nice watering hole in Staithes too - The Cod And Lobster, so a pint of Yorkshire Ale is a canny little option before walking back up the very steep hill to the car park. I'd recommend Staithes if you're in the area - it's well worth visiting. My next shot (three) was captured by simply being in the right place at the right time. I was in Northumberland, travelling back from my visit to Warkworth Castle during the lambing season. Another possibility for a typical Spring type shot. Parking off road was very limited as I drove through the country lanes, until I reached a junction in the middle of nowhere. I noticed a few lambs jumping around in the corner of a nearby field so I grabbed my 300mm telephoto, fitted it, then got out the car and headed across the road. At the edge of the field was a sheep, sitting minding its own business when Mr 'CameraGluedToHis Face' showed up! One of the lambs was sitting on it's mothers back, which is something I've never seen before. Now this would be a shot and a half! Just as I raised the camera to my eye the sheep stood up and I feared the shot would be missed, but it stood there for a few seconds with the lamb still sitting, so I took full advantage by firing off a few shots in quick burst mode. The sheep then walked away and the lamb slid from its back and onto its feet. This shots epitomises the phrase 'capturing the moment'. Finally, shot 4, taken in Mowbray Gardens, Sunderland town centre. This is the colour of Spring, jumping out at the camera. Beautifully maintained flower beds and lawns, with added features like water fountains, bandstands and statues - more of that to follow in my next blog entry. Here is a quick preview, taken early on an April morning when the place was quiet, give or take the odd person here and there. Gone are the wino's and stray dogs - Mowbray Gardens is on the up, judging by what I saw as I walked through its grounds for the first time in years. The adjoining Museum and Winter Gardens are quite picturesque too and I have some shots of these that I will add to my next blog entry, coming soon. Until then, catch ya later... Ash

Saturday, 9 April 2011

Many Thanks!

Many thanks to everyone who has visited my website. The hit counter has increased dramatically this year, even as recently as January when it was approaching 40,000. Since then, almost three months ago, ashleycorr.com has had a further 5,000 hits and counting. I aim to fulfil my promise of regular updates, not just in image form but in blog posts, which I enjoy adding each week. Already in 2011, ashleycorr.com has had 43 updates and that number will continue to rise throughout the rest of the year.

Thanks also to everyone who has purchased my work in it's various formats, not only through my site but also the local outlets where it is currently available. New ideas are in the pipeline and more details will be released soon, so be sure to revisit my blog for full details.


More photographs to come shortly. Thanks again.

Ash

Tuesday, 5 April 2011

Tyne-Tees Television (Parts 25-28)

It's time for another video clip, in the shape of some recent images I sent in to Tyne-Tees Television. I am a regular contributor to the daily weather bulletins as I submit my work that reflects our regional weather. Quite often my photo's are shown on the day I send them in, via email, which is always nice, and even better to be able to share them with visitors to my Blog. The screenshot (shown here) is the 25th photo that I've had shown on ITV's regional weather bulletin since I started last year - I accidentally deleted the footage for this one so it doesn't appear on the video clip below. Instead I managed to get a still image from the footage that has now been transferred to dvd. Not a clear image by any means, a similar one can be found here on my blog. Taken at nearby Rainton Meadows it shows a Mute Swan with a nice backdrop of broken cloud on a blue sky. A nice Spring image that I captured during a quiet Sunday morning at the nature reserve. That bird must be sick of the sight of my camera by now. Aye well, it aint seen nowt yet! The video footage below shows the following images... (1) Seven Sisters In The Fog....... (2) Angel Of The North At Night....... (3) Finchale Abbey, County Durham .......And that's all for now. I'm planning a visit into Sunderland tomorrow to grab some colourful shots in Mowbray Gardens, and if the weather is smiling I might try and squeeze in a trip to the beach at Seaburn and Roker. We'll see what tomorrow brings. Thanks again for visiting. Ash

Sunday, 3 April 2011

Copt Hill Barrow (Seven Sisters)

I wish I was given a fiver for each time I've visited the Copt Hill Barrow, known locally as the Seven Sisters. Only six trees are standing these days, plus a sapling, which brings the total back to seven after one tree was burnt down. The sapling is always vunerable to vandals although no-one has had a go at it to date (touch wood - no pun intended). As regular visitors to my blog will be aware, the Seven Sisters is situated in my home town of Houghton le Spring and it is literally five minutes drive from my house, so I often make visits outside of the Summer season. The reason I miss out Summer is simply for photographic reasons - nothing else. The Sisters are much more photogenic when they've shed their leaves so I'm a regular visitor during Spring and Winter when I can grab some nice silhouette shots. As you can imagine, I've made countless visits to this place down the years and the resulting images are always different. Here are two recent examples that perfectly illustrate the changing mood that the weather can bring.


The first shot was taken in mid-March, on a cold foggy morning. I hadn't photographed the Seven Sisters in fog before so it was time to put that right by making a visit, with visibility being very low as I drove up to the Copt Hill Public House car park. I met a dog walker as I was in position taking my first shots near the path that leads you to the barrow from the top of the field. As she was heading over the barrow with her dog she kindly offered to pose for a short while as I took more shots. A big THANK YOU to Sue and Henry for making the first shot (above) possible. I love it - captured the moment nicely!


The second, and more recent shot, was taken just before sunset as we entered the last few days of March. I had been out somewhere in the car and was heading home along the A690 when I noticed how low the sun was, and also how full and orangey it appeared. Normally, just before sunset, the sun is so bright that the glow around it is blown out and it's shape isn't visible. Today there was almost no surrounding glow, just a perfectly round deep orange sun, on it's way down and quickly approaching the skyline. As I had my camera bag with me I made a quick diversion and drove up to the location once again. A quick dash from the car to the barrow gave me enough time to take half a dozen quick shots before the sun had set. I just made it in time. There were no dog walkers about today though - just as well as it must have looked odd seeing a grown bloke legging it over the field with a large back-pack bouncing up and down. Oh dear!


Anyway, no tripod involved in these two shots - both were handheld. I'll be uploading them to my website very soon, on a page dedicated to the Copt Hill Barrow (Seven Sisters), that's if there's any room left on the page!


Next up - I'll be blogging again with some accompanying Springtime shots.

Until then, thanks for reading.

Ash

Saturday, 2 April 2011

Bowlees, Middleton in Teesdale

Now and again I find myself photographing scenes that contain water, whether it be a seascape, a river scene or simply a waterfall, which are very few and far between in my neck of the woods. Waterfalls in the north-east of England are usually confined to an area approxiametely 35 miles from my home, in a place called Middleton in Teesdale. There's a few dotted about in this region - High Force is the best known, followed by Low Force and Cauldron Snout. On the approach road to High Force, the B6277, look out for the signpost 'Bowlees Visitor Centre, which is tucked away behind trees off the road. A short drive leads you to the car park which offers free parking all day. From here, follow the signpost that leads you to the wooded area where you'll find 'Gibsons Cave', a waterfall at the end of the route. The woodland path ends at Gibsons Cave but there's no fence stopping you from getting nearer to the falls so I took advantage and stepped over the rocks to find a decent position to shoot from. A couple of test shots later and I'd found myself a decent spot. Three legs down and the camera was then perched and primed.


My first shot (shown here) was taken en route as I walked through the woods towards the cave. It's a simple waterfall, with a drop of around 10 feet, and it's a taster of what's to come further up the path. I've visited Gibson's Cave on two previous occasions, the last being a couple of years ago around the same time of year. Depending on recent rainfall you'll see the main waterfall in different moods. As I reached the cave it was immediately obvious that the flow of water from the top wasn't as forceful as the last time I was here. There was plenty of water cascading at the top, before dropping below on the fairly still waters, but it definately wasn't as dramatic as before when it was in full flow after a heavy rainfall. Nevertheless these waterfalls always make for good photographs if you know your slow shutter speeds. A one second shutter gave me these two shots, together with a very small aperture to give max depth of field (that's front to back sharpness). I had me wellies on, so getting me feet wet wasn't a problem, just the slippery rocks I had to negotiate on my way into position. I was the only person at the site during the 30 minutes I was photographing, which was fine by me. From there I was back into the car and making my way back to Houghton, listening to the Wales versus England football match as I drove.


Pretty dull weather today. Ideal for waterfall shots though. Hope you like them. Catch ya later,

Ash

Thursday, 31 March 2011

Mute Swans At Dusk

As promised, some new images that I captured last week at Rainton Meadows, Gods Country. With the nights getting lighter and the days seemingly becoming longer, it's been an ideal time to get out with the camera in my locality. Rainton Meadows Nature Reserve is part of the Durham Wildlife Trust and is situated just off the A690 in Houghton le Spring, five minutes drive from my home. Readers of my blog will no doubt have read about my previous visits to Rainton Meadows, especially during the Spring/Summer months when the place is a hive of activity. Many birds breed on the reserve during this time and this in turn attracts many visitors to the site, all of which are encouraged to stick to the designated footpaths - myself included (ahem!).


As the sun dropped I decided to get my arse into gear so I headed round the meadows to catch a decent sunset. It was quite chilly, but when you find the swans in a prime location on the plot you tend not to feel the cold. I suppose you're that pre-occupied with landing some good shots that some of your senses become almost immune to the elements as your concentration levels are hiked somewhat. Mute Swans can be quite temperamental though, don't get too close, and beware otherwise you might get a pecked mush! During the last few years of photographing these birds I've had one or two close calls with them, but have never been clobbered as yet. Saying that, I'll probably get fettled during the coming nesting season when I push my luck near one of their nests. Down the years I've picked up a fair knowledge of their behaviour and especially their tolerance levels around people, or predators as they would percieve them. I always photograph from a safe distance, usually with my 300mm lens, although some Mute Swans are very tame and even feed from your hand, so getting up close to them is quite normal and they don't react. Never take them for granted though, as I've heard one or two stories where the swan has laid the law down and showed what it's capable of when riled.


As the sun was about to set I fired off a few frames - ISO 100, aperture priority, using a flashgun instead of built-in speedlight, and recording each image in RAW format at a resolution of 18 megapixels, pulling in massive files of 102 megabytes apeice. Mind you, these creatures are a lot easier to photograph than most birds, mainly due to the fact they aren't very mobile, especially on the water. A loaf of bread is a must. Swans at the far end of a pond will very quickly swim across to you at the chance of a feed. Once I was photographing Mute Swans with a dramatic sunset backdrop, then I ran out of Warburtons. Disaster! The birds buggered off in no time and there I was, feeling a bit blown out - they'd scoffed me 'quid-fifty' loaf and done a runner!!! For each good shot you achieve, you can easily land two or three poor ones, but taking plenty of shots will normally up the total of 'keepers' when you review them later on. You're obviously aware of the welfare of the swans as you're photographing them, especially when using a flashgun, although on this occasion they weren't at all startled by the bright light.


I photographed the swans at the waters edge for roughly ten minutes before packing my gear away and heading out of the reserve. There was no-one else around at this time, give or take the odd dog walker here and there, so the place was well calm - just the sounds of birdlife and a shotgun cracking in a nearby farmers field. Oh well, time to make me'sel scarce.


I don't know what it is that attracts me and the camera to Mute Swans. One this is certain though - the ability to capture nice photographs of these birds is never too far away when you've got the rights components in front of ya. Still waters, a sunset backdrop, a pair of swans - oh, and don't forget the loaf o' breed, eh.


Catch ya later, Ash

Monday, 28 March 2011

Warkworth Castle, Northumberland

Warkworth Castle was originally a Scottish motte castle - a wooden fortification on top of a mound, built in the mid twelfth century by Earl Henry of Northumberland, son of King David of Scotland. By 1158 Warkworth was in English hands, and Henry II gave the castle to Roger FitzRichard. Work began on turning the original wooden fortification into a stone castle. During wars between England and Scotland in the thirteenth and fourteenth centuries, Warkworth became a major defensive position. Following two sieges by the Scots, Edward II presented Warkworth to the powerful Percy family, who were obliged to provide defense against Scotland in return. It was in the late fourteenth century that Henry Percy built the huge keep which dominates Warkworth Castle. In 1536 the Percys were involved with the Pilgrimage of Grace, the north's attempt to rebel against Henry VIII's decision to change England's religion from Catholicism to Protestantism. This was the beginning of a period of wildly fluctuating Percy fortunes. Under Henry VIII the Percy family lost Warkworth and their castle at Alnwick, had their holdings returned to them by the catholic Mary Tudor, only to lose them again under Mary's successor Elizabeth I. Elizabeth's reign was to see the end of the Percys as power brokers. Warkworth declined with the Percys, and suffered damage during the Civil War in the seventeenth century. It was at this point that the once mighty Percy family finally abandoned Warkworth. In the late seventeenth century all Percy estates passed to the Smithsons, who confusingly took the name Percy. They carried out some repair work. In 1922 Warkworth was given to the state, and is now administered by English Heritage. Several castles, including Warkworth, were used as locations for the film Elizabeth. It's around this time of year that I make my first trip to Northumberland when the countryside embraces the new season. Farmers fields are brimming with spring lambs and the country lanes and villages are awash with daffodils. All you need to finish it off is a bright sunny day with little or no breeze and you're laughing. My trip up the A1(M) was potentially a good one for photography as all the elements were present and my batteries were fully charged so I was raring to go. My intention was to photograph the rugged coastline at Dunstanburgh, but although the tide was ideal, the sea itself was quite calm - not much good for those 'Crashing Wave' shots. As a result, last minute changes were put it place and it was time to press ahead with Plan B. I headed back inland to Warkworth, a small ancient and picturesque village, unspoilt by modern development, which is built on a rocky spur within a tight loop of the River Coquet. Its skyline is dominated by the magnificent Warkworth Castle, home to an impressive 15th century keep and courtyard – one of the finest preserved in the country. In spring the castle is surrounded by the vibrant colours of hundreds of golden daffodils but when I arrived the daffs weren't in bloom - I was a week or so early! With a nice blue sky and broken cloud above I decided to pay a visit to Warkworth Castle, which was by now my second time. I coughed up the £3.00 parking fee, which was refundable when buying an entry ticket to the castle, before grabbing my kit and making my way inside. The girl in the castle shop was quite eccentric and wouldn't have looked out of place on the set of 'The League Of Gentlemen'. After I declined the offer to buy a tour book I was given a verbal history of the place, which kept me there for a good ten minutes. During this time I occasionally glanced out the window, hoping the sun wouldn't disappear before I'd taken my first shot. She eventually ran out of steam and I hastily headed for the door - my history lesson was over...phew! There were a dozen or so visitors in the castle grounds, plus a handful of kids who were running amok with plastic swords as part of a war game. Today was an ideal opportunity to grab some nice shots of Warkworth Castle as conditions were spot on and I had all the gear I needed. Time to start work. I ran off a dozen or so shots with my Canon 7D - some with the 18-135mm lens, but the majority with the 10-22mm wide attached. All shots were taken handheld due to the bright sunlight that bathed the castle walls - not a tripod in sight! I was also running with a £7 circular polarising filter that I picked up on eBay, due to my Hoya version falling to bits recently. Using the CPL was a must, especially the way the sky was behaving. And on the subject of behaviour, he he, the kids with the plastic swords were running all over the castle grounds by now. They were re-enacting a medieval war by the sound of things. Every ten seconds I could hear the cry of 'Who goes there' as one kid chased the other. Anyway, they vanished quickly enough and I continued to photograph the semi-octagonal tower in front of me through the camera viewfinder. Without realising, one of the kids had sneaked up behind me, shouting 'WHO GOES THERE' as he pressed his placka sword against the back of my neck. I nearly shat me'sel!!! I had a brief look inside the castle tower but there wasn't a great deal of photographic interest. As I walked around I tried to visualise what this place looked like in its day, in its glory. Inside are the complex remains of a range of buildings, with the tall Lion Tower and Little Stair Tower giving access to the Great Hall. I only took one photograph within the tower itself, from the foot of the main staircase as the sun shone brightly through the landing window above. This, and the other photographs from my visit, can be seen on a dedicated page of my website. Click this link to visit the page directly - Warkworth Castle, Northumberland. Thanks for visiting my blog page. I'll be back soon with another update which features some night time photography of a pair of Mute Swans, plus some waterfall shots from a location in Teesdale. Until then, see ya. Ash